Jin Yunchang is a member of the Appraisal and Evaluation Committee of China Calligraphers Association, the Advisory and Appraisal Expert Committee of China Collectors Association, the Art Appraisal Committee of the Cultural Market Development Center of the Ministry of Culture, the director of the China Culture and Art Development Promotion Association of the Ministry of Culture, the vice president of China Calligraphy Research Institute of the State Council Development Research Center, and a part-time researcher of the National Institute of Educational Science of the Ministry of Education.
Mongolian, born in Beijing, 1957. 1982 graduated from the Chinese Department of Capital Normal University and stayed there to teach ancient Chinese. He used to be the executive director of the Beijing Language Society and the secretary general of the Ancient Chinese Research Association. At the same time, he studied calligraphy under Mr. Ouyang Zhongshi and Mr. Kang Yin, participated in the calligraphy art education major of the First Normal University and the establishment of the first calligraphy doctoral program in China, and was hired as an associate professor and master tutor. Join the China Calligraphers Association.
1997 to the Palace Museum in Beijing. The following year, he served as the deputy director of Gu Shuhua Department of the hospital. Over the years, I have been guarding the national treasures of calligraphy and painting and inscriptions in the hospital, concentrating on research, broadening my horizons, and improving my artistic accomplishment and identification ability rapidly.
I like calligraphy since I was a child. I first studied Tang Kai, then Wei Bei, and I was also a cursive writer with Erwang and Li Yong. When I arrived at the Forbidden City, I had the honor to consult Mr. Liu Bingsen. He had a profound understanding of the theory that "the ancient times do not take advantage of the times, but today there are different disadvantages", and he integrated a fresh and elegant modern aesthetic consciousness into the dignified and vigorous traditional book style. His works have been exhibited at home and abroad for many times and won awards, which has been widely criticized by collectors.