Liu Gongquan's calligraphy works in regular script 1
Liu Gongquan's regular script calligraphy works Figure 2
Liu Gongquan's regular script calligraphy works Figure 3
Liu Gongquan's regular script calligraphy works Figure 4
Liu Gongquan's regular script calligraphy works Figure 5
Liu Gongquan (778 -865), a Jing Zhao Chinese in the Tang Dynasty, was called Prince Taishi. What about Liu? . What will happen to future generations? Yan Liu? And called them calligraphy, which became a model of calligraphy in past dynasties. His calligraphy is vigorous and vigorous, and his words are rigorous and meticulous. As far as the characteristics of Chinese characters are concerned, they are famous for their thinness and strength. The regular script written is beautiful and strong, and the running script and regular script are the most exquisite.
Liu Gongquan (Liu Ti) in Tang Dynasty: His regular script is clean and vigorous, with rigorous structure, exquisite brushwork and vigorous brushwork, which is world-renowned? Liu ti
Liu Gongquan, 13th year of Dali, Tang Daizong (AD 778)? Tang Yizong Xian Tong six years (AD 865, at the age of 88. Jingzhao Huayuan (now Yaoxian County, Shaanxi Province) was born. Prince Shao Shi's palace, so the world says? What about Liu? . He began to learn from Wang Xizhi, the brushwork of Ou Yangxun and Yan Zhenqing, and then set up his own family. The regular script written is beautiful and strong. Compared with Yan Ti, Liu Zi is slightly thinner, so there is? Yan gu? Known as. Mu Zong asked Liu Gongquan how to use a pen, and Gongquan answered? Use a pen in your heart, your heart is regular, and your pen is correct. ? Mu Gong changed his face for this, just as his pen warned him. Song Zhu Wenchang's Mo Chi says:? The official script of public power is the best, but the grass can't do it. Its method is mainly based on beauty, but it is rich and famous. ? At first, he learned Wang Xizhi's brushwork, and later read the modern calligraphy from the beginning, so he tried his best to change the right army method, learn from Yan Zhenqing, and assimilate his new ideas, so that his calligraphy avoided the posture of' horizontal thinness and vertical coarseness', adopted a balanced and fine posture, and steadily chased Wei Bei, making his brushwork simple and beautiful, vigorous and compact. Many later scholars took Liu Zi as a model.
He was a 29-year-old scholar and served as a junior official in the local area. Later, Tang Muzong came across his handwriting. Once called to Chang 'an by the imperial court. Liu Gongquan was in his forties at that time. His character is both backbone and meticulous. Similarly, his handwriting also reveals this part of his characteristics. Because of this, his reputation and position in Chang 'an have been improved, and the general princes and nobles are scrambling to invite him with huge sums of money.
Calligraphy in the late Tang Dynasty experienced prosperity in the middle Tang Dynasty, but it also experienced ups and downs. Although Liu Gongquan became famous for a period of time, he was still slightly better than Yan Shu. Calligraphy flourished in the Tang Dynasty, but now it has declined. Liu Gongquan's regular script involves Ou Yangxun's brushwork, and some strokes are often closely interspersed, which is particularly broad, fine and angular. Although the pen was written by Yan Zhenqing, it is different from Yan Zhenqing's vigorous and broad style, which is particularly heroic.
Liu Gongquan died at the age of eighty. He served seven emperors and finally died as the Prince of Shao Shi.