"What makes him as famous as' Li Bai' and is called' Three Musts' by Emperor Taizong?"

A peony, a wave of Chung Shan Man.

The horizontal Great Wall is long and the vertical characters are sonorous.

Butterflies in pairs, pies on the magpie bridge.

A trip to Jiangnan, a little jasmine.

Calligraphy is the most poetic expression of Chinese character writing. Slender and slender, without tendons and bones, poetic all over the sky.

The original concept of "person" was that my father spread out a three-character classic copybook and pointed to the Chinese character "Chinese character" and said to me, "There are two strokes of Chinese characters, one left and one pressed. The left beard is like a sword to cut the horn of a rhinoceros, and the pressure beard is like a wave hitting a lightning strike. Only the Chinese character "Chinese character" can show the trend of holding your head high and stepping on the ground, can you stand tall and be a man! "

Once upon a time, during the Spring Festival, I saw the words "Faithfulness and faithfulness spread far and wide, and poetry and books will last forever" written by my grandfather on red Zheng Dan paper. Every word is vigorous and powerful, vigorous and straight, and contains a full flavor of the year.

Looking at the previous letters, we can see that "Yi Yingqing knows how to ...", the pen is light and heavy, and the ink is thick and light. The ups and downs of writing, full of love and caring, tearful writing, careful choice of words, touching.

Looking at the calligraphy works of the ancients, it is like a thousand miles of clouds, and it is like a long live vine. The pen has profound meaning, the words have temperature and a sense of history; Look at it now. It's all the same anyway. It's all mobile phones and computers typing quickly. They are cold and frivolous.

China's calligraphy is vast and spectacular. After thousands of years of precipitation, only a hundred famous calligraphers have been handed down. Words are what they are, and people are what they say. Among them, I like the elegance of Preface to Lanting Collection, the grandeur of Mysterious Pagoda, the boldness of Four-character Poetry and the boldness and naturalness of Huangzhou Cold Food Poetry.

Wang Xizhi, a quiet and free-spirited man, a widely celebrated story of changing the classics for geese, and a beautiful talk about son-in-law.

At that time, people were sent to choose husbands, and all the children were dressed up and showed their strengths. Only Wang Xizhi was lying on his stomach, and he didn't hear anything. It is precisely because of Wang Xizhi's natural and unrestrained temperament that he can write the best running script in the world ── Preface to Lanting.

Preface to the Lanting Pavilion is fluent in writing, smooth in brushwork, organized like a traveling crane, "floating like a rainbow and agile like a dragon", reaching the highest level of "the beauty of neutralization". Jie Jin praised "Syria Lanting of the right army, with beautiful words and excellent layout. The so-called one point is too long, and losing one point is too short. "

In my opinion, "Preface to the Lanting Pavilion" is like a fairy walking in the clouds, leisurely walking, looking forward to flying, just like "clear water gives birth to hibiscus". Although the original Lanting is no longer alive, the beauty of Lanting has been spread all over the world.

Liu Gongquan's calligraphy is very famous. At that time, there was a saying among the people that "Liu Zi is a thousand dollars". Liu Gongquan is a man of integrity, and Tang Muzong, a dissolute and extravagant man, once asked Liu Gongquan how to write. Liu Gongquan replied: "The heart is right!" Tang Muzong changed his face. His handwriting is just like his people, vigorous and graceful, and his bones are clanking.

The Xuanta Monument written by Liu Gongquan at the age of sixty-four is bold in brushwork, bold in brushwork, flowing freely, restrained and expanded. After thousands of years, the whole monument is still clear and complete. Wang Shizhen's "On the Red Monument" praised: "Xuanta Ming, the most exposed person in Liu Shu, is full of charm and strength, and there is no lack of self-reliance, and the ascension method has also changed greatly."

In my opinion, the stone tablet of the mysterious pagoda is like a peerless master hidden in the mountains. He is chivalrous, brave and upright. Once there was a dispute in the Jianghu, he swept away all the grievances and went on cloud nine.

Zhang Xu's Weeds, Li Bai's poems and Pei Min's Sword Dance were also called "Three Wonders in the World" at that time. Zhang Xu is also called "Zhang Dian". Where is Zhang Dian? Every time Zhang Xu got drunk, he soaked his hair in thick ink, shouted wildly, wiped everything on the white wall screen, and drew a wall of weeds ... Du Fu said in his poem: "Zhang Xu has three cups of grass, and he has not taken off his hat to show the crown of the prince, waving paper like a cloud."

Four Ancient Poems is Zhang Xu's most wonderful work. This post is both rigid and flexible, with continuous brushwork, unrestrained and unrestrained, full of paper like clouds, in one go, giving people a feeling of agitation. Dong Qichang commented: "There is a cliff fall and a whirlwind rain."

In my opinion, Four Ancient Poems is like a flying goddess roaming in space. Floating, dressed neatly, like clouds and light coming out of the hole; Quietly leaving, lingering, like a cloud covering the moon, beautiful; Suddenly dancing with long sleeves, like snow, suddenly standing and thinking, like the bright moon shining on an empty mountain.

I've been demoted many times in my life, but I still laugh at Gone forever and talk about the past and the present. Apart from Su Dongpo, how many people can do it? Su Dongpo's generosity and broadmindedness are also reflected in his calligraphy. Su Dongpo said, "I can't write with my heart" and "innocence is my teacher". Writing calligraphy according to personal feelings is the highest realm of "emphasizing meaning" in Song Dynasty.

Huangzhou Cold Food Poetry Post was written by Su Dongpo at the Cold Food Festival in the third year of his relegation to Huangzhou. The brushwork of this post is ups and downs, swift and steady, positive or horizontal, changeable, big or small, sparse or dense, uneven and varied, and the poem and the book set each other off. * * depicts Su Dongpo's sad mood at that time.

In my opinion, Huangzhou Cold Food Poetry Post is like an untimely romantic madman, washing away all pretense and showing people with a naked and unsmiling face. In the stormy weather, I screamed and walked wildly, screaming at the sky.

Calligraphy is actually about people's character. Every font has its soul and emotion.

One monument, one world, one post and one pure land.

No matter how times change, calligraphy is still slow. Between the ups and downs of a stroke, the world becomes quieter.