Han Li has the beauty of waves and strokes. The so-called wave means that the left line of the stroke is like a curved wave, and it becomes left in the later regular script; The so-called right stroke is open and looks like a swallow-tailed pen. When writing a long horizontal line, the pen begins to cut into the silkworm head facing the front, with the pen in the middle having a wave pitch and a tail at the end. In this way, in the use of pens, the methods of square, round, hiding and revealing are readily available, and the pen gesture is flying and elegant. Structurally, there is a vertical square of Xiao Zhuan, which first becomes a square and then becomes a horizontal square. Han Li has a powerful, extensive, neat and flexible bearing. The reform of official script to seal script includes two aspects: stroke and structure. The method of official transformation has become square. Turn it into a straight curve. Correct the strokes and disconnect. Save the stroke structure and so on. Among them, it is most important to take the potential horizontally and keep the natural state of writing with a brush. Take the potential energy horizontally, send the pen left and right, and the up and down movement is limited. Finally, the eight-point brushwork of sweeping left and picking right is formed. The softness of the brush makes the strokes of Chinese characters have a thick and thin Fiona Fang. Hidden dew and other changes. And word spacing. Narrow line spacing is also a major feature of its composition.
Han Li is exquisite in silk paintings, lacquerware, portraits and uranium mirrors. In the inscription, it shows its broad momentum and unique charm. There are two main forms of existence in Hanli: stone carving and bamboo slips. Most of the official scripts in Wei, Jin, Southern and Northern Dynasties are regular script. There are many calligraphers in the official script of the Tang Dynasty, such as Xu Hao. Song Yuanming's official script can hardly inspire Han Li's brilliance. Until the Qing dynasty. Han Li recovered. Yu Nong, Deng,, how. Don't achieve anything.
Artistic characteristics of official script: Official script is also called "eight-part essay" and "divided essay". It can be roughly divided into Qin Li, Western Han Guli and Han Li. Qin Li was developed on the basis of simplified seal script, so it kept many traces of seal script. The suffix is random, the radical combination is patchy, and the rhythm is clear, which is refreshing. Han Li mainly refers to the inscriptions in the Eastern Han Dynasty, which is a mature official script. At this time, as Wang Peng, a calligrapher in the Qing Dynasty, said, "Li Shu takes Han as the extreme, and each tablet has its own peculiarities, so there is no similarity", which is mainly manifested in the great structural changes, flat and square lines, and the thickness of lines has changed, appearing from round pens. Strokes such as skimming, pressing, folding and dots are formed on the lines. Therefore, it provides a broad space for greatly enriching and improving the artistic expression of calligraphy, and has a great influence on later generations.
Brief introduction of some representative works:
The full name of "Cao Quanbei" is "Han and Yang make Cao Quanbei", and the characters are flat and beautiful. The center stroke hides the head and protects the tail, and the main stroke of each word is thick and stretched. It not only balances the form of words, but also expresses the meaning of books. The whole work gives people a feeling of beauty but not flattery, gorgeous but not vulgar. One of the main models for future generations to learn from Han Li can represent the true colors of Han Li.
The full name of "Zhang Qianbei" is "Fu on Zhang Jun's Table in the Old City of Han Dynasty", which is characterized by its strong stone flavor, refined and restrained style, neat brushwork and little indulgence. At first glance, it gives people a feeling of being clumsy, but at second glance, it is wonderful that "cleverness is reversed by cleverness." "Zhang Qianbei" is a model of the strength school in Han Dynasty, which is based on the square and has strong brushwork.
The full name of "Ode to Shimen" is "Li Si, a captain, Yang Junsong". In Qing Dynasty, Yang Shoujing thought that "his pen is like a wild crane gull, and it is outside the cloud nine". Kang Youwei called it "high muddy" and "verve and grace", which can be seen. Later generations praised this monument many times. Its knots vary in density and size, and it is natural and unrestrained. Flowing, leaving no trace, it is extremely ancient and represents one of Han Li's highest achievements.
Brief introduction of some representatives:
Cai Yong, an eight-point master in the Eastern Han Dynasty, had a book called Xi Shi Ping Jing.
In the Tang Dynasty (685-762), Li Longji (Xuanzong) used a thick and light pen, which was elegant and had no sense of sharpness. There is movement in silence, and there is silence in movement. He is leisurely and carefree.
Peng (1498— 1573) was named bridge three Shoucheng. He is the eldest son of Zheng Wen, a famous calligrapher. Proficient in six books and good at seal script. As a representative figure of Li Shu in Ming Dynasty, his font changed from flat to square, and changed evenly in shape, changing with the writing.
Yi Bingshou (1498— 1573) in Qing Dynasty has similar word groups, numbering Mo Qing and Moan. His calligraphy works are rich in epigraphy. Gu Zhuo's law is profound and strict, he strives for change in stability, and his hitting center has strong penetration.
Lishu is a monument in the evolution of Chinese characters and the development of calligraphy, which has a great influence on later generations. Today, official script is still one of the commonly used characters, so it has been valued by calligraphers and scholars in past dynasties. The master of writing official script is also produced from generation to generation. In addition, there are famous Jin Nong, Zheng Pu, how.