Question 1: What font was used in the Southern and Northern Dynasties and the Northern Qi Dynasty? According to the stone tablets unearthed from the Southern and Northern Dynasties and the Northern Qi Dynasty, at least the Northern Qi Dynasty also used regular script at that time.
Question 2: What are the main fonts of social Chinese characters in the Wei, Jin, Southern and Northern Dynasties and the Sui and Tang Dynasties? The calligraphy art of the Wei, Jin, Southern and Northern Dynasties:
1: Three Kingdoms Period
During the Three Kingdoms Period, Official script began to decline from its peak status in the Han Dynasty to regular script, and regular script became another main body of calligraphy art. Regular script, also known as Zhengshu and Zhenshu, was created by Zhong Yao. It was during the Three Kingdoms period that regular script entered the history of stone carving. "Jian Ji Zhi Biao" from the Three Kingdoms (Wei) period. "Declaration Form" and so on have become the treasures of EMI.
2: The Two Jin Dynasties
In the Jin Dynasty, "elegance" and "elegance" were advocated in life and affairs, and the pursuit of the beauty of neutrality and elegance in art was promoted. Calligraphy masters emerged in large numbers and were simple and simple. The elegant and elegant artistic taste of the two kings (Wang Xizhi and Wang Xianzhi) catered to the requirements of the scholar-bureaucrats. People increasingly realized that writing also had an aesthetic value. The calligrapher who best represents the spirit of the Wei and Jin Dynasties and is the most influential in the history of calligraphy is Wang Xizhi, known as the Saint of Calligraphy. Wang Xizhi's "Lanting Preface" in running script is known as "the best running script in the world". Commentators say that the writing style is as floating as floating clouds and as powerful as a frightening dragon. His son Wang Xianzhi's "Luo Shen Fu" has a strong calligraphy style and is the first creation of 'Broken body' and 'one-stroke calligraphy' have made great contributions to the history of calligraphy. With the support of calligraphy families such as Lu Ji, Wei Jin, Suo Jing, Wang Dao, Xie An, Jian Liang, etc., Southern Calligraphy is quite prosperous. Yang Xin of the Song Dynasty, Wang Sengqian of the Qi Dynasty, Xiao Ziyun of the Liang Dynasty, and Zhiyong Chen of the Southern Dynasty all followed in his footsteps.
When calligraphy was at its peak during the Jin Dynasty, it was mainly reflected in running script, which is a font between cursive script and regular script. His representative works are Sanxi, namely "Bo Yuan Tie", "Kuaixue Shiqing Tie" and "Mid-Autumn Tie".
3: Northern and Southern Dynasties
During the Northern and Southern Dynasties, Chinese calligraphy art entered the era of northern stele and southern inscription.
The Northern Wei Dynasty and Eastern Wei Dynasty were the most exquisite in calligraphy on stele inscriptions in the Northern Dynasties, and their styles were also diverse. His representative works include "Zhang Menglong Monument" and "Respecting the Envoy Monument". Representative works among the inscriptions include: "Zhencao Qianziwen". In the Northern Dynasties, there were many engraved stones to praise ancestors and reveal family fortunes. For example, in the northern steles and southern inscriptions, in northern regular script and south lines, in the northern dynasty, people in the south, and in the north and south, these are all differences in foundation.
For example, on the north and south The representative work of both schools is Nanliang's "He Ming". The "Zheng Wengong Stele" of the Northern Wei Dynasty can be said to be a double star of the north and the south. Most of the writers of the northern school were common people and the books were anonymous. Therefore, they were crowned in calligraphy and were known as the "sage of books". The northern school Wang Youjun.
During the Sui and Tang Dynasties, the regular script style represented by Wang Xizhi was the most widespread
Question 3: The popular fonts during the Three Kingdoms, Jin and Southern and Northern Dynasties were mainly from the Wei, Jin, Southern and Northern Dynasties, when society was turbulent and people lived in dire straits. Among them, Buddhism and Taoism, which meet the needs of social consciousness, flourished. The method of promoting Buddhism and Taoism is to regard writing sutras as a great merit. Especially in Buddhism, whenever a new temple, pagoda or Buddha statue is built, literary scholars must be hired to write articles to record the events. Some were chiseling stones to make monuments, or carving on natural rock walls. For a time, the fashion of erecting monuments, which was popular in the Han Dynasty, turned to the Buddhist practice of building temples, pagodas, and erecting monuments and carving stones. Although wars continued in the four seas, the desire for immortality through statues became even more intense. There were tens of millions of Buddhist inscriptions carved on stone all over the mountains and valleys. Wei Stele came into being.
The calligraphy strokes of the Wei stele are rigorous, simple and lively, and as rich as the engravings. It inherits the Han Li script at the top and Tang Kai script at the bottom, and has the charm of both Li and Kai script. Its calligraphy art was developed and evolved on the basis of Han Li and Jin Kai, and it can be regarded as the best among Han steles. Ancient and modern calligraphers have given the highest praise to this stele, which can be said to be a collection of Han stele.
Question 4: What font was used in the Tang Dynasty? In the Qin Dynasty, Xiaozhuan was designated as the official font, but the calligraphy of Xiaozhuan was troublesome. Therefore, in the Qin and Han Dynasties, officials mainly wrote official script. By the Tang Dynasty, regular script was the official font, and running script should be more common in daily life. In fact, running script originated very early. Wang Xizhi's "Lanting Preface" is known as the best running script in the world.
See: dibo.gdut.edu/...hi
Question 5: What font was used in the Tang Dynasty? Time: 2011-12-9 5:23:16 What font was used in the Tang Dynasty? (Question number: thukaognmn7523412220) The answer is as follows: Xiaozhuan was designated as the official font in the Qin Dynasty, but writing Xiaozhuan was troublesome, so in the Qin and Han Dynasties, officials mainly wrote official script. In the Tang Dynasty, regular script was the official font, and running script should be more common in daily life. In fact, running script originated very early. Wang Xizhi's "Lanting Preface" is known as the best running script in the world. See: Calligraphy is a unique art in China, my country’s earliest ancient Chinese character materials, oracle bone inscriptions and bronze inscriptions in the middle and late Shang Dynasty. "Shuowen Jie Zi Preface" says: "Qin Shu has eight styles, one is called large seal script, the second is called small seal script, the third is called engraved symbols, the fourth is called insect script, the fifth is called copy seal, the sixth is called signed script, the seventh is called script, and the eighth is called "official script." basically summarizes the appearance of fonts at this time. Oracle Bone Inscriptions Bronze Inscriptions During the Spring and Autumn Period and the Warring States Period, the writing styles of various countries were very different, which was a major obstacle to economic and cultural development. Qin Shihuang unified the world and unified the national writing system. The script after the unification of the Qin Dynasty was called Xiaozhuan, which was based on the bronze inscriptions and stone drum inscriptions, deleting the complex and simplifying it. . "Shuowen Jie Zi Preface" says: "Qin Shu has eight styles, one is called large seal script, the second is called small seal script, the third is called engraved symbols, the fourth is called insect script, the fifth is called copy seal, the sixth is called signed script, the seventh is called script, and the eighth is called "official script." basically summarizes the appearance of fonts at this time. Seal Script Taishan Carved Stone (Seal Script) The Wei and Jin Dynasties were a generation that had both seal, official, and cursive styles and perfected them. Han Li finalized the basic form of square Chinese characters. The process of official script development gave birth to regular script, while regular script and cursive script had already sprouted at the same time as official script was produced. Regular script, running script and cursive script were finalized in the Wei and Jin Dynasties for two hundred years. The Wei and Jin Dynasties created two majestic calligraphy innovators - Zhong Yao and Wang Xizhi. They opened a new page in the history of the development of Chinese calligraphy. He set an example of the beauty of real calligraphy, running script and cursive calligraphy. Since then, all dynasties and even Japan in the east have learned calligraphy from the patriarchal "Zhongwang". Wang Xizhi's Orchid Pavilion Preface (cursive script), Zhong Yao's recommendation of Ji Zhibiao (small regular script), Wang Xianzhi's Yatou Wan Tie (cursive script), Wang Xun Boyuan Tie (cursive script), and the calligraphy of the Southern Dynasties inherited the style of the Eastern Jin Dynasty. The calligraphers of the Southern and Northern Dynasties are as brilliant as the stars, and the unknown calligraphers are the mainstream. Among the calligraphy of the Northern and Southern Dynasties, the Wei stele is the most outstanding. Wei stele is a general term for the stone carving calligraphy of the Northern Wei Dynasty and the Southern and Northern Dynasties that are similar to the calligraphy style of the Northern Wei Dynasty. It is the calligraphy of the transition period from the official script of the Han Dynasty to the regular script of the Tang Dynasty. Zhiyong's Thousand-Character Classic (regular script) Zhang Menglong Stele (Wei Stele) Official script appeared in the Han Dynasty, which was characterized by silkworm heads and swallow tails, which made Chinese characters more square and upright. In terms of brushwork, it also broke through the single center stroke, laying the foundation for various calligraphy schools in the future. Base. Cao Quan Stele (official script) Zhang Qian Stele The establishment of the Tang Dynasty ended the nearly three hundred years of turmoil since the Western Jin Dynasty. The culture of the Tang Dynasty was extensive, profound and brilliant, reaching the highest peak of China's feudal culture. It can be said that "calligraphy reached its peak in the early Tang Dynasty." Ink ink in the Tang Dynasty has been passed down to this day more than in previous generations, and a large number of tablets have left behind precious calligraphy. work. Yan Zhenqing's Yan Qinli Stele (Yan Kai) Liu Gongquan's Mysterious Pagoda Stele (Liu Kai) Ouyang Xun's Jiucheng Palace Liquan Inscription (Ou Kai) Zhang Xu's Note on Belly Pain (cursive) Huai Su's Self-narrative Note (cursive) Chu Suiliang's Preface to the Holy Religion of the Wild Goose Pagoda ( Regular script) Although the calligraphy art of the Five Dynasties and Ten Kingdoms continued from the late Tang Dynasty, it formed a general trend of decline and decline. When Su Shi commented on the calligraphy of the Five Dynasties, he said: "Since the death of the Yanliu family, the brushwork has declined. In addition to the chaos in the late Tang Dynasty, the characters have withered, and the literary talent has been swept away. Du Yanggong Ning style, outstanding handwriting, there are 'two kings', Yan, Liu Zhiyu, he is truly a hero of calligraphy, and he will not be forgotten by the times." Yang Ningshi's Chive Calligraphy (cursive calligraphy) Yanxiu Wang's Fashu Garden (kuangcao) The development of calligraphy in the Song Dynasty was relatively slow. Zhao Guangyi, Emperor Taizong of the Song Dynasty, paid attention to calligraphy and ink, purchased the calligraphy of famous ancient emperors and officials, and ordered the servant king to copy and engrave the banned calligraphy into ten volumes. This is the "Chunhua Pavilion Tie". "Every minister who visits the second government will give him a gift." Half of the posts are the works of the "two kings". Therefore, calligraphy in the early Song Dynasty belongs to the "two kings". The same clan king followed the post, but the people of Song Dynasty were far inferior to those of Tang Dynasty. Therefore, some critics think that calligraphy has declined while calligraphy has flourished.
Huang Tingjian Songfengge (running script) Zhao Ji Qianzi Wen (running script) Su Shi's Dark Clouds in the Sky calligraphy (running script) Mi Fushu Su calligraphy (running script) In the early Yuan Dynasty, economic and cultural development was not great, and the general situation of calligraphy was to advocate the retro, and the patriarchal Jin and Tang Dynasties Less innovation. Throughout the calligraphy of the Yuan Dynasty, the greatest achievements were still made in Zhenxing cursive script. As for seal script and official script, although there are several famous ones, they are not very outstanding. This type of calligraphy, with Zhen, Xing and Cursive scripts as the mainstream, did not change until the Qing Dynasty. There is a calligraphy style of the Yuan Dynasty, which still followed the Song Dynasty and flourished in Tie Xue, which was descended from the Tang Dynasty and the Jin Dynasty. Although...gt;gt;
Question 6: What font is used to write the thirty-six strategies? And what fonts were mainly used in that dynasty? The term "Thirty-Six Strategies" precedes the year of writing. The etymology can be traced to Tan Daoji, a general of the Song Dynasty in the Southern Dynasty (? - 436 AD). According to "The Biography of Wang Jingze in the Book of Southern Qi": "Thirty-Six Strategies of Tan Gong" , "Going is the best strategy, you and your son should just walk." It means that the defeat is determined and irreversible, and the only way is to retreat. Later generations continued to use this phrase. In Huihong's "Leng Zhai Night Talk" of the Song Dynasty: "Thirty-six strategies, walking is the best strategy.". In the late Ming and early Qing dynasties, more and more people quoted this phrase. So some people collected books and compiled them into "Thirty-Six Strategies". However, it is difficult to confirm when and by whom this book was written.
The period of Wei, Jin, Southern and Northern Dynasties was the mature stage of the development of regular characters, which established the basis for the final form of regular characters. This period inherited the mature period of official script in the Han Dynasty, and started from the regular script, running script and cursive script fonts produced in the transformation of official script in the Han Dynasty. It was a key link in the formation of today's writing system and occupied a very special position in the history of the development of Chinese characters, especially regular script. The Wei, Jin, Southern and Northern Dynasties were also the alternating period of the transition from bamboo slips to paper as writing carriers. During the Wei, Jin, Southern and Northern Dynasties, bamboo slips were the last period when they were widely used. Moreover, the users of bamboo slips during this period were mostly middle- and lower-class officials and warriors, and the writing tools used brushes, which can reflect the true appearance of social word usage. However, due to the complex character carriers used in society during this period and the relatively scattered types of bamboo slip materials, the actual systematic research from the perspective of the development of regular characters appears to be relatively weak. Based on this, carrying out a quantitative investigation and research on the development of regular script in medieval times using bamboo slips as a carrier, and sorting out the inheritance and evolution of ancient characters to the present writing stage, are important gaps in the development process of regular script.
Question 7: Main fonts in the Yin and Shang, Western Zhou, Warring States, Qin, Qin-Han, Eastern Han, Jin, Southern and Northern Dynasties, and Tang dynasties. Yin Shang: Oracle Bone Inscriptions
Western Zhou Dynasty: Bronze Inscriptions
Warring States: Divided into two major systems: "Six Kingdoms script" and "Qin script" (big seal script)
Qin: Small seal script
Qin and Han: Early small seal script, later official script developed maturely , became a common book for official documents
Eastern Han Dynasty: official script
Jin: Western Jin regular script, Eastern Jin cursive script
Southern and Northern Dynasties: The Southern Dynasties inherited the tradition of the Eastern Jin Dynasty, and cursive script was used when writing The main font is the main font, while the Northern Dynasty mainly uses the font of official script which is constantly evolving in form and quality
Tang Dynasty: regular script
Question 8: What was used in the Chen Dynasty of the Southern Dynasty During the Southern and Northern Dynasties, Chinese calligraphy art entered the era of northern stele and southern calligraphy.
The era of written stone carvings.
Calligraphy is mainly regular script, with cursive script, Yan style and Liu style. . . . . .