The key is to take the posture properly. When it is right, it is right. When it is right, it is right. When it is round, it is round. When it is square, it is square. Sometimes it may be the right pos

The key is to take the posture properly. When it is right, it is right. When it is right, it is right. When it is round, it is round. When it is square, it is square. Sometimes it may be the right position of a certain stroke, sometimes it may be the right position of a certain part, and sometimes it may be the right position. The correction of a certain character requires the calligrapher's ingenuity and ingenuity. Seventh, the word axis runs through to the end. Due to the requirements of straightness and staggering, if not done properly, the character axis will often deviate from the center line of the character row, which will destroy the flow of Qi, make the rows and columns indistinct, and make the composition confusing. I believe that no matter how the characters are aligned, scattered, or changed in size, the axis of the characters must always remain on a central line, striving to connect up and down, and embody a sense of cohesion. Only in this way can the "flowing energy" be vivid, powerful, simple and dignified. .

Eight is the character color with clear layers. The color of the characters is achieved by the shades and smoothness of the ink. The thick one makes it irritable, the light one moistens it. I think that adjusting ink is the basic condition for forming the shade of ink, and using ink is an important means to create a smooth artistic level. Therefore, adjusting the ink color well only meets the basic requirements of calligraphy works. How to use ink to take risks and harmonize at this level? Using moistening to extract beauty creates an artistic three-dimensional vision. This is a practical test of the calligrapher's technique of using ink. To produce this effect, you must use your brain to control ink. My experience is that after writing about six or seven words with one dip in ink, the ink on the pen will change from thick to light, then from light to astringent, or even dry. At this time, dip in ink again and continue writing, and the timing of dipping in ink for each line Naturally staggered, there will be changes in the ink color levels, forming an artistic sublimation from flat straight writing to three-dimensional dynamic.