Her appearance is always eye-catching. No matter how long she lived in seclusion before, it is effortless to return.
On 20 12, the writer wrote an article called "City Girl Xu". The general view is that Xu became Xu because she borrowed the power of male celebrities, but was not controlled by them. She saw their talents, but she knew how to use them correctly.
If you ask me, that article didn't catch fire, but the title was too plain. Why don't you change it to the woman who waded across the river of men?
Five years later, Xu Jinglei came back.
From Never Married to Women's Rights, the argument with Ma Dong and the argument with Jiang, in the final analysis, are all aimed at promoting the release of her new film Kidnapper. Such a straightforward and clear business purpose is not disgusting at all.
People who didn't like The Woman Crossing the Man River in those days have to praise Xu now.
She lives so comfortably. It turns out that the goddess lasts forever, not because of her young appearance, but because of the constant pursuit of middle-aged literary men.
Other women are still aging in the rotation of men. A little better, such as Zhou Gongzi, is enough to seal the gods with the immortality of love.
Only Xu can draw nutrients from men and then complete the leap from one section to another. From jade actress, blogger and calligrapher to female directors, from Wang Shuo, Zhang Yadong, Sambo and Han Han to Huang Lixing.
Looking closely, isn't this leap and integration exactly the dream of Jia Yueting, the founder of LeTV, "eco-rebellion"? The only difference is that Xu is as easy as blowing off dust, while Jia Yueting is hoarse, but her life is often at stake.
Like it or not, men and women should learn from Xu.
2
Huo Bidou and I have always had different views on what kind of person Xu is. Huo Bidou called her a "delicate egoist" and I called her a "truly free woman".
The focus of our debate is: I don't think Xu's "self-interest" is "selfish at the expense of others", and she is not "exquisite" in the usual sense; Fire is funnier than feeling that Xu is too dependent on men and defiles "freedom"
Or Gao is right, maybe it is a "big honey" that can make straight men dream of cancer. What's more, she added the taste of freedom to the "big honey" that straight female cancer patients hate and became sexy.
Moreover, it was probably done in an unfavorable external environment. Five years later, the middle-aged literary man's flirting with Xu became more and more public, and her appearance was flawed.
Xu stayed away from these years, shaking her fan high and constantly mentioning her. In Xiao Shuo, he pulled from a brothel girl to Eisenhower and from his childhood courtyard life to the sunny beach in northern California, but he never forgot to mention Xu, a "big honey".
20 17 Song Lei, who was named after her, once again presented herself as a surprise of old terrier in the new season "The Story of Qipa", and Xu directly took over the burden.
This kind of teasing was played by Patty Hou in The Temptation of Dinner. When talking about Jay Chou, Hou avoided answering, but when talking about education, he took the initiative to mention "listening to his mother".
Through the screen, I felt embarrassed for Lao Xu for the first time. How can she be like the clever and obedient Patty Hou? She should be flying and jumping, especially a "big honey"