The setting sun melts gold, and the clouds merge. Where are people? Dye willow smoke and play plum blossom flute. What do you know about spring? Is there no wind and rain when the weather is harmonious during the Lantern Festival? Come and greet BMW and thank his drinking buddies and poems.
Zhongzhou is in its prime, and the boudoir is full of leisure. Remember points three to five. Pave the green crown, twist the golden snow willow, cluster and fight for Chu. Now haggard, windy and foggy, afraid to go out at night. It's better to listen to people laughing under the curtain.
Dusk is a particularly melancholy time. The drunken sunset slanted on the window. The half-bright and half-dark light is like intoxicating eyes, and the soft and hazy cage is around me. I refuse to leave. The past gradually came back to our eyes. At this time, after such gloom, both joy and sadness are stained with the traces of time.
This Song of Eternal Sorrow was written at dusk, describing the author's memories and feelings at dusk. "The sunset melts into gold, and the clouds merge. Where are people? " Write the scenery in front of you at the beginning: the sunset is like melted gold, hanging obliquely on the western hills, bright and gentle, without dazzling light, but with a kind of tenderness that makes people want to stay. Twilight gradually rises, and the clouds in the sky roll up, scatter and gather again. Like half a wall scattered all over the world, these scattered clouds slowly merge with the other half because of coincidence. The twilight is getting deeper and deeper. Looking around, people can't help but ask in a low voice: where are the people here? Where is this? "This question opened the distance between the author and the landscape, and at the same time set the tone for the whole word secretly. Mourning the past and caring about the present is like a touch of green in the dusk, which is the indelible background color of the whole word. There is a sentence in Jiang Yan's "Going to Leave the People Resentment" in the Southern Dynasties, which comes from the sentence "When the clouds meet at dusk, the beauty has not returned", and at the same time this word implies the meaning of "the beauty has not returned". "Where are people? "The melancholy of implicitly asking questions secretly overflowed the meaning of this remembrance." "Dye willow smoke and blow plum flute" is the inversion of "Dye willow smoke and blow plum flute". After asking in a low voice, the author turned to the scenery around him. The twilight is heavy, and through these four layers of haze, the green willow branches seem to be more and more rich. I don't know where a flute is blowing, and the melody of plum blossom falls faintly echoes to people's hearts. Only shadows deserve the evening scenery, even the spring scenery. How much spring is there in it? How much do you know about spring? "From the sentence" Dyed Willow ",it is precisely because of the description of spring scenery that the question" How much do you know about spring "is raised. In the first six sentences of the last film, the author skillfully advances between the scene and himself, writing both the scene in front of him and the meaning in his heart. The two questions were asked lightly, seemingly casually. It is the author's efforts to arrange, which attracts readers to understand her meaning, but it is not appropriate because she does not understand it, but it has implications. After successfully rendering the atmosphere of the whole word, the author returned to reality. "Lantern Festival, in harmony with the weather, is there no wind and rain? "This is the third question in the last movie. Like the first two questions, the structure is two four-sentence scenes, followed by the author's emotions. Through this sentence, we know that it was written before the Lantern Festival at dusk, and the weather was sunny, warm and comfortable. But the author said, "Doesn't it rain at the second point? "This question is very strange. Lantern Festival is a very lively festival in Song Dynasty. On this day, even women who live in boudoir all the year round can strictly wear makeup and clothes and go out to watch the lights and enjoy flowers, so women at that time attached great importance to this festival. The author is worried: "Although the weather is fine at this time, there will be no wind and rain in a blink of an eye?" This question exposed her mind. We know that young people who are keen on amusement finally have a chance to relax after being suppressed for a long time. Even if it is really stormy outside, they will say that the weather is fine. Only those who have gone through many vicissitudes and are full of worries will look at the drunken sunset and lazily say to their visiting companions, "I'm afraid there will be more storms in the future?" Bow their heads, "come and call, BMW, thank him for drinking and poetry. "I think so." Thanks to his drinking buddies and poems, as well as the BMW. Come and call it. " "Xie" means "decline". From this perspective, the phrase "is there no wind and rain?" "It should be an answer for wine lovers and poets to invite themselves by car and BMW. The so-called storm is actually just an excuse. The real reason is heartless, not in the mood to look at flowers and boring to look at lights.
The next one followed the last one, and the author declined the invitation of drinkers and poets. Although he doesn't want to travel, he still can't forget himself. Sitting alone tonight, he can't help recalling the past. "Zhongzhou absolute beauty, boudoir leisure, remember to focus on 35. Pave a green crown, twist golden snow willows, and cluster with Chu. " Zhongzhou should be Kaifeng, Henan today, which is Tokyo in the Song Dynasty. Because Henan is the land of ancient Yuzhou and lives in Kyushu, it is called Zhongzhou. "Zhongzhou heyday" is the time when Tokyo flourished. At that time, the environment was still stable, and the author was still young, youthful and brilliant. He has never suffered for life, nor has he seen life as it really is. At that time, even the dark clouds were inlaid with Phnom Penh. When I was young, I did nothing in the boudoir. Every time I had leisure outside the female students, I was full of fantasies about life and the future, so I paid special attention to the Lantern Festival, a holiday that I could travel to. "March 5th" used to refer to the 15th day of the lunar calendar, but here it refers to the 15th day of the first month. "Emerald crown" is a corolla decorated with emeralds or emeralds feathers; Snow willow is made of plain silk or silver paper. They are all decorations inserted and worn by women during the Lantern Festival. The second volume of Zhou Mi's Biography of the Old Wulin once recorded: "On Lunar New Year's Eve, women all wear pearls, noisy moths, jade plums, snow willows, bodhi leaves and balls of light." It can be seen that "Paving the Green Crown" and snow willow were very popular ornaments at that time. "Twisted golden snow willow" should be silk made of gold thread, which is more unique than ordinary snow willow, probably the result of women's ingenuity. "Cluster belt" was the dialect at that time, that is, the meaning of "wearing full and inserting full". "Ji Chu" was also said at that time, referring to the neatness and beauty of women. I remember that Kyoto was prosperous at that time, and the Lantern Festival was the most important thing for girls who had been idle for a long time. Put on the paved emerald crown, draw a carefully twisted golden snow willow, carefully wear it between the temples, dress neatly, and watch the lantern festival with your girlfriends. The author is dazzling, knowing that she is the most beautiful, youthful and reserved, and full of longing for the future. ............................................................................................................................................... must know that dreaming when she is young and pregnant is the easiest thing in the world. So the pen quickly pulled from the old times to the present, and the beauty in memory suddenly became the desolation in reality. Now I am alone, wandering around the world, looking haggard, frosted on my temples, unwilling to clean up, and even too lazy to go out for a snack. It's no fun to go out heartlessly. It's better to listen to the beautiful and ignorant laughter of those children under the curtain and relive an old dream. "Now I am very haggard, windy and foggy, and I dare not go out at night." It is in sharp contrast to the situation of competing for beauty in the heyday of Zhongzhou. To sum up, "it is better to listen to people laughing under the curtain." Special pain, like the author's soliloquy, is a kind of boring comfort. The red candle of life is about to burn out, and the past is gone In the stormy weather, we can only watch it burn and relive the old dreams with this glimmer of light.
Some things, without experience, can't be deeply understood. We grew up in peacetime, and most people live a quiet life. We know the pain of national subjugation and the feeling of life experience, but it is a hazy understanding. We just know but don't understand through the chaotic distance. Li Qingzhao was born in a scholarly family, her father Li was a celebrity at that time, and her mother was literate. She lived a relatively leisurely and affluent life in her girlhood, and got along well with Zhao Mingcheng after marriage, and lived a happy life. After crossing the south, the country was ruined and the relatives were separated. Qingzhao herself suffered from displacement. She and Zhao Mingcheng collected stone carvings and calligraphy for half their lives, all of which were lost. The desolation of reality often makes people look for comfort in memories, but the better the past time, the sadder the reality. Li Qingzhao is a sensitive and thoughtful person, and mental stress and life torture have caused her great pain. The old woman, who has experienced many vicissitudes of life, recalls her past when she was young with calm brushstrokes, and finds some comfort in boredom by comparing the bleak scene before her. The pain, though not talking to himself, teaches people not to endure death. The era in which the author lives is an era of great collapse. All the old things have been destroyed, and the whole era is gradually sinking. Personal tragedy is insignificant in the torrent of the times, and the tragedy of millions of people has become a sad song of the whole times. Li Qingzhao wrote his own life story in this poem, which was really the fate of most people at that time. Because of the tragic color of the whole era and society, the voice of most people, the word became particularly profound and had great influence at that time. Liu Chenweng once wrote a poem based on this word. He is a poet who has changed a lot. Maybe he can better understand Li Qingzhao's feelings:
It has been three years since I went to Shanghai to recite Li Yian's Song of Eternal Sorrow. Every time I hear this word, I can't help myself, so I just follow its voice and believe it is easy to understand. Although words are not as good as feelings, they are miserable.
On Chu Qingyue, the clouds are far away, who is in charge of spring affairs? The forbidden garden is cold, the lake embankment is tired and warm, and the forepart is so steep. Sweet dust is dark, lights are bright, and people are lazy to go hand in hand. Who knows, smoking is forbidden and nights are forbidden, and the city is full of wind and rain. Xuanhe old days, Lin 'an south crossing, Fang Jing still. The hardest thing is to be able to keep your word. There is no road in the south of the Yangtze River. Who knows the pain in Zhangzhou tonight? Empty relative, incomplete sleepless, full of village drums.
This word also expresses the past and present feelings, but the next word is not accurate enough, not as profound as Yi An, not as painful as others. Writing in the original words everywhere is always restrained and exposed. In contrast, it is Jiang Kui's Partridge Sky (which won't be published at night). It has its own clear words and has no relaxed feeling.
Recalling yesterday's street preview, laughing without teaching. It's time to enjoy the night, but I'm afraid of the cold spring.
The curtain is silent, the moon is low, and the old love is only crimson. After the dark night, I lay down and listened to the laughter of my neighbors.
I recited this song "Happy Forever" a long time ago, when I was still young. In the summer afternoon, I sat under a buttonwood tree and recited silently. Tiny sunlight leaks on the book through palm-shaped leaves, with a green coolness.
Now that I am old, I know a little about life. When I finished writing this chapter, it was already dusk. The gentle and intoxicating footsteps of the sunset lingered between the book shadow and the book shadow, and suddenly I couldn't tell whether it was a past life or this life.
Appreciation of Yuan in Xin Qiji's Jade Case
Qing Yu and Yuan Xi.
Thousands of trees are blooming and stars are everywhere in the east night. The BMW carved cars are full of incense, the phoenix flute rings, the jade pot flashes, and the dragons and dragons dance together all night.
Moths, snow, willows, gold thread, laughter and incense are all gone. Looking for him in the crowd, suddenly looking back, the man was there, dimly lit.
Xin Qiji (1140-1207) was born in Licheng (now Licheng County, Shandong Province). Grew up in the area occupied by nomads from childhood. His grandfather Xin Zan often carried out education to resist the restoration and wash away national humiliation. At the age of 20, he led more than 2,000 people to fight against gold and defected to the peasant uprising army headed by Geng Jing, who was in charge of it. Later, he returned to the Southern Song Dynasty and successively served as Jiankang Prefecture (now Nanjing City, Jiangsu Province), Zhizhou (now Chuxian County, Anhui Province), prefect of Jiangxi Criminal Prison, Hubei transshipment ambassador, Hunan Anfu ambassador and Jiangxi Anfu ambassador. During his tenure as a local official, he attached importance to the development of production, trained the army and actively prepared for the Northern Expedition, showing extraordinary military and political talents. Therefore, it is hated by the court authorities. After being dismissed from office, he lived in Shangrao, Xinzhou (now Shangrao City, Jiangxi Province) for nearly 20 years. Although he served as Fujian's special envoy for peace for a short time, he was quickly dismissed. In his later years, the imperial court was in a critical situation and was used by people, but he was still untrustworthy and finally died with a grudge. Xin Qiji was a great patriotic poet in the Southern Song Dynasty. His ci profoundly reflected the sharp national contradictions and contradictions within the ruling class at that time, and showed his patriotic enthusiasm for actively advocating resistance to gold and realizing national reunification. His works are broad in subject matter, diverse in style, uninhibited, good at using allusions and sketching, expanding the territory of Ci, improving the expressive force of Ci, and becoming the most outstanding representative writer in the Southern Song Dynasty. There is also a collection of Jia's and short sentences
Note: Jade case: inscription name. Flowers and thousands of trees: describe the number of lights, such as thousands of trees blooming together. BMW Carved Car: refers to the gorgeous chariots and horses of the noble and powerful families who watch the lights. Feng Xiao: According to fairy tales, Nong Yu, Qin Mugong's daughter, is good at playing the flute and making the sound of Feng Ming, which attracted the phoenix. Therefore, Xiao is called. Jade pot: metaphor for the moon. Moth snow willow: an ornament worn by women during the Lantern Festival. Dull: scattered.
The brief analysis of this word focuses on comparison. The last film renders the Lantern Festival brightly lit, full of traffic and a bustling scene; At the beginning of the next movie, the scene of the woman wearing colorful clothes watching the light and laughing happily is depicted. All these are not the main object of this paper, but just a foil. Finally, it is pointed out that the "person" of "twilight", a sad, lonely and lonely person, is the protagonist of the work. The lively and extraordinary scene in front of us is the coldness of dim light; A group of smiling and cheerful lantern watchers set off the loneliness of "that person" However, what is the author's intention in describing such a lonely person? Liang Qichao commented in the Collection of Poetry in the Art Museum: "Self-pity is lonely, and those who are sad have their own arms." Look at the author's life experience again. This word was written during his retirement and seclusion. In the image of the excited "that person", there is the author's own shadow, or simply the embodiment of the author's personality.
Wang Guowei listed "looking for him all over the world, but when I look back, I can't see him, where people are, and the lights are dim" as the third realm that "the great cause of ancient and modern times, the university questioner" must go through, which also shows the characteristics of the word "yuan" The artistic charm of a literary masterpiece often lies not only in the appeal of the artistic image it creates, but also in its rich association and profound enlightenment beyond the image. Wang Guowei associated the word "Yuan Xi" with the realm of learning, which was certainly unexpected by Xin Qiji. Kuang Zhouyi said in Xiang Haitang Pavilion Thorn that Xin Jiaxuan's beauty is in his bones, but his thickness is in his spirit, which is really insightful. After reading the poem Jade Box Yuan, people will be fascinated and learn profound philosophy from it, which just shows the rich connotation of Xin Qiji's ci and the profound skill of Xin Qiji's ci.