One is Liu Yuxi's "Playing the Moon in Taoyuan on the 15th of August"
Seeing the moon in the dust is also idle, and love is between the fairy houses in the clear autumn.
Long and cold, standing on the highest mountain at this time.
Blue is nothing but Feng Yun, and Songshan grows in the water.
When the crowd moved, Gogoing seemed to be thousands of miles away.
Shao Jun led me to the jade altar and invited the real fairy officer to come from afar.
The clouds are moving under the stars, the sky is happy and the bones are cold.
Jin Xin gradually moved eastward, and the shadow of the wheel still rose.
It is difficult to get back together when it is absolutely beautiful, and he should be disappointed on this day.
Appreciation: Playing the Moon in Taoyuan on August 15th is a seven-character ancient poem written by Liu Yuxi, a poet in the Tang Dynasty. This poem has four lines and one rhyme. The first paragraph is about playing the moon in Taoyuan, which has the scenery of the moon and the feeling of drama. The second paragraph is about the night of August 15th. The moon in the Mid-Autumn Festival contrasts with the landscape of heaven and earth illuminated by moonlight. The third paragraph is romantic imagination, which is about the feeling of wanting to be immortal.
In the last paragraph, I dragged myself back from my imagination, wrote about sunrise and sunset, and even expressed my feelings about Perfect Time, which made it slightly difficult to revisit Taoyuan after parting. The scenery of the whole poem changes at any time, and the feelings move with the scenery, which has a sense of ups and downs.
Second, Pi Rixiu's "Guizi in Tianzhu Temple on August 15th"
Yu Xing got off the moon wheel and picked up the dew in front of the temple.
So far, the sky doesn't exist, but Chang 'e should be thrown to people.
Appreciation: This poem is a seven-character quatrain written by Pi Rixiu, a writer in Jingling, Tang Dynasty, and is included in Complete Tang Poetry, Volume 6 15. This poem uses the rhetorical devices of metaphor and association to eulogize the reality of things and express the mood of enjoying the moon and celebrating the Mid-Autumn Festival together.
The whole poem gives people the feeling of being relaxed and carefree. Although it only describes a picture of "enjoying the laurel at night", it makes readers understand this folk custom-you must enjoy the laurel at Mid-Autumn Festival. The content is the poet's association, but it doesn't make people feel empty.
Third, Mifei Mid-Autumn Festival "Looking at the Moon"
Like Huaihai's eyes, the long sea is as white as silver, and millions of rainbow-like lights are pregnant with pearl oysters.
If there is no labor in the sky, the osmanthus tree will grow long and break the moon.
Appreciation: Appreciating the Moon in Mid-Autumn Festival is a poem about the moon written by Mi Fei, a calligrapher in Song Dynasty. This poem quotes two folklores. First, it is said that the propagation of pearls is related to the profit and loss of the moon. When the moon is full, mussels are pregnant with pearls; 2. Folk custom month consists of seven treasures, which are often practiced by 82,000 households in the world. In this way, the legendary moongazing adds a mythical color to the Mid-Autumn Festival.
Looking around, the sea surface of Huaihai is as bright as silver. Under thousands of rainbow lights, mussels are pregnant with countless pearls. Without hard-working people to repair the moon in the sky, the branches of laurel will continue to grow, and its branches have already broken the round moon.