First, the Tang Dynasty poet Wang Zhihuan's "Looking at the Heron Tower"
The Tang Dynasty is the heyday of China's poetry, among which Wang Zhihuan's The Heron Pavilion is a classic poem describing magnificent mountains and rivers. The poem reads: "The mountains cover the day, and the sea drains the golden river. But as long as you go up a flight of stairs, you can broaden your horizons by 300 miles. " This poem shows the poet's reverence for magnificent nature and his desire for a higher realm of life.
Second, Song Dynasty poet Li Qingzhao's Dream.
Song Dynasty is another heyday of China's poetry, among which Li Qingzhao's Dream is a classic poem depicting a better life. It reads between the lines: "Always remember the sunset in Xiting, and I don't know where to go when I am drunk." Always had a good time, but lost to the swimming pool deep in Zhu Feng. Fight for the ferry, fight for the ferry, and open a beach of gulls and herons. "This word expresses the poet's love for a better life and his yearning for nature.
Third, the Tang Dynasty poet Du Fu's "Spring Hope"
Du Fu, a great realistic poet in Tang Dynasty, wrote a classic poem about the cruelty of war. The poem reads: "Although the country is divided, the mountains and rivers remain forever, and the vegetation turns green in spring. Petals fall like tears, and lonely birds sing their sadness. " This poem shows the poet's complaints about the war and worries about the fate of the country.
Fourth, the Tang Dynasty poet Liu Yuxi's Wuyi Lane
Wu Yi Xiang, a poet in Tang Dynasty, is a classic poem describing Gu Xiang in Nanjing. The poem reads: "There are weeds and flowers beside the Suzaku Bridge, and the sunset at the corner of Wuyi Lane is oblique. In the old society, Xie Wang Tang flew into the homes of ordinary people. " This poem shows the poet's love for Gu Xiang and his reflection on history.
The Beauty of Integration of Classical Poetry and Regular Script Calligraphy
First, the beauty of regular script
Regular script, also known as original script or official script, has been an important carrier of China culture since the Han and Wei Dynasties because of its dignified, neat and beautiful features. His brushwork, structure and layout all reflect the calligrapher's ingenuity and affection, which makes every word and article full of vitality and emotion.
Second, the rhyme of poetry.
As a treasure of China culture, poetry inherits the wisdom and emotion of the ancients with its unique rhythm and artistic conception. From the simplicity of The Book of Songs to the magnificence of Tang poetry, from the graceful lyrics in the Song Dynasty to the bold lyrics in the Yuan Dynasty, every step is the development and precipitation of China culture. Emotion, scenery and philosophy in poetry are perfectly condensed in concise words.
Third, the beauty of integration.
When classical poetry meets regular script calligraphy, the beauty of integration is even more amazing. The neatness of regular script and the rhythm of poetry complement each other, making every word and sentence seem to be given new life. This beauty, which has both a heavy history and modern vitality, is the perfect embodiment of the beauty of China culture.