? His works are full of ink, his poems are vigorous and powerful, his calligraphy is vigorous and free and easy, and his pen is like a cloud. You saw it, and you flew away from the horse. Another example is the dragon flying in the sky, which comes from the air and returns to the air.
? His calligraphy incorporates the perseverance and enterprising spirit of Confucianism, as well as the Taoist thought of governing by doing nothing and living in harmony with nature. There is also a magical and rich change, which omits the worldly glitz in his brushwork in order to achieve a far-reaching and authentic taste. See its strength without losing, posture without showing, words like clouds. He studies the past and makes innovations. If there are no leaves in the frost forest, waterfalls fly in, people play in the sea, cranes swim in the sky, floating like clouds, dexterous as dragons, iron books and silver hooks, the most ancient and modern.
His works reflect the wayward side, with his own style and the beauty of "she started like a thunderbolt and vented her anger". His writing style is agile, vigorous, powerful and unpretentious. His words are the crystallization of years of hard training and persistence. They are tall and unconstrained, even the whole line is like the escape of a fairy, coming and going without a trace, like petals, the fragrance is spreading far and wide, the fragrance is getting clearer and clearer, the dragon and snake race away, the inkstone is worn off, its color and shape.
A famous calligraphy critic: Mo Yuan