Wang Xizhi, Ou Yangxun, Yan Zhenqing, Huai Su, Liu Gongquan, Su Shi, Huang Tingjian, Mi Fei, Zhao Mengfu, Dong Qichang.
China has a long cultural history. China's calligraphy is "the art of writing". The reason why "writing" can become a real art in China lies in China's traditional way of thinking.
In the history of literature, thematic determinism once prevailed, and its bias and absurdity eventually led to being denounced and spurned by modern people. However, the importance of theme in creation still exists. It is the perspective chosen by the author to observe history and reality, which reflects the author's life experience, knowledge and artistic vision to a certain extent, and also determines the reader's reading interest to a certain extent.
Throughout the ancient calligraphers in China, this self-consciousness has been fully demonstrated in this paper. Readers can see that the Zhou Dynasty is a "seal script", and the interpretations of calligraphers such as Wang Xizhi, Wang Xianzhi, Zhang Xu, Yan Zhenqing, monk Huai Su, Yu Shinan, Chu Suiliang, Liu Gongquan, Su Shi and Huang Tingjian, as well as the interpretations of poets such as Su Shi, have already contained broader historical and cultural implications. To some extent, it can be interpreted as a symbol of China history and China culture. In the middle Tang Dynasty, Yan Zhenqing's face was dignified and dignified, and probably everyone liked it. Facebook style was created by Yan Zhenqing under the guidance of his teacher after long-term exploration, copying and bold modification.
When Yan Zhenqing studied calligraphy, he was diligent and earnest. Although he begged the teacher to teach him tricks, Zhang Xu's words made him understand that only by studying hard can he achieve something. This is Zhang Xu's inspiration to Yan Zhenqing and Zhang Xu's inspiration to all of us. It can be said that Yan Zhenqing's achievements cannot be separated from Zhang Xu's teacher. Without Zhang Xu's "skill", Yan Zhenqing might not study calligraphy seriously, and he might lose face!
The circle of these ancient calligraphers and their calligraphy skills, whether they live in temples, or hide in cities or mountains, are actually a sort of combing of China history and China culture. The fate of these calligraphers, the joys and sorrows of their lives, and a colorful sad song of history complement each other. China's paintings and calligraphy emphasize personality, morality and knowledge cultivation, and think that artists can only think about the future with profound knowledge in fog. When you study thousands of books and walk on Wan Li Road, you can navigate the trend of Wan Li under your wrist. Ceng Yun of the Song Dynasty in the Qing Dynasty said, "Cai Jing in the Song Dynasty, Qin Gui in the Ming Dynasty and Yan Song in the Ming Dynasty are all honorifics, and calligraphy and literature are of high quality. Why can future generations spit on them, but they won't pass on the truth because they lost a lot of money, and the rest of their skills are worthless? " Ancient calligraphers in China focused too much on traditional national culture, values and spiritual orientation.
Not only did I study calligraphy deeply, but I also consulted the encyclopedia. "Reply Post": "From word processing to writing, it is extremely casual and unpretentious. The font size is tilted and the strokes are extensive, revealing his uncut eagerness. Compared with the meticulous and gorgeous "Wen Fu", it is completely different. In life, there are countless possibilities like this. " He explained Huang Daozhou's calligraphy spirit in this way: "Calligraphy is a language of birth and a free language-the so-called understanding with pen and ink is based on one's internal motivation. Not born for money, not for official positions, but for a free language. " ……………………………………………………………………………………………………………………………………………………………………………………………………………………………………
The characters in his works have gone away from us. Under the background of economic globalization, the precious value of local national culture is more obvious. The characters he wrote are "condensed in these pen and ink, condensed between the time and space of these lines". By finding and identifying them, we can preserve culture and remember history. Many years ago, Hu Shi, a pioneer of the New Culture Movement, wrote a famous poem, "You only know wine when you are drunk, but you only know when you love it" to describe Liu Changchun.