Jing kaishu

Weaken the unnecessary frustration of lifting and pressing, and realize fast writing on the premise of ensuring beauty. The design of this font is completely based on the practicality of students, so as to avoid children wasting time and taking detours in calligraphy art.

The first method:

Cross shoulders, vertical pens at the lower ends of the thickness, vertical pens to write left meaning, and position to write center line.

The second method:

Use the word "factory" to make the head cross, shoulder-resistant, and not cross-connected more beautiful. As wide as the middle of a willow leaf, the pen is long and stretched.

The third law:

The horizontal length of the cloth prefix is traditional, first left and then horizontal. The order of strokes comes from the meaning of seal script, and both regular script and running script react.

The fourth method:

The left prefix is horizontally short, and the horizontal short stroke is long. The stroke order is the same as that of seal script.

The fifth law:

Three-frame enclosure has short upper horizontal, short upper horizontal and long lower horizontal, and the upper horizontal is not connected with the vertical, so the vertical pen is healthier.

The sixth law:

The word "no" is horizontal, the upper end of the vertical pen is vertical and thick, and the lower right is inclined. The vertical pen must hang down.

The seventh law:

The vertical knife is exposed vertically, and the position is written in the middle and upper part. The vertical hook bends vertically to the right, like a crossbow.

The eighth law:

The left side of the box is exposed and must be vertical. The left side is short and the right side is long and divided into yin and yang, and the two vertical backs are elastic.

The ninth law:

It is wonderful to write a big character on it, and it is also a good way to keep it low. Change the word to the bottom, and the pen is slightly higher.

The tenth law:

The herringbone head is spread out, the lower end is not horizontal, the lower end is high in yin and yang, and the lower structure is sent inward.

Eleventh law:

Shan Liren stood alone, his head hanging like an angle, his pen was thin and thick, and his nib was drawn on his stomach.

Twelfth law:

Don't bend the hook to the left, just like a stool standing on its side legs, the stool standing on its side, and the hook leaning to the center of gravity.

Thirteenth law:

Most of the changes in children's part are left hand, left vertical hand and downward oblique hand. Write the goose hook stroke.

The fourteenth law:

In the lower part, it passes through the shoulder, it stretches into a vertical hook, and at the outer edge, it is like an ancient clock. Is left-right symmetry the key?

The fifteenth law:

The point of the Beijing character can be vertical, the pen point falls on the center line, the side point is separated from the horizontal phase, and the lower part narrows the horizontal pen exhibition.

The sixteenth law:

The water of the two points should echo, the centers should be close together, the first point should be slightly to the right, and the front should point to the right.

The seventeenth law:

The bald treasure cover is like dew, the horizontal thin shoulder hook is full, the hook front points to the pen head, and the treasure cover narrows and spreads down.

Eighteenth law:

The hook near the hard ear should not be large, and the horizontal pen should be low and not high. Vertical pen should be hung horizontally, and left writing should be hung horizontally.