Zhao Mengfu, a master of painting and calligraphy in Yuan Dynasty, said that painting and calligraphy are of the same origin, and there is an eternal silence. As the poem says, stone is like flying white wood, like printing, and six laws are connected with eight laws. If anyone can understand this, you should know that calligraphy and painting are interlinked. Although it is true that contemporary art circles are subdivided and calligraphy is homologous, it is rare for artists like Wang Changling, a famous painter, to have great attainments in both courses according to the theory of homology. In this sense, Mr. Wang's achievements in painting and calligraphy are a model of the return of painting and calligraphy techniques to tradition and the revival of painting and calligraphy culture in the times.
Appreciation of Wang Changling's Works
His painting accomplishment is very extensive, breaking the technical barriers of painting art such as oil painting, Chinese painting, gouache, watercolor, etc., but he has four skills, each with his own expertise, and then he can master them.
Exquisite brewing, let pen and ink stand at the height of random times, and get through the path of Chinese and western painting from the technique. Therefore, his landscape painting has both formal beauty and phonological beauty. The exquisite workmanship of the form comes from both the linear freehand brushwork of Chinese painting and the perspective of light and shadow of oil painting, forming a skillful realm of painting nature with form in technique.
From the traditional perspective of Chinese painting, the strength of his landscape brushwork is very obvious. He sees brushwork everywhere, explains clearly, is unambiguous, has a long thickness and a smooth outline, and is extremely satisfied with the texture of the landscape. The center uses a pen, which is impartial and stable, and it is heroic and calm to accurately create the mountain, and it is the hero of the brushwork. This kind of strong pen sharpens the bones, and the landscape texture he shows is the rhythm of natural pulsation in the process of writing and painting, and it is also the materialization of calligraphers' linear and smooth communication with heaven and earth. Writing according to the heart, combining heart and pen, unique charm and deep tradition.
In ink color, his landscape painting belongs to Lingnan School, which shows the dripping style of southern landscape with clear ink brilliance, which is very in place and quite expressive. Proficient in the mutual penetration of water, ink and color, the method of breaking ink is very exquisite, and the works of wet painting are beyond imagination. This unique ink-breaking technique, which arose in the Song Dynasty, is the core technique of literati painting. Mr. Wang Changling has mastered it, and he is free to dispatch it, clear but not turbid. Even if the ink is bold and unconstrained, it will not become dull because of the thick ink. Su Mo's scratches are granular, which is his secret book to highlight Dashan's character. Broken ink and Su Mo, together with the clever use of transparent glue and ink, make his landscape paintings full of color rhyme and have a landscape flavor, which is due to the charm of ink's two-color, five-color, elegant and vivid. Looking at the green, yellow and crimson Lingnan wind from a distance, the mountains are flowing freely from the green water, elegant and beautiful. This delightful vitality of Lingnan is the restoration of Guan Shanyue's charm.
Appreciation of Wang Changling's Works
Appreciation of Wang Changling's Works
Green and green, Lingnan style, calligraphy works have two kings. His calligraphy skill is based on inscriptions, and all his books are well written, with delicate running script and natural and unrestrained writing style. It is an authentic calligraphy system based on the joy and dishonesty of two kings. When using a pen, he entered the Bank of China with superb skills, pushing Mo Yun forward in a smooth and elegant direction, with a stable center of gravity, positive forms, vibrant characters and vivid scenery. Each work follows the style of Wang Xizhi's "Shu Ya writes Lanting", which looks like satin floating, meaning like clouds, and calligraphy has reached such a state, which can be described as the character proof of literati's pen and ink cultivation. His generosity is always so elegant and vivid!