1, horizontal painting and horizontal painting keep the characteristics of official script, often extending to the font boundary or even beyond the boundary;
2. Compared with official script, the glyph is flat and square;
3. The outstanding feature is that the left hand extends to both sides, and the thick strokes and peak lifting before closing the pen make the whole glyph heavy and steady, slightly flying, regular and dynamic, with aesthetic value.
Wei stele style is also called Longmen style and Yiquezong style, because the representative work of Wei Bei's calligraphy is the inscription on the statue of Northern Wei Dynasty about 1000 square in Longmen Grottoes. Among them, the most representative is the twenty squares, which are called the twenty products of Longmen. That is, the portrait of Mrs. Wei Chi, the wife of Mu Liangliang, the wife of Wang Taiwei of Changle, the portrait of Zhang Yuanzu, the portrait of her deceased father Hui, the detailed portrait of Beihai, the portrait of Sima Jie Boda, the portrait of Gao Guifei of the Sea Kingdom, and the portrait of Sun Bao. A statue of a bhikkhu's feelings for his dead parents, a statue of Guang Chuan's grandmother Hou as his late husband Helan Khan, a statue of thirty-four people as emperors, a statue of Guang Chuan's grandmother Hou, a statue of a bhikkhu who was born as a filial emperor and a mother and son of Beihai King, a statue of a city owner as a filial emperor, and a statue of Anding King. The name of twenty products was first seen in Guang Yi Zhou Shuang Tan by Kang Youwei and Fang Ruo's essays on proofreading tablets in the late Qing Dynasty. Since then, it has been recognized by the society and regarded as a model of Weibei calligraphy, which is not only treasured at home, but also famous overseas. The calligraphy art of Longmen Erjing is tall and straight, simple and heavy, vigorous and magnificent. Its rows are regular, neatly arranged and symmetrical in size; The writing style is between Li and Kai, showing its mature and transitional style of inheriting Li and Kai. If we analyze it carefully, the 20 pieces of Longmen can be divided into several works with different artistic styles. Kang Youwei is divided into four parts, namely, Yang Dayan, Wei Lingzang, Yi Fu, Gan Hui, Taoist master, Sun Qiusheng and Zheng Changyou all deeply participated in the integration; Changle Wang, Guang, Taifeihou and Gaoshuduan are integrated; Xie Boda and Wang Yuan in Qixian county are integrated. Cixiang and the king, the king of stability, are one. For example, from the analysis of the structure and pen characteristics, Yang Dayan, Wei Lingzang, Huicheng, Gan Hui, Taoist, Sun Qiusheng, Zheng Changyou, Helan Khan and other products are dignified and steady, with the center of gravity concentrated in the middle and slightly on the upper side, without the feeling of looseness and sagging; The brushwork is tough and angular, undulating like a knife, firm and sharp. Wei Chi, Yi Fu, Jieboda and Shu Gao products are basically the same as the above crystal styles, but the strokes are thinner, which makes them look handsome and refreshing in stability. The above items are considered by calligraphers to be the most typical representative works of Longmen calligraphy art style. In addition, such as Yuan Xiang, Yuan Xie, Gao Hema, etc., their pens are often round and their writing is fluent, which means that they write regular script. Guang, Yuan, Fa Sheng, etc. The brushwork is exquisite, angular and rounded, just like Tang Kai later. Cixiang Yipin is more free and soft in writing, very unique and unique, showing the unique calligraphy style of Weibei.
Answer them all.