1, big and small
The size of the finger knot. When creating, we must pay attention to the change of the size of words and avoid rigidity.
2, thick accumulation and thin hair
We often say that pens should be affordable and can be pressed. Lifting means that we dare to suddenly write with a pen tip under normal writing conditions. Although we write with a pen tip, there must be changes in lifting and pressing, so we must write hard, not tracing. The so-called pressure is to dare to let the brush eat paper in a large area, and even use the flank. What I want to explain here is that although the strokes are heavy, we should also look at the strokes, and the strokes should have texture.
3. Dry and humid
Dry means that the ink on the brush is almost used up, and then it appears white. Wet, naturally, is the state when it is just dipped in ink. At this time, the words written are prone to ink rising, and the words after ink rising must be recognizable, otherwise they are ink pigs. Look at the pen dry, look at the shape wet, and the transition between dry and wet should be natural.
4. Sparse and dense
In addition to considerable pen and ink skills, it is more important to standardize the whole article. Chen Jiaqiang calligraphy training
5. Honesty and integrity
In a masterpiece of calligraphy, there must be opposites and uneven levels.
6. Connecting and disconnecting
Refers to the connection between words. There should be no hard and fast rules for breaking and connecting, but there must be no response.
7. Sensibility and rationality
Sensibility and willfulness; Be rational and arrange skillfully. The repeated use of sensibility and rationality can not only express the author's emotional changes, but also play a role in regulating the rhythm in form, making the work more rhythmic and more touching to the audience.