How did Qi Baishi study?
Qi Baishi's family was poor, and he studied for a year when he was young. He studied painting after herding cattle and chopping wood. 65438-0877 apprenticed as a carpenter, and changed to woodcarving the following year. He copied the Biography of Mustard Seed Orchard as a new sample of sculpture. 1888 began to learn painting, president of Longshan Poetry Society. 1890 at the age of 26, he turned to study portrait painting from Xiao Peng and Wen Shao. At the age of 27, he began to learn poetry and calligraphy from Hu Qinyuan and Shao Chen. At the age of 37, he studied with Confucian scholars and became a mentor with Li, Yang Du and others. Qi Baishi lived in his hometown, where he was born: Xingdoutang, Meigong Temple and Jiaruchong Jipingtang. From the age of 40, he left his hometown and traveled to Shaanxi, Henan, Beijing, Hebei, Hubei, Jiangxi, Shanghai, Jiangsu and Guangdong and Guangxi, enjoying the famous mountains and rivers and making friends with contemporary celebrities. Fan Fanshan, Xia Wuyi and Guo Baosun are all close friends. Painting styles range from meticulous painting to calligraphy, from calligraphy to Wei Bei, and seal cutting from Ding to Zhao. At the age of 55, he fled to the north and settled in Beijing two years later. Chen Shiceng, Xu Beihong, Luo Yinghong, Lin Fengmian, etc. 1926, Qi Baishi was appointed honorary professor of National Beiping Art College, honorary president of Beiping Artists Association, honorary professor of Central Academy of Fine Arts, research librarian of Central Museum of Literature and History, director of China People's Association for Foreign Culture, honorary president of China Painting Academy, chairman of Beijing Chinese Painting Research Association and chairman of National Artists Association. 1July 1949,1September 1953, attended the National Congress of Literary and Art Workers in China twice and was elected as a member of the National Federation of Literary and Art Circles. 1August, 954, elected as the representative of the first National People's Congress; He has a deep friendship with President Mao Zedong and has been received. 1953 1 The Ministry of Culture awarded him the honorary certificate and the title of "People's Artist"; 195565438+In February, German Democracy and China Academy of Art awarded him the honorary certificate of Communication Academician; 1956 In April, the World Peace Council awarded him 1955 International Peace Prize, and an award ceremony was held in September; 1963 was selected as a world cultural celebrity by the World Peace Council. During his stay in War of Resistance against Japanese Aggression, he said that "the paintings are not for sale to the government". From 65438 to 0946, he resumed his career of selling paintings and managing printing. In the same year, he went to Nanjing and Shanghai to hold a solo exhibition, and served as honorary professor of Beiping Art Institute. He is the author of Poem Grass by Borrowing Mountain, Poem Grass by White Stone, Print Grass by White Stone, Autobiography of White Stone Old Man, etc. There are nearly 100 kinds of paintings such as The Complete Works of Qi Baishi. At the age of seventy-four, he went to Shu and met Huang and Jin Songcen. Qi Baishi had two wives, seven sons and five daughters. 1874, parents decided to marry child bride Chen Chunjun. 188 1 year had sex with Chen Chunjun and had three sons (Liang Yuan, Fu Liang and Liang Kun) and two daughters. 1940, their first wife, Chen Chunjun, died in Xiangtan. 19 19, Hu Baozhu, a native of Sichuan, was hired as an assistant office. 194 1, she became an assistant office and gave birth to four sons (Liangchi, Liangsi, Liangnian and Qiliang) and three daughters. Hu Baozhu died on 1943. Artistic characteristics and propositions Qi Baishi advocates that art is "wonderful between similarity and dissimilarity"; Painters in his later years include Fa, Shi Tao and Wu Changshuo. Formed a unique freehand brushwork style of Chinese painting, they started a school of red flowers and ink leaves, especially fruits, vegetables, flowers, birds, insects and fish, with famous figures and landscapes, and enjoyed the reputation of "Southern Wu and Northern Qi" with Wu Changshuo. With its simple folk art style and traditional literati painting style, it has reached the peak of modern flower-and-bird painting in China. Ding Jing and Huang studied seal cutting at first, and then Zhao? Uncle, and take French, Chinese and Indian; See "Sangong Mountain Monument" and "Tiantan Monument". The seal cutting method is changing again and again, and the printing style is magnificent and unrestrained, which is a representative figure in the evolution period of modern printing style. His calligraphy is widely spread in inscriptions, and he once lived in He, Jin Dongxin and other places, especially in seal script and running script. Poetry does not ask for work, has no meaning of Tang and Song Dynasties, learns from nature, has a clever brushwork and has a unique style. His painting and printing poets call it the four musts. I have worked hard all my life, worked tirelessly, earned my own living, and have high moral character, especially national integrity. He left more than 30,000 paintings, more than 3,000 poems, self-reports and other manuscripts, and wrote many volumes. His works have been printed repeatedly in various forms. Qi Baishi was greatly influenced by Chen Shiceng in painting art, and he also learned from Wu Changshuo. He specializes in flowers and birds, and his pen is full of ink. But drawing insects is meticulous and extremely fine. He also praised Xu Wei, Zhu Da, Shi Tao and Jin Nong. Shrimp, crab, cicada, butterfly, fish, bird and ink are especially vivid, full of the vitality of nature. Landscape composition is unique and unconventional, full of creative spirit, unique seal cutting and outstanding calligraphy, which is well known to everyone. Qi Baishi's paintings are against unrealistic dreams. He often pays attention to the characteristics of flowers, birds, insects and fish and tries to figure out their spirit. He once said: To draw a picture of all kinds of insects, to draw a picture of all kinds of birds, you must draw your own face. His sentences are very witty and clever. He drew two chickens fighting for a bug, and the title said, "I'll call you tomorrow." A picture of cotton reads: "Flowers warm the world, but flowers cool the world". The title of "Tumbler Map" is "Autumn fans shake white on both sides, and official robes are black." The market situation of works Qi Baishi worked hard all his life and painted a lot. He gets flustered if he doesn't draw for one day, and itches if he doesn't carve his fingers for five days. His works are amazing and surprisingly good. As short as 1953, there are more than 600 large and small works. 1922, Chen Shiceng introduced Qi Baishi's paintings to Tokyo for the Sino-Japanese Friendship Exhibition, which was very popular. They were all sold at high prices, but at that time his paintings were priced very low in China. In the 1920s, under the impetus of Xu Beihong, Qi Baishi's works were gradually recognized by collectors, and the price rose steadily. At present, it is difficult to see Qi Baishi's works for public sale in the domestic primary market. Calligraphy and painting shops will buy his original works at a high price, but rarely see them sold at a marked price. In Hongkong and new york markets, Qi Baishi's works are auctioned regularly every year. He is the most auctioned modern painter. In the Hong Kong market, his latest price is about 3 million-110,000 Hong Kong dollars, and the higher price was created in 1989, reaching10.2 million Hong Kong dollars. In the domestic auction market, Qi Baishi's price is the highest, and the highest record is a picture book of Landscape auctioned by Guardian Auction Company, with a price of 5 1.7 million yuan. Later, Guardian held a special auction of Qi Baishi's works. Although the effect is good, the price of Qi Baishi's works has been in a downturn since then.