Calligraphy appreciation calligraphy calligraphy 1
Calligraphy and Calligraphy II
Calligraphy, Calligraphy and Calligraphy 3
Calligraphy 4
How to write a good running script?
1, Lin Tie is the sum of running script savvy and skill.
Stickers should adhere to the combination of reading, copying and presentation, and take reading as fun. Through reading, the characteristics of points, paintings, structures, potentials and structures in the template are deeply imprinted in the mind; Copy its shape, the charm of words can not be separated from the structure, on the basis of reading, we should concentrate on the handwriting and remember all kinds of fonts correctly; After two steps of hard work, this step will be like a duck to water, and then take into account your own wishes, strengthen your own accumulation, and enter the quasi-creation.
2. To learn Wang Tixing's calligraphy, we should copy the Preface to the Holy Teaching.
We should grasp the artistic style and characteristics of this post, such as elegant brushwork, beautiful and elegant style, moderate and light breath, etc. The brushwork is restrained, the lines are thin and hard, the dots and paintings are combined, the radicals are arched, the strings are reflected, and the brushwork is pure and natural. Pay attention to correct common diseases such as poor bones, poor breath and dull ink. On the basis of communication, we must fight a tough battle, and pass the test word by word from the aspects of font, word potential, pen type, stroke thickness contrast and ink color change (refer to Lanting ink). We should work hard on the back font to achieve the proficiency of exploring the contents of the bag when creating works.
The true level of a work, even the difference between an expert and a layman in calligraphy, often depends on a little nuance. The fiber is back, alive or dead? Yeah, yeah. Therefore, when writing, we must pay special attention to details, including the position of strokes, the combination of thickness and length, the size of fonts, the color of ink, the concession and echo relationship between strokes and fonts, and so on, even if it is a subtle change, so as to exercise and improve our eyesight. With the foundation of the preface to the holy teachings, it is much easier to learn the preface to the Lanting Collection, paying attention to the rules, consistency and exquisiteness. Then learn from Wang Zhi's letters, how Wang Xizhi refined words, how to ask for words with emotion and so on.
3. For what? Gas? By and? Potential? The study of hair growth.
Qi is of course related to proficiency, but the key is to have this concept, isn't it? Reading? 、? Dear? Or? Chuang? No matter whether this concept is very different or not, you can find this exposition from the ancient and modern book theory and read it carefully.
4. Huang Tingjian's writing is vertical and horizontal.
Huang Tingjian's calligraphy stippling is open, although it is radial structure, but it is not loose; The body is tilted, but it does not fall down. Song Feng Ge Shi Juan is his masterpiece in his later years, and all the above characteristics have been fully reflected. Pay attention to what Huang pursues when writing. Is there anything in the pen? The connotation of beauty, or yue? Charm? Win together.
5. It is still relatively high to learn from Mifei.
To read this post well, we should first understand the general characteristics of Mi Fei's calligraphy, firmly grasp the artistic features of this post, and then carefully study its brushwork, structure, composition, brushwork, especially the characteristics of brushwork, so as to change our penmanship habits. Memorize the fonts to the extent that you can skillfully use them when creating, and don't just sketch them. Mifei's wrist is full of vitality, and his brushwork is peculiar, moist and gorgeous, and he is very particular about brushwork and gestures. Strength depends on potential, and potential depends on strength, so the bone strength is graceful and the brushwork is smooth.