Original text:
When Huai Su lived in Lingling, he was poor and had no paper to write on. He planted more than 10,000 plantains and spread them with banana leaves, so he called them "blue sky". Lack of books is to draw a plate of books and a board, and the books are repeatedly worn out.
When Huai Su lived in Lingling, he was so poor that he didn't even have paper to write on. So he planted more than 10,000 plantains, splashed ink with plantain leaves, and called his buddhist nun "Green Temple". First find a wooden pallet and a board, color it, and use it as an inkstone and tablet. Grinding ink every day, writing every day, grinding when the ink is dry, and writing after grinding; Wipe it after writing, and wipe it before writing. Day after day, year after year, the boards are worn out and worn through.
Appreciate:
The pigment in this paper is not the present pigment, but it flows directly from the lacquer tree and can be used for writing. It means that Huai Su has written on a drawing board, which shows the extent of his efforts.
But can Huai Su really go down in history by reflecting on his own practice like this? The conclusion of reflection is that studying without a teacher is like leaving home. If you don't have a clever teacher to guide you to learn calligraphy, then the result will be that you and I walk out of this door instead of entering this door. When Huai Su inquired, it turned out that his distant cousin was a calligrapher named Wu Tong.