Zhao Mengfu, whose name is En Fa, is a hundred rivers, three hundred stone-printed jade Weng, and the owner of Shandexuan. 1946 was born in Chongqing, and is a contemporary red painter in China. Qi Baishi passed on his disciples again, and his painting style was studied by Li Keran, a master of Chinese painting.
Over the years, I have been constantly innovating on the basis of learning and inheriting traditional painting, and learning from the past is not muddy. Learn landscape painting, learn from others' strengths and achieve mastery through a comprehensive study, especially red landscape, danqing landscape and landscape feng shui painting. The works are vast and magnificent, which can be described as far away from Wan Li, giving viewers a sense of shock. In particular, Feng Shui landscape painting combines the composition and brushwork of red landscape and golden green landscape, making its works both artistic and humanistic. There is a sense of nature and space, and the color of pen and ink is just right, which has reached the realm of appealing to both refined and popular tastes. The structural layout of its landscape paintings is subtle and atmospheric, with pen and ink blending, dry and wet complementation and Lian Bi double gold. The works advocate "verve", and the pen tip, abdomen and root are used freely, and the brushwork is ever-changing.
Character achievement:
At present, he is a national first-class artist, a national first-class calligrapher, a Chinese and foreign cultural exchange artist in China, the vice president of Chongqing Yuzhou Painting and Calligraphy Institute, and the chairman of Chongqing Branch of the League of Nations Artists Association.
In 2005, the works "Gu Song Wealth" and "National Colors and Scenes" were collected by Lien Chan, chairman of the Kuomintang in Taiwan Province.
In 2008, hundreds of thousands of paintings and calligraphy works were auctioned for Wenchuan earthquake relief, all of which were donated to the disaster area; In the same year, the work "Jiangshan Gu Yong" was exhibited in Beijing Bird's Nest.
In 2009, the work "Brilliant Mountain Red in the Prosperous Age" was collected by the Great Hall of the People.
The 20 10 work "Rising Sun" was exhibited at the Shanghai World Expo.
Yun Qi Mountain Deeper 20 14 was collected by Talabek Massa Diekoff, Director of the United Nations Political Department.
The work "Red Rhyme" 20 16 was collected by Russian Repin Academy of Fine Arts.
In 2020, the works Dancing Spring Breeze and The Best Fragrance in the World were collected by Riyue Gorge National Forest Park Management Office.
202 1 The calligraphy work "As Good as Water" participated in the exhibition "Round the Chinese Dream, Strive for a New Era"
He has been to Korea, Bahrain, Russia, Japan, Singapore, Thailand and Taiwan Province Province to participate in art exchange exhibitions. His works have been collected by Mao Zedong Collection Art Museum, Mao Zedong Memorial Hall and many national museums and dignitaries, and have made outstanding contributions to the exchange of Chinese and foreign traditional cultures.
Award-winning honor:
Appreciation of works:
The red landscape painting "Glorious Mountain Red in the Prosperous Age" is his masterpiece. His works have a broad picture and swallow mountains and rivers, which can be described as all-encompassing: mountains and rivers, lakes, waterfalls, red leaves, clouds, pine trees, houses and so on. There is a sense of harmony and tranquility, which means national peace, people's safety and family prosperity. Moreover, the layout of his works is ingenious, the arrangement is reasonable, and the pictures are hidden. The waterfall flows into the ingot-shaped lake, and the house is placed in the middle of the "ingot", which means that the financial resources are rolling; Rich and full of doors; Rain and fog transpiration, Xiaguang reflects the meaning of purple gas coming from the east; Pine and cypress are tall and straight, which means longevity and good luck; Overlapping mountains means rising to the top, and so on. Look at the vast gray, Wan Li Xia Guang; Happy and lush, looking for wax figures. In the vertical and horizontal strokes, the painter wishes the motherland strong and the people rich and healthy. His works not only have profound traditional accumulation, but also have a distinct flavor of the times, which is magnificent and magnificent.
The masterpiece Jiangshan Gu Yong was exhibited at the Bird's Nest in Beijing. It depicts the Great Wall winding through Wan Li, highlighting the "Wan Li" trend of the Great Wall. In the distance, the clouds are around the top of the mountain, and the mountain is beautiful. The Great Golden Wall nearby is in full swing, with lush trees. The whole work vividly depicts the atmosphere of the Great Wall. In the magnificent Bohai Sea, in the lonely desert beyond the Great Wall, in the mountains rising from the ground, in the dusty ancient road. A magnificent and magical golden dragon is flying, and that is the immortal Great Wall.
Famous comments:
Liu Wenxi: Liu Wenxi, vice chairman of China Artists Association, commented that Professor Zhao Mengfu's works "are actually empty, empty is true, and the virtual and the real coexist, which really achieves the great achievement of breaking the reality with empty".
Zhao: General Zhao, the founding general, wrote an inscription for Professor Zhao Mengfu, saying that his paintings inherited the painting techniques of Qi Painting School, integrated the painting style of Master Li Keran, the founder of Li Painting School, and integrated his knowledge and understanding of all things in nature into his own works, creating exquisite Chinese paintings, which is "a great painter in the contemporary world".
Gu Xiulian: Gu Xiulian, Vice Chairman of the National People's Congress Standing Committee (NPCSC), personally hosted a banquet to meet Professor Zhao Mengfu and spoke highly of it. He is known as a "painting genius".
Fan Ceng: Fan Ceng, a master of Chinese studies, commented on Professor Zhao Mengfu's "learning from the strengths of many schools, learning from the essence of a hundred schools, sticking to tradition and being brave in innovation".
Li Keran: Teacher Li Keran has high hopes for Zhao Mengfu, and told Professor Zhao Mengfu that "painting is the height, painting is the style of calligraphy, and efforts should be made to achieve both calligraphy and painting and create greater glories".
Appreciation of works: