Appreciation of Chu Suiliang's regular script;
Appreciation of Chu Suiliang's Regular Script 1
Appreciation of Chu Suiliang's regular script II
Appreciation of Chu Suiliang's regular script III
Appreciation of Chu Suiliang's regular script 4
Appreciation of Chu Suiliang's regular script 5
Su Dongpo s evaluation of Chu Suiliang;
In the article "After Six Books in Tang Dynasty", the six calligraphy masters in Sui and Tang Dynasties were evaluated one by one:
? Forever, the Zen master's book is strong and steady, and his body is wonderful. He can do his best, but he is weak. If you read Peng Taoze's poems, if you don't accept them at first, you will know their strangeness. ? Ouyang leads a better team, especially lowercase letters. South Korea sent messengers to buy his books, and Gaozu sighed: Look at his books and think he is a great man. ? This is not a real knowledge book. People who know books, like others, are more likely to sleep with cold eyes and are sensitive to others. Looking at their books now, they are bold and sharp, which is just called their appearance and ears. ? Chu Henan books Qingyuan Xiaosan, slightly mixed official style. Zhang Changshi cursive script is self-sufficient and draws a little. What is the so-called divine escape? . Today, Chang 'an still has a book with a long history, The Story of Langguan Stone Pillar, which is simple and far-reaching, just like the people in Jin and Song Dynasties. ? Yan's calligraphy is unique and turns the past into the law. For example, Du Zimei's poem "Gree Tianzong" has been romantic since the Han, Wei, Jin, Tang and Song Dynasties, and it is hard for later writers not to be caught off guard. ? Liu's books are out of beauty, but they can create new ideas. A word is worth a hundred dollars, not empty talk. ?