Why do some calligraphy masters criticize the pavilion for its heavy spirit when they see its solid and profound regular script writing?

Pavilion, also known as Taige, refers to the cabinet and academician courtyard from Yongle to Chenghua in Ming Dynasty. At that time, the literati only wanted to write correctly, respectfully, horizontally, vertically and neatly, and liked block printing, which formed the "Taige style" of the Ming Dynasty.

Although the Taige style is clean, square and easy to read, it is often unable to reflect the author's own calligraphy pursuit in his works because of the same words, thus losing his personal characteristics in calligraphy; If you practice too early and format too much, it will even affect the development space of practitioners. So there are still many people who reject Taige calligraphy.

As for the stability of work, it cannot be equated with the cabinet. Comparing the calligraphy of Yu Shinan, Chu Suiliang, Ouyang Tong and Shen Du, we can see their differences. If it is a veritable calligraphy master's comment, then the person being commented must reflect on himself.