..... 1989 early spring, despite the' cold wind'. However, the artistic career of Mr. Xing Bin, a generation of "Hangpai" artists, is indeed extraordinary: under the cordial care of Mr. Dong Shouping, a master of Chinese painting and then a consultant to Rong Baozhai, and Mr. Qi Gong, a master of Chinese studies and a book superstar (just returned from Japan), the works of the "Qiu's Painting and Calligraphy Art Exhibition" sponsored by Rong Baozhai and China Painters Association (the predecessor of China Painting and Calligraphy Association) have been held in the South Pavilion on the second floor of Rong Baozhai and China as scheduled. Soon after, with the proposal and support of Dong Shouping, a master of Chinese painting, and Mr. Qi Gong, a great calligrapher, Xing Bin's "Painting and Calligraphy Seal Cutting Art Exhibition" was held in China Art Museum.
Yes, it is worth mentioning that in this exhibition, the China Art Museum specially moved the "Qiu's Painting and Calligraphy Exhibition" inscribed by Chu Tunan, a generation of calligraphy master and former vice chairman of the National People's Congress, to the exhibition "sign". Thus adding more highlights to this exhibition.
Hangbin
Color. Zhang, a master of Chinese studies, a superstar of calligraphy, a master of calligraphy and painting, a generation of ancient philologists, a master of calligraphy and other famous artists, especially a generation of grandmasters, scholars and former vice chairman of the National People's Congress, not only wrote congratulations and encouragement, but also actively participated.
Attend the opening ceremony and take a seat on the rostrum. What's more worth mentioning is that Zhao Puchu, a poet, a master of calligraphy and Buddhism, was invited to attend the opening ceremony of the exhibition and sat on the "rostrum" ... If so, it not only made Master Xing Bin famous, but also caused a sensation.
Beijing art circle.
Later, at the invitation of Hong Kong International Gallery, he made a special trip to Hong Kong to receive the prize and held the "Northwest Charm-Qiu's Painting and Calligraphy Seal Cutting Art Exhibition" (Note: due to domestic political reasons, the original exhibition time had to be postponed for more than five months, and in June 1989, 10, Xing Bin went to Hong Kong to receive the prize and held the "Northwest Charm-"
However, just when his art was very popular, he suddenly closed the door for nearly ten years and immersed himself in the creation of "seal cutting screen" and the "stone painting" derived from it with unprecedented "pioneering work". He said: As far as seal cutting is concerned, how to fundamentally change the stereotype of seal cutting, commonly known as "carving small skills", and restore the original face of seal cutting, the oriental pearl. ..... He studied the aesthetic style of China artists and the traditional aesthetic habits of the East many times, especially during his exhibition in Beijing, and witnessed China's excellent original paintings and calligraphy from ancient times to the present in Rong Baozhai, the Forbidden City and China Art Museum. Because of the changes of years and times, he naturally left traces of history in his works: scarlet of various sizes, weights and styles, such as Fine Seal of Sanxi Hall, Treasure of Imperial Reading, etc. If so, in Mr. Wang's eyes, it is no longer a token of "fine printing" and "imprint" in a simple sense ... but a natural screen that is inadvertently formed according to the laws of nature and is better than "painting and calligraphy itself"! However, this is what Mr. Wang is looking for and pursuing! This' discovery of screen beauty' not only impacted Mr. Wang's artistic concept accumulated over the years, but also surprised him very much! ..... It was this "surprise" that inspired his interest in exploring and creating "screen beauty"! Mr. Xing Bin said: "Although the ancient artists in China combined poetry, painting and seal cutting to form a unique and perfect painting layout (painting screen) which can be called the three wonders of China, they created a tradition of combining poetry, calligraphy, painting and seal in one screen and pursuing freehand brushwork and both form and spirit. But among them, calligraphy and painting, poetry and prose are the main parts, and seal cutting is just an ornament like' finishing touch', that's all! But I am determined to boldly put the cart before the horse in the long river of oriental art, trying to combine the essence of calligraphy and painting, poetry and seal cutting, change the tradition, find another way and form my own style. ...... "After a hard search, he finally realized his unprecedented new field of" seal cutting screen printing ",with lithograph as the main character and poetry and painting as the supporting role! 1in the autumn of 995, when the "Qiu's Painting, Calligraphy and Seal Carving Art Exhibition" was exhibited at the Confucius Temple in Changqi, Japan, it caused a sensation: Dooan Kobayashi, president of the All-Japan Seal Carving Association, and the famous painter Zhenxiong Takayama came to congratulate. While enjoying it, Mr. Kobayashi gave Hangbin a Japanese gift that was not too big. Then through translation.
Hangbin
The author asked about the' creative mystery' of stone carving painting. After objectively evaluating the present situation of seal cutting in China, I really appreciate the author's accomplishments in seal cutting pictures and' stone carving painting', especially the spirit of innovation and independence in seal cutting. While speaking, Mr. Takayama Zhenxiong, a famous artist, "explored" the creative process of "stone carving painting" to his disciples and translated it at the same time.
He said to Mr. Hangbin, "We saw your painting (referring to stone paintings) in the International Trade Building in Japan in June this year, and we can see it more clearly today! Shocking! ..... "and said" ... sonorous rhyme, full of images, with the sound of stone "! Japanese Asahi Shimbun and Yomiuri Shimbun introduced the exhibition of Hangbin one after another, and praised Hangbin as "another all-rounder after China Art Garden relayed Zhao and Wu Changshuo!" This work is also published and highlighted. In this sensational work in the art world, in order to fully show the exhibition hall effect of seal cutting, the author boldly expounded his mind through the combination of poetry, calligraphy and painting, entrusted his ideal, and received the artistic effect that poetry, painting and printing complement each other. And praised his artistic creation spirit. When a reporter from China Culture News asked Master Qi Gong what he thought of Xing Bin's original "painting", the old man not only praised it, but also explained it in words, calling it "stone carving painting". When the master calls, people call it "stone painting". Hangbin
"'line sent' device through the ages, QiuShi amassed. Open a mountain and create a beautiful forest after enlightenment. " Ding Chouchun's works were written in Chou Shi Zhai.
Poetry Union: The "action school" is vast-creating thousands of forests after Damei's enlightenment. (65×246 cm)
"Art College" is the product of "Harmonious Prosperity" of great China! Its system mainly includes our "national art"
Comprehensive characteristics of Chinese and American literature, poetry, books, paintings and seals. On the premise of "upholding and defending the purity and originality of national art ……", we should inherit and create it separately, or give full play to its individuality. It is considered to be one of the secrets of the success of Hangpai art to combine their respective spirits of "transformation" and "re-creation" to form a unique "creative synergy" of Hangpai art. What attracts the attention of the art world is that although its techniques have been changed several times until re-creation, it has always maintained the unique' spirit' and unique' artistic diversity' and' traditional characteristics' of China art: All these fully show his unique characteristics as a generation of "Hangpai" artists: rich Chinese studies and artistic attainments, profound artistic wisdom and artistic creativity! ..... Therefore, in order to study the style of "Hangpai Art", it is necessary to briefly explain the styles and characteristics of American writing, poetry, calligraphy, painting, printing and other comprehensive arts as the main components of "Hangpai Art".
The artistic system of "Hangpai" contains the comprehensive characteristics of American writing, poetry, calligraphy, painting and printing in our national art. It is considered to be one of the secrets of the success of "Hangpai" art. As a unique calligrapher, he has been to Japan many times since the 1980s, and then his own changes have been transformed into the unique creative power of "Hangpai art". The evaluation of his calligraphy by Chinese and foreign art circles is: "... Xing Bin's calligraphy is authentic, cursive script, official script, seal script, ... learning books begins with ancient seal script, and the original works, cursive script, official script and seal script are all works, while regular script, cursive script (especially regular script) and seal script (Biography of Walking on Grass and Biography of Walking on Rattan) are this one. The whole text is free in size, written in one breath, and the pen is smooth but dignified. There is a firm feeling when you start writing, close your pen and lift your pen, which is filled with a strong stone atmosphere. Yes, the biggest advantage of his block letters is that they are unconventional and maverick! Some people think that his regular script is unique, bold, pure and elegant with his seal cutting.
Hangbin
Have the same effect! ..... cursive kingdom
Looking up at the' Hangpai' cursive masterpiece is like seeing it swinging-the whole work is full of scattered paintings! In addition, the poem "self-made" makes the poem: "Cloud back, dragon plate, tiger cutting music, golden snake, holding rattan, pressing branches low." Stretch the trunk, explore the sun and the moon, wisteria, lingering roses, hanging plain walls, meandering water flowing, entering the coolness, winding the beams with three fats, sealing the vines, the heavens, everything is alive, and the ancient style is beautiful, which shows its spirit! "Wait for the list of things in the book! The book is full of changes and new ideas, and the pen tip is thrown from the air, elegant and smooth. Although you are left and right, you are not within the rope moment! This is the real' philosophical return'-the wonders of the universe! " The freest freehand brushwork of the running script school "and" cursive realm "are also! As Mr. Xing Bin said: "The rhyme of calligraphy is not in the calligraphy image itself, but outside the image! "He not only used the meaning and interest of his hard-working rattan seal script in cursive script, but also used it thoroughly. Moreover, Tengzhuan's unique elegant and elegant "personality" has been fully expressed through its freehand freehand brushwork and cursive realm. Transform the "poetry" in The Legend of Rattan Seal into an indescribable "artistic style" thought that transcends the ink image, a fleeting artistic conception and a unique life spirit! This isn't it? In this black-and-white world where stippling lines fly and calligraphy splashes ink, the master forgets himself and has the machine in his hand. In the flowing water, the pen stays in a crazy shape, which truly realizes spiritual intoxication and artistic conception detachment! As Mr. Xing Bin said: "..." Wild Grass "is a high-level and high-grade pure artistic activity that really breaks through the" method writing "and leaps to" emotion writing "in calligraphy art! It is crazy with its strong' lyricism' and' venting beauty'! ……"。 He also said: "Weeds are the freest and most enjoyable art! In China's calligraphy, it (especially Mad Grass) can best embody the aesthetic spirit of life in China's philosophy and best show the highest realm of China's calligraphy art! This is a truly "pure aesthetic" arc decorative art. ..... People say that "the art of behavioral school is the product of harmony and prosperity"! And this cursive script has the atmosphere of' prosperous China'! "The Legend of the Rattan Seal": The cloud belongs to the dragon and tiger to cut the song, and the golden snake holds the vine and presses the branches low. The trunk sticks out to explore the sun and the moon, and wisteria hangs on the wall.
Qushui turns cold, and Sanfei wraps around the vines. This is the fate of the heavens, and the ancient rhyme sees its god!
It's ugly in spring. Hangbin's calligraphy was written in Chou Shi Zhai (200× 150CM).
(note: tiger scissors-that is, tiger tail. The heavens-in the Buddhist scriptures: the universe has three realms (28 days)
In the artistic system of Hangpai, the calligraphy style of Hangpai-Cao Chuan (with two styles of "big seal cursive script" and "small seal cursive script") and Tengchuan, the calligraphy style of Hangpai, is a combination of big seal script (including divination), stone drum and even many ancient times. Among them, the most eye-catching' rattan seal' is that he boldly uses it as a bone. Then skillfully borrow the "vine" as the body, and after repeated tempering, it is an original seal script. The' rattan bend' and' rattan wandering' in the works are full of weather. The strokes take the center as the carrier, and the lines are smooth and smooth, such as "the house leaks and it rains all night", which is simple and stretching, as straight as a snake comes out of the hole. One is to change (reverse) the traditional pattern, but to seek solemnity from the scattered nature and see thoroughness from the scattered nature. Then the traditional seal script is combined with subtle changes such as lifting, stopping, hiding the front and revealing the front, giving rattan seal script works: ethereal and changeable, calm, condensed in flow and full of rhythm. In order to highlight the shape and quality of "rattan seal script", the author tries to change the symmetrical lines and smooth and symmetrical structure of traditional seal script, so that it is easy to slant right, bend straight, even reverse right, or bend left and right up and down ... thinking that the "extension" and "flexion" of "rattan" are to adjust the center of gravity of characters. Such a "daring" and "taking risks and seeking truth" action is the concrete embodiment of this generation of avant-garde artists who dare to transcend the traditional creative spirit. In addition, the skew of size, the length of fat and thin, and the interleaving of clutch are all random ... This cycle is continuous, which makes the whole work ups and downs from knotting to Fiona Fang's composition amazing. Naive and natural, wonderful and continuous! And vines' stretch' and' bend' are also regular and measured. It not only overcomes the shortcomings of flower-bird-insect seal, Miao seal and so on, but also fully displays the unique "personality" of rattan seal. The whole book reveals a quiet and restrained atmosphere. Such as Gu Teng jade branches, bright purple ivy. It can be said that silence is beautiful, and it wins with pure breath. If everything is like this, "it's because the book path is wide and thin, and it's not easy to get familiar." (For the text and works, see "A Generation of Masters" by China Federation of Literary and Art Circles and Ministry of Culture. ; Going to the world-China's top ten masters of painting and calligraphy; China's calligraphy and painting art going to the world; Leading figures-the most influential master of calligraphy and painting in contemporary China, etc.) is selected from On Hangpai Art.
As a generation of "Hangpai" artists, because of their rich knowledge of Chinese studies and calligraphy, paintings, whether landscapes, flowers, birds and figures, are all written with "seal strokes" and "lines", and even distant peaks and dyes are also written with pens and pens. And enrich "poetry" in its "line school" and become a kind of vitality! This makes the' Hangpai' Chinese painting go through the ages in terms of thickness, change and even the depth of connotation! And truly realize the integration of American writing, poetry, books, paintings and printing! Selected from On Performance Art
Hangzhou School's Poem of "Stone Carving with Silk Screen"
Hangbin
"Zhejiang and Anhui philosophers will enter the palace and seek a new generation of seal cutting. As the quintessence of China's poetry, calligraphy and painting, Rong 'an is called a vulture! The line school created a new seal space, and the rattan seal entered the seal to create brilliance together. Zhu Ji hall painting screen. There are stone statues and paintings.
The sun is selling, the moon is burning, and stones and stones are born naturally. Wu Wen Shen Gong published and chiseled, and Jin Pinghui printed cinnabar. "
On the second day of February, Wang Long wrote two lines of guest letters in Chou Shi Zhai (580× 150cm).
(Note:' Two Paintings' refers to' Stone Carving Paintings' with stone flavor-'Western Portrait' and' China Han Portrait'), selected from "On Painting School Art".
"Stone painting" is a kind of painting created independently in the new field of "line school" and "seal cutting screen printing". It can be divided into two styles: Western figurative style and China Han portrait style. This kind of "painting" is that he boldly painted on the boulder with his skillful seal cutting knife method. Through the collision between the knife and the boulder, we strive to be similar in shape and quality to the' golden stone flavor' presented by stone carvings and bronze statues that have experienced thousands of years of wind and rain erosion and vicissitudes! That is, (golden stone flavor). Therefore, the style is unique, especially the "golden stone flavor" is incomparable to any form of "painting"! Show extremely implicit creativity. Such a unique painting was humorously named "Stone Painting" by Mr. Qi Gong, a master of Chinese studies and painting and calligraphy, when it was exhibited in China Art Museum.