What is the status of Song Huizong Evonne's "Shoujinti" in the history of calligraphy?

; 1.； The most important visual feature of the thin gold body is the sharp contrast between the pen at the pen receiving place and the extremely thin long pen in the character, and the narrow "face" formed at the pen receiving place and the "line" formed by the thin pen.

It can be inferred from the shape of the pen that the diameter of the belly of the pen is much smaller than the length of the brush. In short, it should be the Gou Xianbi used in Evonne's paintings. ; ;

Therefore, the typical modeling of thin gold body comes directly from the brush used. He writes naturally with the most convenient tools, creating his thin gold body with unique visual form.

2.； Aside from the above characteristics, we can see that the scale of his writing is Tang people, which is acceptable, without too many breakthroughs and personal characteristics.

However, it is not easy to do this. Although the royal family is famous for its treasures, it takes talent and diligence to achieve something. Evonne deserves this.

3.； The scale of Tang people also inherited the problems of Tang people. In Tang Kai, the beginning and end of strokes are emphasized from strokes to shapes, which leads to the neglect of the middle part of strokes, while Evonne's writing further strengthens the visual characteristics of strokes. For longer horizontal, vertical, inclined and vertical hooks,

The middle or main part of his brushwork is slender, which forms a line-plane contrast with the obvious brushwork, thus forming its unique style. With Zhao's skill, the tension is thin but the inner strength is implied.

Therefore, his works have jingling artistic charm. If future generations just follow the trend and make eye contact, but their hands are unable to make efforts to decide their fate, it is best not to copy them easily.