Su Shi and Cao Qin, two people who have no intersection, came together because of fate. Su Shi and Cao Qin met on the lake. One day, two cruise ships collided, which led to a love affair. At that time, Cao Qin was a girl of 16 years old, and Su Dongpo had reached the age of know life, which was a love affair.
Su Dongpo was an official of the dynasty and served as a magistrate in Hangzhou, while Cao Qin was a famous geisha and prostitute. They met and fell in love. Su Shi redeemed Cao Qin and advised Cao Qin to be kind, but this sentence awakened the dreamer. Cao Qin then cut off 3,000 troubled hairs, cut off his hair, and practiced in Linglong Mountain, accompanied by an ancient Buddha with blue lanterns.
After Cao Qin became a monk, Su Shi and Cao Qin met in Linglong Mountain every time. Everyone took poetry as their friends and talked about it. The acquaintance between a poet and a geisha is a long-lasting relationship, and Su Dongpo's repeated steps on Maling Mountain are the annotation of this emotion until one day two years later. Two years later, Su Dongpo left for the north. Looking at the poet's farther and farther back, Cao Qin's heart gradually closed.
No matter how the wind blows on the skirt, her eyes have been blurred by tears. Eight years after Cao Qin entered Linglong Mountain, he heard the news brought by Shen Liao, a poet who was ordered by the court to return to secularization. Su Dongpo was exiled to Zhan Zhou in the South China Sea, which is now Hainan. At dusk, Qin Cao was lost and died of depression within a few months. He is only twenty-four years old.
Su Dongpo wept bitterly at the news of Cao Qin's death in his later years. He said a word, translated into vernacular, that I hurt her. This sentence, if not recorded in the literature, also conforms to the humorous image of Su Dongpo, a poet in the Northern Song Dynasty. Su Dongpo saw Cao Qin for the last time before he left Hangzhou.
In April, the grass grows and the warbler flies. Su Dongpo rode wildly, and there was a touch of sadness when he looked back. This expression is engraved in Cao Qin's heart all his life. The girl with a fluttering skirt in the Northern Song Dynasty sang and caressed the piano. Her graceful posture, like the hollow piano sound, was imprinted in the thoughts of the poet Su Dongpo and later generations, just like Yu Dafu, the lover of the Republic of China.
Su Dongpo, a poet, later reburied the confidante in Linglong Mountain Cao Qin Training Center, and personally wrote a tombstone. By the Song Dynasty, Cao Qin's tomb had been submerged by weeds, and the villagers found the inscription on Dongpo and rebuilt it. During the period of the Republic of China, when the poet Yu Dafu searched, all he left was "a barren slope and a thick monument" engraved with the words "Cao Qin's Tomb".
The tombstone Yu Dafu saw was not written by Dongpo, but rebuilt in the Ming Dynasty. More than ten years ago, Cao Qin's tomb was rebuilt and this remains, which has been used as a paving stone, was found. In the vegetable field that Yu Dafu saw. The stone tablets describing Dongpo and Cao Qin are missing.
Extended data:
Su Shi's life was ups and downs, and he traveled everywhere, and his life experience was extremely rich. He is good at summing up experience from life experience and seeing laws from objective things. In his eyes, ordinary life content and natural scenery contain profound truth.
For example, two poems, titled Xilin wall, the river is Mianchi nostalgia. In these poems, natural phenomena rise to philosophy, and the perception of life is also transformed into rational thinking.
What is particularly commendable is that the philosophy in poetry is naturally expressed through vivid and distinctive artistic images, rather than through logical deduction or discussion and analysis. This kind of poem is both beautiful and interesting, worthy of the name.
"I don't know the true face of Lushan Mountain" and "Snow Mud Red Claw" became a popular idiom as soon as they came out, which shows that Su Shi's reasonable poems are widely loved. There are many similar works in Su Shi's poems.
Such as the Sangha Pagoda in Sizhou, drinking rain after Chu Qing on the lake, and being trapped by the wind in Cihu. Su Shi is very insightful, so he can find wonderful ideas everywhere.
Deep life thinking makes Su Shi hold a calm and broad-minded attitude towards ups and downs, which is fully reflected in Su Shi's poems. Su Shi's poems in adversity certainly contain pain, resentment and depression.
Su Shi's more poems show contempt for and transcendence over suffering. Su Shi has profound knowledge, mastered the artistic skills of poetry to the point of perfection, and has an amazing spirit of innovation in treating artistic norms.
Moreover, the expressive force of Su Shi's poems is amazing, and there is almost no theme that Su Shi's poems can't contain. The late Northern Song Dynasty, represented by Yuan You's poetry circle, was the heyday of Song poetry, and the creation of Su Shi, Wang Anshi, Huang Tingjian and Chen Shidao pushed the art of Song poetry to its peak.
The prominence and distinctiveness of Wang, Huang and Chen's poems in style and personality may be more striking than Su Shi's poems. But in terms of creative achievements, Su Shi is undoubtedly the first poet in the Northern Song Dynasty.
Su Shi's poems are outstanding in the dimensions of wide subject matter, diverse forms and profound emotional connotation. More importantly, Su Shi has a strong artistic compatibility, and he did not push a certain style to the status of a statue in theory and creation.
In this way, although Su Shi made great contributions in the process of creating a new look of Song poetry, he basically avoided the two main shortcomings of Song poetry, namely, sharp and blunt and boring.
Baidu Encyclopedia-Cao Qin