Li Luogong's main experience

Li Luogong taught himself calligraphy and painting since childhood. 1936 was admitted to the Shanghai Academy of Fine Arts, 1940 graduated from the Western Painting Department of the Shanghai Academy of Fine Arts,194/kloc-0 held an oil painting exhibition in Shanghai in August, and was admitted to the Art College of Japanese University to study modern oil painting, under the tutelage of Masataro Noguchi and Morikatsu. During his study abroad, his works were selected for the 13th and 14th independent art exhibitions. /kloc-returned to China in the winter of 0/944, and served as president of Harbin Artists Association, professor of Fine Arts Department of Liaodong Institute (now Lu Xun Academy of Fine Arts), lecturer of Northeast Normal University, and professor of Tianjin Jingu University. 1948 Since September, he has served as a teaching assistant in the Painting Department of Hebei Women's Normal University and a professor in the Art Group of the Music Art Department of Hebei Normal University. Since summer, he has been the director of the Fine Arts Department of Hebei Normal University. In teaching and art, I explored the combination of oil painting and China's freehand brushwork, and made contributions to the construction of the Fine Arts Department of Hebei Normal University. 1957 was wrongly classified as "Rightist". 1957 devoted himself to the study of modern calligraphy seal cutting. After studying under Qian Shoutie and Wang Geyi, he became close friends with Deng Sanmu and Ningfu, so he infiltrated calligraphy seal cutting with the formal beauty of modern Chinese and western painting, and his artistic style suddenly changed. 196 1 to 1965, the first batch of poems, calligraphy and seal cutting works were published and introduced to Hong Kong and Macao. 1969 was sent to Guangxi, insisting on studying Cao's seal cutting and enthusiastically cultivating painting children. After 1969, Cao Chuan was deeply studied, and his works were novel, magnificent and unique.

Li Luogong is good at seal cutting and seal script, and seal cutting enjoys an early reputation. During his work in Tianjin, he has been engaged in this kind of creation, which has been praised and encouraged by many predecessors in the art world. During 1973, when Li Luogong was in Guilin, he wrote a seal script named DieHua Lian, which was selected by Guangxi and sent to Japanese exhibition by China Council for the Promotion of International Trade. However, this work brought Li Luogong not honor, but bad luck. It was criticized by the "Central Cultural Revolution Group" as "distorting and vilifying Chairman Mao's poems with hieroglyphs". At that time, it was called the "recent flower calligraphy incident". After this incident, Li Luogong did not give up his career, but continued his exploration and practice of Cao Zhuan, which was full of personal style and pursued pen and ink interest.

After the implementation of the policy of 1979, Li Luogong became the president of Guilin Painting Institute, the vice president of Guangxi Painting and Calligraphy Institute and the professor of Guangxi Art Institute. Guangming Daily, Fujian Daily, Hong Kong Ta Kung Pao, Companion Daily, Macau Daily, American Overseas Chinese News, etc. He introduced his works, and held solo exhibitions in Japan and Macau at 1983 and 1985. Li Luogong's Calligraphy and Seal Carving Exhibition and Camel Traces (written by Ding Bokui) were published. He used to be a director of China Calligraphers Association, a member of China Artists Association, an honorary consultant of Japanese Hokuriku Seal Carving Association and an overseas judge of the International Art Review Council, a consultant of China Modern Calligraphy Research Association, an honorary president of Guilin Painting and Calligraphy Institute and an honorary professor of Hebei Normal University. His oil paintings emphasize expression, and calligraphy and seal cutting are their own. There are a number of works handed down from generation to generation.