Qin Wu Dengduo, an enemy of Wu Lu.
Wonders of the world, two mountains floating on the river and one state on the ground. Fine smoke wipes green, angry waves turn over snow, leaving grass to pat the wind boat. Spring goes, spring comes, tide comes, and people lean against the building several times in the sunset. Poor, melancholy hero with white hair, empty our mink. Huai tou, Lu Liu. Who took the Central Plains for World War I? Just ask today's characters if there are any stones; Let me visit Fushan. Seagulls and herons sleep in the sand, fishermen sing late, regardless of the world's sadness. Outside the dangerous fence, the waves are boundless. Go back and rest.
The author of this word was written in the sixth year of Song Dynasty, namely 1246. Was 48 years old. He is the commander-in-chief of the Huai River and has certain military power. Wu Lvzhai, that is, contemporary with Zeng Bo, older than Zeng Bo, left the prime minister. The Duojing Building, located in Kanluoji, Beigushan, Zhenjiang City, Jiangsu Province, was built by Chen Tianlin of Song Taizong. It is the best scenic spot in Kanluoji, which was called "the first floor in the world" by Mi Fei, a calligrapher in the Song Dynasty. The scenery here is beautiful, and there have been many poems. Wu Qian once wrote "Spring in a Landscape Garden", and Ceng Bo wrote this word with its rhyme.
There is a picture in the word, which can be said to be the biggest feature in the word. A few strokes outline a fresh and elegant color map of rivers and mountains; And along the brush strokes, readers can clearly feel the ups and downs of the author's thoughts.
The last film touches the scene and expresses feelings, which are integrated with the scene. The opening sentence of "the wonders of the world, two mountains floating on the river and a state in the ground" means that when you climb the multi-view building, you will see strange and spectacular scenery. The Yangtze River is rushing away, and Jinshan above and Jiao Shan below seem to be pushed forward by the river. Apart from this place, there is no such scenic spot in the southeast of China! The combination of real scene and illusion, in which the word "odd" is used, shows a wonderful visual illusion. "Fine smoke smears green, angry waves turn over snow, leaving grass to pat the wind boat", and the picture becomes more active. You see, the river is open and misty, especially clear on sunny days. On the other side of the river, you can only vaguely see the green mountain shadow. The word "wipe" in the sentence vividly draws a fascinating stroke. With a clever stroke, the sound of the waves is drawn, one wave is higher than the other, like piles of snow rolling. The words "anger" and "turning over" in the sentence show the great momentum of Jiang Tao. There are many reeds along the river, and the water plants are rich, and the river boats hit the water against the wind. "separation", lush appearance; "Pa", the sound of waves hitting the bow. When you climb the Dengsi Building, you can see its rivers, distant mountains, smoke waves, angry waves, grass plugs and boating. The picture is full of vitality and grandeur. How can we not arouse the lofty aspirations of people with lofty ideals? However, the reality cruelly shattered the poet's grand ambition, and he couldn't help feeling sad. He felt that "spring goes to spring, and the tide rises and falls", and the years passed in such a hurry; In contrast, he can only "lean against the building in the setting sun several times". So a kind of resentment is on my mind, "Where there is pity, the hero is white-haired and empty", but when the hero is old, nothing is possible and it is difficult to do anything. In this way, the feelings of twists and turns, ups and downs, moving.
If you write straight, you will regret it. Zeng Bo, who has studied all his life, can't serve the country. At this time, the country has not recovered its lost territory and the society is in chaos. How can he not care about the country and the people? Huaitou, Lulu, Huaitou and the Upper Reaches of Huaishui, that is, Qianliu in the west of Huaixi, robbed and killed. The people of Huaixi (ruled by Jin people at that time) were still under Louis' iron hoof. How come no one asked? Undoubtedly, it was directed at the Southern Song Dynasty imperial court. Everyone is responsible for the rise and fall of the world, and the poet put forward more clearly: "Just ask today's figures, there is no peace of mind." At this time, the poet remembered that Zhenjiang was once the front line against the enemy. During the Jin and Song Dynasties, many heroes went north to resist the enemy, especially Xie An (Zi Anshi) won a great victory in the battle of Feishui and recovered many lost lands. So, isn't there a hero like Xie An today? His answer is yes, and the subtext is "I am". Compared with Xie An, the poet volunteered to go out and lead the Anti-Japanese War, but the court refused to appoint him, making it difficult for his ambition to go down the drain. In this case, the poet had to retire and seek seclusion: "Let me see Fushan, too." Let's live in seclusion and stay with Gong. According to legend, when the Yellow Emperor, the immortal once lived in seclusion and practiced in the mountains. Below, the poet further expressed his recluse thought and made a vision for the future recluse life: "Gulls sleep in the sand, fishermen sing late, regardless of human sadness." "In this way, in front of the poet's eyes, the illusion of seclusion appeared, leisurely, safe, indifferent and very vivid. At the end of the word, it says, "Beyond the dangerous pillar, there are boundless waves. Go and have a rest. "The poet wrote here that he leaned against the column and meditated, deeply feeling that the national luck was hard to return, and the hero lost his will and finally made up his mind to retire." "Go home, can't hesitate.
This word has a broad artistic conception, scenery and lyrics complement each other, and its charm is smooth and powerful. As far as the content is concerned, the contradiction between the negative thought of seclusion and the great ambition of making achievements is concentrated on the poet, which is due to reality and is inseparable from the specific historical environment at that time. This kind of emotion can also be seen in the works of other poets in the same period.