European style is a regular script font created by Ou Yangxun, a great calligrapher in the Tang Dynasty. It is characterized by the combination of harmony, strong stippling and cohesive brushwork. It is steep and rigorous. Keep the side stable, compact and sparse.
No matter using a pen, the structure has a very serious procedure, which is the most convenient for beginners. The Thirty-six Methods of Ouyang's Structure, which was circulated by later generations, is a structure writing method summarized from his regular script.
Yan Style was created by Yan Zhenqing, a calligrapher in Tang Dynasty. "Yan Ti" is aimed at Yan Zhenqing's regular script. Its regular script structure is square and dense, the strokes are horizontal and light, the brushwork is vigorous and round, and the momentum is solemn and vigorous. The plump figure is like a Shandong man sitting in danger, absorbing the characteristics of the official script block letter structure.
Liu Gongquan was the last great calligrapher in the Tang Dynasty. Wang Xizhi, a beginner in calligraphy, later studied modern calligraphy, studied under Yan Zhenqing, absorbed his new ideas, and then got married and created his own unique Liu style, which is a model for later generations.
His handwriting is even, thin and hard, and he pursues Wei Bei firmly. His stippling is crisp and beautiful, with thick bones and tight body. Compared with Yan style, his regular script is slightly flat and thin, so it is called "Yan Gu".
Zhao Ti is a kind of calligraphy created by Zhao Meng, a famous calligrapher in the early Yuan Dynasty. Zhao Ti's brushwork is round and graceful, while the frame is square. Zhao Meng studied all over the world, but he didn't lose himself. Instead, it supplemented the essence of each family and gradually formed its own characteristics.