Wu Zuoren (former Chairman of China Artists Association): Senior brother is young and promising, and he has made great achievements in calligraphy and painting seal cutting, and his works have a unique style. I agree to be the honorary editor-in-chief of A Mirror of Modern Art in China and Japan, but the task of the editor-in-chief is still yours. I wish you complete success.
Yang Shanglin: Brother's unique printing style has attracted the attention of cultural circles and is known as "Ouyang Ghost Hand". Since 1979 studied seal cutting, he has written and published dozens of theoretical articles on seal cutting and created thousands of seals. His seals have a wide range and profound skills, as far away as Qin and Han Dynasties, clay seals and tiles, schools of Ming and Qing Dynasties and schools of modern times. He has made deep research and comparison, and what is particularly commendable is that he can learn useful things from various cultures. In prehistoric cave art, primitive man and children's art, we found the inner strength beauty of innocence, simplicity and roughness; From the patterns of ancient Hemudu and pottery, we can see the unpretentious beauty of nature.
Li Luogong: His seal looks stiff and elegant, simple and naive, and the ripper has inner passion. Characters and strokes basically use lines to express the movement feelings of birds, insects and other life forms, and use abstract lines to reproduce the image of life, giving people a rich visual feeling of crawling in silence. There is no feeling of over-carving. In simplicity and naivety, thick lines are punched and cut, so the sharpness and cutting power of the punching knife are an untamable wildness.
Shi Kai (Vice Chairman of Fujian Calligraphers Association, a top figure in China printing industry): Strong personality, full of new ideas, worthy of the reputation of "Ouyang with a ghost hand". He also wrote three words: "Ghost in hand, God in eyes", "Guilin scenic spot seal" and "Insist on carving every day to encourage Brother Xi".
Du Yuetao: Ouyang Xijun has attracted the attention of cultural circles with his unique printing style, and is known as "Ouyang Ghost Hand". How much does a meat cutter weigh? What imagination can an idea inspire? How can a work be powerful? It is really gratifying that a young man in his twenties can achieve such success.
Deng Xilu: Ouyang Xijun is an outstanding youth in Guangxi. This paper only expounds his "Guilin Scenic Spot Print". The overall view of the printed spectrum can be summarized by four words: "clumsy, simple and simple". For example, the appearance of "Through the Rock" is stiff and elegant, naive and simple, but it is full of passion for sitting. There are both primitive and pure mystery and the light of modern reason. If you are a cultured art connoisseur, you will certainly hear some vaguely heard modeling language, as well as the author's empty heart and feelings when creating. You can imagine the author in the air, unimpeded, forgetting everything.
Su Yuanzhang: Ouyang doesn't bow to consumers like doing business. He knows that accommodating the appreciator is the weakness of aesthetics, and pandering to the common customs is the degradation of art, but for different days, the title is different days, Yin Gao, and the words "return to nature".
Xu: He despises all restrictions and hates all kinds of posturing. He doesn't like exquisite beauty and intact hypocrisy, because maturity is the grave of art, so he can keep childlike and natural. He doesn't want to repeat himself, let alone his predecessors. The title is "seal script printed in different days".
Chen Mingwu: Under the background of cultural collision and cultural reflection between the East and the West, China's literature and art are diversified and multi-layered. The relationship between creative subject and object, subject and receptor will no longer be simple reflection and reflection, service and service. So some of them are created for the next century, and some of them return to mainstream ideology and public taste under the impact of consumerism commercialization. Ouyang Xijun's works are created "for the next century", as the famous artist Feng Zikai said: "This is several aspects of kung fu, and it is impossible to appreciate without high aesthetic ability. The title is "Unique Style".
Cheng Liang: Ouyang Jianfa is extensive and his thoughts are simple and arbitrary. His book printing works have attracted the attention and praise of Chinese and foreign book printing circles, and are known as "Ouyang Ghost Hands". Ouyang Xijun is free to study art. He thinks: "Art has no rules, and talented artists can't be slaves of structure." Ouyang's calligraphy and seal cutting is fond of brushwork, and only pays attention to his own feelings and personality, regardless of the similarities and differences of his works. On different days, I wrote two words: "Seeking freedom in aimless writing" and "Yinshilou Yincun".
Meng Xianlong: Yi Tian is Mr. Qian Juntao's teacher. He was an imperial clan in Qin and Han Dynasties and was influenced by hundred schools of thought. He used a simple knife, and saw changes in his agility, which was very tasteful and stylish. And dubbed "Ouyang Xiu's successor" and "Yi Tian Yin Cun".
Liu Heng: Tian Yixiong's calligraphy is vigorous, bold and unconstrained, and there are clever tricks in it. He inherits the style of the ancients and has his own innovation. His poems, books and paintings are all good at printing, especially seal script. He also wrote the words "Engraved Victory" and "Ouyang Xijun Yin Gao" for different days.
Xu Futong: Ouyang Xijun is outstanding in the printing world of Guangxi. This can be proved by the maturity of his works, the mastery and expansion of artistic skills, the personality of his works and the wide influence. He also wrote the words "Xiong Zhuo" and "Seal of Ouyang Xijun" on different days.
Zhang Mushi: Everything in Ouyang Xiong's calligraphy and painting seal cutting is a unique work of art, and he never creates when he has no passion. He also wrote two seal characters, entitled "If you don't say it, your family will tell you on different days" and "Printing on different days, the origin of Indian studies has roots, and there are pre-school people in Baishi Temple."
Peng Qingyi: Ouyang's works will not have maturity and style. This is because he regards maturity as a grave and style as a habit. He always sacrifices his established value to seek greater freedom, but his pursuit of freedom is not blind, but more about the true connotation of freedom. Ouyang's works show a pure life or behavior, and at the same time look for some connections between them, something that connects ancient and modern. It makes the viewer's mind transition backward to a golden age and a paradise-like world, where personality is no longer troubled by customs, and temperament and personality are clearly and undisguised. These works have completed her own experience emotionally, so the aesthetic feeling obtained is extraordinary. This kind of lines are repeated many times or form rhythmic continuity, and the basic introduction is simple and unchangeable, which often appears in Ouyang Pu Yin. However, this repeated change from simplicity to simplicity is not a single, independent and incomprehensible one, but a continuous and rhythmic one. They cause a sense of tension or excitement step by step with irregular sudden changes in a stable and continuous way. Because the more detailed art shows various stages of change, the more insipid the whole process looks, and the lack of ups and downs. Therefore, there are many successful people in Ouyang's calligraphy and printing. His works make people feel quaint and mysterious, and obviously have the wisdom of modern thinking. And for the title "Guilin scenic spots printed spectrum", "natural fun wins people" 2 calligraphy.
Wang Mengren: Ouyang's works come from traditional art. He is not rigidly attached to tradition, a couple, or art for art's sake. To this end, he wrote two sentences, such as "The Ghost in the Square Inch" and "The Width of Heaven and Earth between Square Inches-A Record of Ouyang Xijun, the Engraving Man", which was published in the book "Art-Love-Crazy Love".
Ye Wencheng: The Collection of Ouyang Xijun's Ancient Ceramics Research is a new achievement, new achievement and new harvest of Mr. Ouyang's ancient ceramics research.
Mr. Ouyang once specialized in calligraphy, painting, seal cutting creation and organizing social activities, and then engaged in editing and other work. The fruitful results achieved in the above areas are obvious to all. For example, dozens of newspapers and books at home and abroad have published works and papers on many occasions to introduce their achievements. China Culture Newspaper and others once introduced his artistic achievements with the title of Ghost Hand Ouyang. Enjoy the reputation of "ghost hand" in the art world ... In short, Mr. Ouyang's Selected Works is a good book with hundreds of thousands of words, rich content, smooth writing, clear organization, concise words, accurate arguments and easy to understand.
Ma Wenkuan: Throughout the ages, anyone who has made achievements in the field of science and technology or academic research, big or small, must have unique vision and perseverance. Mr. Ouyang Xijun has been engaged in fine arts, editing, publishing and other work, and has achieved certain results. At the same time, he also quietly cultivated in the field of ceramic history research, discussing some key and sensitive issues in ceramic history or topics that have not attracted people's attention. In the research of some topics, phased results have been achieved. In the past two decades, some researchers in the field of ceramic research have been seriously utilitarian and lack rigorous academic attitude, and the impetuous trend has intensified. This seriously interferes with the normal research of ancient ceramics and leads to the decline of research level in some aspects. Therefore, it is the responsibility of every ceramic researcher to propose and correct some serious mistakes in some published papers or works in the industry. Fortunately, this is reflected in Ouyang Xijun's collection of papers. This is also rare at present.
Michiyo Nakajima Yamamoto: Michiyo Nakajima Yamamoto, a famous Japanese female painter, was invited to give a lecture at Guangxi Art College. On the occasion of holding a solo exhibition, Comrade Cao Zhe of Guangxi Cultural Department accompanied Mr. Yamamoto to Guilin to meet Ouyang Xijun, realizing Mr. Yamamoto's long-cherished wish. When Mr. Yamamoto saw Ouyang He's Landscape of Guilin, he said excitedly, "Great, pioneering and rare!" After reading it carefully, he said, "The book you created is very influential both in art and in the development of Guilin tourism." With Ouyang's consent, he insisted on introducing and publishing the printed spectrum for him in relevant Japanese newspapers and periodicals.