The Great Attack was created by Zhang Daqian, a famous master of landscape painting in China. The size of this painting is: 1 123x522mm.
The inscription on the painting is: "Begging for soil,,,, Dafeng Hall in Shu County". What the author left behind is: "Painting is related to calligraphy, and the ignorance rate is naive. Otherwise, why does Zhang Dian need to dance swords when he is old?
Daqianju wrote a big polyester clause, imitating the painting of the windy old man. In the past, Wu Daoyuan failed to spend his old age studying in Zhangdian, but retired from studying painting, which benefited his works, so he knew that calligraphy was both a painting and a painting. Eight mountains speak in human language, Daqian remembers. "
Brief introduction of the author
Zhang Daqian (1899~ 1983) was born in Neijiang, Sichuan. Formerly known as Zhengquan, it was later renamed Daqian and Daqian Jushi, followed byNo.. 1908 His mother taught him to draw flowers, birds and insects. When I was young, I went to Kyoto, Japan to learn painting and dyeing and weaving techniques. After returning to China, he indulged in Buddhism, became a monk and practiced hard with his dharma number. After returning to the secular world, he followed his dharma number.
He is good at painting, and likes to draw lotus flowers and meticulous figures. He is unique and wonderful. With Qi Baishi, it has the reputation of "Southern Zhang and Northern Qi". In 1950s, Zhang Daqian lived abroad, during which he lived in Brazil 17 and moved to Taiwan Province Province 1976. Zhang Dayu is good at poetry, calligraphy, painting and seal cutting. In particular, he created the school of light ink and splash ink landscape painting, which promoted the development of modern painting art in China and was an outstanding painter in China.
The saying that "calligraphy and painting are of the same origin" has existed for a long time. According to "Famous Paintings of Past Dynasties", words and paintings were originally created in the same body without distinction. Accordingly, the "source" of painting and calligraphy homology will be traced back to hieroglyphics. But "pictographic characters" is only one of the six books, and there are not many Chinese characters that really belong to "pictographic characters".
Expand the concept of "homology of painting and calligraphy" and point to the tools, means of expression and artistic concepts of painting and calligraphy. The "bone pen" and "quotient position" in the "six methods" of painting are relative to the brushwork and structure of calligraphy. Zhang Yanyuan, a famous painter of past dynasties, also said that when Wang Xianzhi wrote a book, Lu Tanwei drew a stroke, "it is known that painting and calligraphy use one method", which brought the source of painting and calligraphy closer.