Bai is now a member of Hebei Artists Association, a member of Calligraphers Association of Central State Organs, a full-time painter of Great Wall Painting and Calligraphy Institute and an art consultant of Tangshan Art Museum. Now he is distinguished professor of China Renmin University Painting Academy. Member of the Jiu San Society. His works have participated in many exhibitions at home and abroad and won prizes, and have been collected by many units such as the Great Hall of the People, Zhongnanhai and War of Resistance against Japanese Aggression Memorial Hall. His works have been published in New Art, Artist, Picture-in-Picture Book, Art World, China Public Security Daily, Legal Daily and China Culture Daily. Representative Works: Baixi Painting and Calligraphy Collection
Mr. Bai's flower-and-bird paintings are deeply influenced by Mr. Bai. However, I have a deeper understanding of the artistic skills of the Eighth Ivy League Congress and the literati: the composition is changeable, the virtual and the real are born together, the decoration is not carved, and it is plain. Give birth to interest and escape, thus releasing the appreciation of the soul. Because of his long-term understanding of the mural carving in the McKee Grottoes in Dunhuang, the paintings are permeated with the classical beauty of the eroded murals in past dynasties and the heavy rhythmic beauty of carving Gu Zhuo. Coupled with the practice of calligraphy and printing in Qin and Han dynasties, the elegant charm of Shi eBay and cursive script is more common in the dotted line. This is the natural advantage and academic advantage of Baixi, which is different from ordinary young painters.
Modern literati painting pays attention to "harmony between man and nature". There is not only a comprehensive reflection on national traditions, but also a horizontal comparison of world art and a two-way exploration of Chinese and Western aesthetics. Therefore, painting not only attaches importance to the historical inheritance of poetry, calligraphy and painting, and humanistic philosophy, but also naturally blends into western art. Baixi not only has the romantic thinking of talented scholars, but also has extraordinary artistic courage. Appreciate his works carefully: there is an artistic spirituality of clear water hibiscus in silence and a lonely and self-sustaining mountain god. There is not only the shock and impact of pen and ink posture, but also the lingering sound and deep beauty outside the painting. It is a rare artistic experience for contemporary young people to go home, an academic achievement worthy of being treasured by colleagues and relatives, and an era option of literati's artistic style in 2 1 century.