, Lin, Baishui Mountain. Vice President of China Famous Painting and Calligraphy Research Institute, Vice President of China Huaxia Painting Institute, Academician of China Painting and Calligraphy Institute and President of China Yilin Painting and Calligraphy Institute. Good at meticulous flowers and birds, good at people and animals.
Chinese name: Lin Ziliang.
Alias: Lin Quan
Nationality: China.
Ethnic group: Han nationality
Place of birth: Shandong
Date of birth:1May, 966
Occupation: painter
Graduate school: Shandong Institute of Arts and Crafts.
The main achievement: "The country is beautiful, the scenery is beautiful, and China is spring."
Representative works: "Beautiful scenery and beautiful spring scenery in China"
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Lin Ziliang was obsessed with painting and calligraphy since he was a child. He painted when he saw mountains, rivers, flowers, birds, fish and insects. From 1987, he entered Shandong University of Arts and Crafts, focusing on meticulous flowers and birds, and being good at figures and animals. I have studied under teachers such as Yu, He Jiaying and so on for many times. Pay equal attention to work and writing, rich and exquisite works, good at sketching. Years of accumulation and life experience have made a breakthrough in his painting style. His painting style has two styles: meticulous painting and freehand brushwork. Exquisite and bright colors, freehand brushwork originated from the historical precipitation of Mingshui ink painting techniques in Tang, Song and Yuan Dynasties. He absorbed the simple indulgence of painting techniques of Song people and was compatible with calligraphy pens, creating a new style of vigorous flowers and birds.
He has been engaged in meticulous painting for decades. This persistent courage and perseverance require an indifferent and detached mentality. Meticulous painting is earlier than freehand painting in origin. The theme of painting needs rich expressive force and profound skill, and it needs the painter's years of life experience and understanding and refining of nature. On the other hand, his meticulous brushwork is not only simple but also artistic, that is, both form and spirit! Absorbing nutrition from famous families is even more original: faint lines, neutral colors, clever black and white gray and elegant Huang Honglan collocation make the picture full of agility, transparency and relaxation. At the same time, we can tap the sentiment and philosophy of life, and realize the rich color beauty and profound artistic appeal of western painting from the taste of pen and ink.
Especially the peony in his works is dignified, rich and peaceful. Give people fresh and graceful, elegant and subtle elegance. Over the years, my special feelings for peony in Heze, Shandong Province are not so much the peony domesticated by nature as the emotional reappearance influenced by peony. This just confirms his painting style: the wonderful fusion of realm and emotion.
In particular, the freehand eagle, according to the structure and shape of ink, pays equal attention to meticulous painting, incisively and vividly. On the basis of realistic meticulous brushwork, let go of bold ink, converge in width, and combine different points, hooks and stains according to the direction and shape of feathers to make the brushwork vivid and clean. His freehand brushwork of the eagle gives people a simple pen and ink, which is extremely varied, simple and not thin. His brushwork is both rigid and flexible, combining dynamic and static, which fully shows the various majestic postures of the eagle.
His painting style is not limited to the ancients in form and color. On the basis of traditional techniques, he paid attention to the relationship between China's painting language and China culture. At the same time, he integrated China's Buddhism, Taoism and Confucianism into his works. Through his efforts on the unique pen and ink language of China's paintings, he realized the basic human nature and spiritual sentiment contained in traditional culture, grasped the cultivation and essence of life, and was diligent in innovation and profound.
In the process of understanding the art of life, painters often seek a kind of spiritual harmony. Endow art with corresponding spirit, morality and emotion. Art form is the carrier for artists to express their emotions and spirits, emotions and interests. At present, in the period of the great development of traditional pen and ink and modern culture, he has devoted himself to his profound artistic foundation, and his unique meticulous style is unique. Although it goes without saying, it is full of fresh artistic charm. His accomplishments in painting and calligraphy will be a bright star in the field of painting and calligraphy.