1. Sentences describing calligraphy
1. The pen is full of ink: the pen and ink are used very freely and fully.
It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping.
Describes calligraphy as vigorous and free-spirited. He also writes on behalf of the commander.
2. The flowing clouds and flowing water, the writing is like clouds and smoke. 3. With one stroke, you can see it like a runaway horse soaring into the sky and away from the dust; or like a dragon flying into the sky, moving around, coming from nothingness, and returning to the void again. This almost crazy impulse of primitive vitality encompasses the heaven and earth. The aura of the universe.
4. Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, detachment and tranquility of Lao and Zhuangzi. It often uses a kind of change that does not seek richness and is reflective in the writing. It means leaving behind the glitz and glamor of the world in order to seek the true meaning of space and distance. 5. Observe that his strength is not lost, his posture is stretched but not exaggerated, and his handwriting flows like water and clouds.
6. Du Shijie has strong bones but is thin in calligraphy and painting. If there are no leaves in the frost forest, the waterfall will fly. 7. A group of crocodiles are playing in the sea, and cranes are dancing in the sky (Emperor Xiao Yan of Liang Dynasty commented on Wang Xizhi) 8. Floating like floating clouds, and acting like a frightening dragon.
The iron book and the silver hook are the best in ancient and modern times. 9. Huai Su is like a strong man wielding a sword, his spirit is moving, and he is circling forward and retreat without missing the mark.
10. With a few scribbles, a picture of a flying dragon will appear on the paper. The dragons he painted are lifelike, majestic and varied.
Chen Rong often does not paint the whole dragon, but paints the head or claws of the dragon, which flicker and appear, as if hearing its sound, as if seeing its shape, and splashing ink to form clouds and spraying water. The fog is so magical that it is called "Suoweng Long" (Chen Rong's nickname is Suoweng). 11. The fonts are interlaced, large and small, open and closed, and the thickness of the lines changes obviously, with ups and downs.
The last line is crooked, so crooked that it almost falls over, but this tilt is not rigid, but more free, reflecting his willful and willful side, which is his own style. Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, which has the beauty of "coming like thunder and gathering its wrath".
He writes quickly, uses the pen powerfully and exerts heavy force. 12. Be simple and unpretentious and accept the universe.
13. The teacher’s words are a symbol of years and years, and each stroke is sonorous and powerful. 14. Be assertive and domineering, without being restrained at all, even writing in one stroke, like a god, coming and going without a trace.
15. The teacher’s words are like petals, the fragrance spreads far and wide, becoming more and more fragrant. 16. The dragon and the snake race and wear through the iron inkstone.
17. Its color, its shape, its density, dryness and moisture, its discontinuity and rolling, the thickness and thickness of the dew are all infinitely variable, and the weather is myriad. 18. The majestic brushstrokes and sweeping gestures are unintentional and have the most vitality-filled characteristics.
19. The ancient ink is lightly rubbed with a few fragrances, and the new inkstone bath shines brightly, either vigorously or gracefully, like a graceful beauty, like a vigorous and brave warrior, or like the spring breeze blowing in the face of flowers. One piece may be as deep and cold as the north wind entering the pass. 20. Like a strong man drawing his sword, his appearance is moving.
21. Manqing’s pen is full of facial muscles and willow bones. 22. Luan soaring and phoenix Zhu: Zhu: flying high. It is a metaphor for the flying gesture of calligraphy strokes.
23. Luan Piao Feng Bo: Luan: a legendary bird like the Phoenix. It turns out that calligraphy is described as free and unrestrained.
It is also a metaphor for the separation of husband and wife of advanced students. 24. Flying dragon and snake: describes the vigorous and vivid calligraphy strokes.
Su Shi's "Xijiang Moon·Pingshan Hall": "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall." 25. Flying dragons and dancing phoenixes: Like a flying dragon, like a flying phoenix.
The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
26. Giving examples: Zuo Qiu Ming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying examples to explain a book was called "examples to enlighten".
See "Making an Example".
Powerful and penetrating the back of the paper: It originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.
27. The sword was drawn: the sword was drawn from its sheath and the bow was opened. Describes a situation that is tense and on the verge of breaking out.
Later, it also means that calligraphy is vigorous and powerful. 28. Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
29. Huang Ting was first written: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right."
Later used to describe doing things just right. 30. Beauty Hairpin: Describes the beauty and beauty of calligraphy or poetry style.
31. Penetrating three-thirds of the wood: It originally described the strong calligraphy pen (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), but now it mostly describes the profound and powerful force of analysis, description and discussion. The power of similar words can be seen through the back of the paper, and it is an apt description of the root of calligraphy.
32. The paper is like clouds of smoke 33. Tang Dynasty Li Bai's "Cursive Script Song": "Every now and then I see dragons and snakes walking away, left and right frowning and lightning shocked." 34. Although the presentation has a fatherly style , is not a novelty.
Looking at the style of his writing, he is as sparse and thin as a dead tree in the middle of winter; looking at his writing, he is as restrained as a hungry official of the Yan family. 35. Three points into the wood 36. Wang Xizhi has profound attainments in real calligraphy, cursive calligraphy, and all kinds of calligraphy.
His real calligraphy has a clever and dense shape, opening up a new realm; his grass is long, thick and slender; his running script is charming and vigorous. People call his calligraphy "floating like floating clouds, as powerful as a frightening dragon"; "dragon leaps over the sky gate, tiger lies in the Phoenix Pavilion".
37. Graffiti: letter: let one go, casually; letter pen: write casually; graffiti: figuratively written words are poorly written and scribbled casually. Later, "graffiti" or "graffiti" were used to describe poor calligraphy or random writing.
There are also people who claim to be doing graffiti to show their modesty. 38. Xinbi scribbling: Xinbi: writing casually.
Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.
39. Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful.
40. The pen moves the dragon and the snake, the iron draws the silver hook. 2. Sentences describing calligraphy Sentences
Take a look at Sun Guoting’s calligraphy. Among those who have been good at calligraphy since ancient times, Zhong Zhang was the best in the Han and Wei dynasties, and the two kings were called the masters in the late Jin Dynasty.
Wang Xizhi said: "After searching for famous books for a while, Zhong Zhangxin was unparalleled, but his success was not enough to be seen." It can be said that Zhong Zhangyun disappeared, and Xi Xian succeeded him.
He also said: "My book is compared to Zhong Zhang. Zhong should resist, or it can be said to be better. Zhang Cao is like a flying goose.
However, Zhang is skilled, and the water in the pool is exhausted. If I am delayed like this, I will not necessarily thank you." This is the intention of recommending Zhang Maizhong.
Examining his expertise, although he failed to achieve the results as set forth above, he has mastered all aspects, so he is not ashamed of what he is doing now. A commentator said: "The four sages among them are unique in ancient and modern times; today we do not follow the ancients, but study the ancient quality and study the present." Although it is a written deed, it is suitable for recording words; but once Chunji moved, the quality and writing changed three times, and the evolution was rapid, the physics is normal.
In ancient times, noble people were not obedient, but now they have different disadvantages. The so-called "gentle and gentle. Then a gentleman."
Why should it be easy to carve a palace on the acupoint and turn the jade chariot on the vertebrae! It is also said: "Zijing is not as good as Yi Shao, and Yi Shao is not as good as Zhong Zhang." The intended person thinks that he can evaluate his outline, but does not specify his origins and endings.
Moreover, Yuan Chang specialized in official script, and Boying was particularly good at cursive script. They are both beautiful, but they are both elegant and less. If you draft a draft, it will remain true, if you compare it with the truth, the grass will grow. Although the specialized work is small and inferior, but the extensive experience is excellent; in the end, there is no good relationship.
Xie Ansuo was good at rulers and tablets, but Qingzi respected the book. Zi Jing tried to write a good book for him, saying that it must be recorded. He always answered questions and answered them, which made him feel very angry.
An Chang asked Jing: "How can Qing Shu be like the right army?" He replied: "So we should win." An Yun: "The theory of things is different.
"
Yu Jing replied: "The people at that time knew about it! "Although Jing Quan has learned from Zhe'an's words, he calls himself Sheng's father, which is not an exaggeration! He has established himself as a famous person, and his career has shown respect. He has never been able to get involved in Sheng's mother. With Yu Jing's heroic character, Shao Youjun's pen Zha, although the regular rules are restored in a rough way, it may not be able to overcome Ji Qiu.
Kuang is pretending to be a god and respecting his family's example, so he can learn from it. After Xi went to the capital, he left. The inscription was on the wall. Zi Jingmi wiped it out and changed the writing to another place. It was not evil for his own good.
When Xi returned, he sighed and said, "I was really drunk when I left!" "Respect is inner shame. If you know that Yi Shao is better than Zhong Zhang, you are specializing in Bosi. There is no doubt that Zi Jing is not as good as Yi Shao.
When Yu Zhi was studying, he paid attention to calligraphy and ink, and ignored Zhong Zhang. Lie, following the previous rules of Xixian, was very careful and specialized, and he had the skill of penetrating into the wood, and he had the ambition to approach the pond
Watch the difference between the hanging needle and the falling stone. The wonders include the frightening appearance of flying beasts, the frightened state of luan dancing snakes, the momentum of cliffs and slumping peaks, and the posture of clinging to the ground in the face of danger; it may be as heavy as a collapsing cloud, or as light as a cicada's wing; if it is directed, a spring will flow, if it is stopped, it will flow. Shan'an; as slender as the first moon rising from the horizon, falling like stars among the rivers and rivers; the same wonders of nature can only be achieved by force and luck; the letter can be said to be both wise and skillful, with a smooth mind and hands. Sun Guoting's letter is true. There must be a reason for movement. Within a single stroke, the movement rises and falls; within a point, the stippling of the clouds is like a blur. Peeping at the ruler, bending down to study the Yin; quoting Ban Chao as words, referring to Xiang's book and becoming complacent; letting the pen serve as the body, gathering ink to form; the mind is faint, trying to imitate the recipe, and the hand is confused about the principle of waving, and it is not wrong to seek its beauty. Alas! However, when a gentleman establishes himself, he must cultivate his roots. ”
He is also a person who indulges in thoughts and loses his penmanship! The husband’s hidden spirit is facing Yi, just like the name of sitting and hiding; he is happy to fish and fish, but still has the interest of body, practice and hiding. It is like Gong, etiquette and music. , the wonderful imitation of gods, just like the poor people, and the workmen and furnaces work hand in hand
The man who likes the strange and the strange; plays with the many ways of body posture; the man who knows the subtleties and subtleties can get the secret of movement. Those who write leave their dregs, and those who appreciate others grasp their essence, and those who believe in the virtuous and the wise should be rewarded. How can the scholars of the Eastern Jin Dynasty treat each other in vain? Tao Que's family belongs to the clan of Wang Xie, and Xi Yu's relationship is not as magical as it is salty.
After leaving Ziyong, Si Dao became more and more doubtful. , blocked by ancient and modern times, there is no question; there is a meeting, and the secret is deep; thus, the scholars are at a loss, unable to understand the essence, only seeing the beauty of success, and not understanding the reason.
Perhaps it is just that. It has been spread over many years, but it is still far away from the rules. If you don't understand the truth, you will be confused by the practice of cursive writing and the rough teaching of official laws. Knowing that the heart and hand will return, if they have the same origin but are of different schools, is the technique of transferring it like dividing a tree into strips? It is both truthful and attentive; truthful writing is not about cursive writing, but it is not about writing letters. True writing is based on stipple painting, which transforms it into emotional nature; grassy writing uses stipple painting as emotional nature, which is transformed into formal quality.
The cursor can't be turned into words; if it's really bad, it can still be written. Although the chapters are different, they are generally related to each other. Swimming and flying. If you don't notice it at all, then Hu Yue will be the best.
It's like Zhong Yao Li Qi and Zhang Zhi Cao Sheng. This is a combination of specialization and unparalleled excellence. The stippling is messy; the Yuan Dynasty is not good at it, so it can be done vertically and horizontally.
Those who can't do both are not good at it, and they are not specialized in seal script and official seal. Each one has its own merits.
The seal script is graceful and clear, the script is precise and dense, the grass is elegant and smooth, and the rules are smooth and smooth. , the drum is played with dry energy and harmonized with leisurely elegance.
Therefore, it can reach its emotions, shape its sorrow and joy, and test the special knots of dryness and dampness, which have remained the same through the ages; , Shuhu, don’t enter the door, and get a glimpse of its secrets! Another time, some are good and some are combined, and if they are combined, they will be charming, and if they are good, they will be sparse. Let’s briefly talk about the reasons, and each has five reasons: Shen Yiwu Leisure. , the first combination is; the feeling of benefit and knowledge, the second combination; the harmonious and moist atmosphere at the time, the third combination; the paper and ink flowing together, the fourth combination; the occasional desire to write, the fifth combination.
The heart is left behind, which is one good thing; the mind is bent against the situation, the second good thing is; the wind is dry and the sun is burning, the third good thing is; the paper and ink are not in harmony, the fourth good thing is; the feelings are lazy and the hands are blocked, the fifth good thing is it.
When good things come together, there are differences between good and bad. It is better to have a tool at the right time, and it is better to have a tool than to have a will. If the five good things are the same, the thoughts are restrained and the hands are blocked; the five combinations are perfect, and the spirit is integrated and the writing is smooth.
Feel free of discomfort and confused. When a benevolent person is so proud that he forgets to speak, he rarely expresses his important points; when a scholar wants to describe the wonderful things in a style, his descriptions are still sparse.
He did his work in vain and failed to fulfill his purpose. Don't criticize mediocrity, but always make things clear; people who want to promote the rules of the past and guide the knowledge of the future, eliminate the complexity and excess, and see the traces to clarify the mind.
There are seven lines of "Brush Formation Picture" in the ancient times. The middle painting is written by three hands. Suddenly, it was spread from north to south, and it was suspected that it was made by the right army.
Although the authenticity is unknown, it can still enlighten children. Since it is stored in common customs, it is not cataloged.
As for the reviews of various schools of thought, they are mostly about glitz and glamor. They are all about external descriptions of their shapes and internal confusion about their principles. What I have written now is of no use. If it is the high reputation of the teacher and the official, it will only show the history; the order of Handan Chun will be empty and sealed.
Since the time of Cui and Du, Xiao and Sheep have passed away, offering sacrifices to distant places, and famous families have multiplied. Either by virtue of being very persistent, one's career will be revealed; or by virtue of attachment, the price will be increased, and one's body will be withered. 3. Describe the paragraphs of calligraphy
The horizontal posture of the pen and ink, the strong force of the pen, the strong force of the pen, the fullness of the pen, the spring earthworm and the autumn snake, the exquisite pen and ink, the dragon and snake at the bottom of the pen, and the dragon and snake at the bottom of the pen , Spring breeze at the end of the pen, Sweeping thousands of troops with the pen, Showy pen and ink, One word can tell the heart, Ding Zhenkai grass, Ding Zhenyong grass, Three points into the wood, Power penetrates the back of the paper, The wind and thunder under the pen, The majestic atmosphere, Thousands of miles of clouds, Flying dragons and dancing phoenixes, Natural interest, Heart Straight writing, full of muscles and strength, rich grace, brilliant literary talent, right in the center, majestic momentum, vivid charm, smooth charm, beautiful style, changeable grace, phoenix boluan floats, phoenix dances and dragon flies, phoenix Zhuluan Hui, peace and smoothness, foreign master's creation, ingenuity, dragon flying and phoenix dancing, dragon flying and phoenix leaping, dragon coiling and phoenix flying, dragon and snake flying, dragon and snake flying, dragon and tiger shaking, dragon stretching and flexing, dragon jumping and tiger crouching, dragon and tiger majestic Vibration, dragons and leopards change, dragons soar and phoenixes dance, the habits of the right army, ancient fat and now barren, fairy dew pearls, profound skills, writing sutras for geese, handed down masterpieces, strong and upright, strong and powerful, combination of hard and soft, hard and soft, clumsy and skillful , Strong and simple, naturally stretched, natural, self-contained, flowing, like a cone painting sand, powerful and vigorous, retractable and retractable, concise and skillful in writing, gorgeous and natural, superior in skill to others, wonderful in the heart, boundless , Wang Yang Hong Si, Wang Yang Xuan Si, vigorous and powerful, first writing Huang Ting, beginning to learn graffiti, Yan Jia Hung Li, strong bones and muscles, calm and happy, calm and happy, unable to learn books, unable to learn swords, painting sand ink, painting earthworm graffiti , magical skills, smart and graceful, smart and unrestrained, smart and elegant, Hu Fei Zhongshou, Linchi Xue Shu, letter pen graffiti, domestic chicken pheasant, domestic chicken pheasant, sword drawn, willow bone Yan Jin, sword drawn, iron painting silver hook, Tang Lin Jin Tie, Silkworm Head Swallowtail, Wandering Cloud Startled Dragon, Silver Hook Tail, Silver Hook Iron Painting, Silver Hook Jade Spit, Jiao Ruo Startled the Dragon. The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry. Hearty and vigorous. The pen moves like a dragon and a snake: The pen writes like a dragon and snake leaping. Describes calligraphy strokes as vigorous and free. It also represents the conductor of calligraphy. First wrote Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. Old times Commenting on calligraphy, there is the idiom "When I first wrote Huang Ting, it was just right." It was later used to describe doing things just right. Spring earthworm and autumn snake: a metaphor for poor calligraphy, which is as curved as the tracks of earthworms in spring and snakes in autumn. Daggers drawn: the sword is pulled out of the sheath. , the bow is also opened. It describes a tense situation that is about to break out. It also means that the calligraphy is vigorous and powerful. 4. Sentences describing calligraphy teachers
Idioms describing calligraphy: pen and ink are used very freely and fully.
It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping.
Describes the vigorous and free-spirited style of calligraphy. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right."
Later used to describe doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, which is as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword was drawn: the sword was drawn from its sheath and the bow was opened. Describes a situation that is tense and about to explode.
Later, it also means that calligraphy is vigorous and powerful. Giving examples: Zuo Qiu Ming wrote a biography of "Chun Qiu" and summarized the calligraphy of "Chun Qiu" into several categories and gave a general explanation.
Later, the classification examples are called "examples to enlighten the world" in the style of explaining a book. See "Fanfan Jiexi".
Strongly penetrating the back of the paper: Originally referring to the powerfulness of calligraphy, it is now also used to describe vivid, profound and powerful poetry. Dragon flying and phoenix dancing: Like a dragon soaring, like a phoenix flying.
The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
Flying dragon and snake: describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Moon Pingshan Hall": "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."
Luan Piao Feng Bo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained.
It is also a metaphor for the separation of husband and wife of advanced students. Luan Xiang Feng Zhu: Zhu: Flying high.
It is a metaphor for the flying posture of calligraphy strokes. Beauty Hairpin: Describes the beauty and beauty in calligraphy or poetry style.
Penetrate three-thirds of the wood: The original description is the strong calligraphy pen (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), now it mainly describes the profound and powerful analysis, description and discussion. Iron painting and silver hook: painting: strokes; hook: hook.
Describe calligraphy as strong and beautiful. Xinbi graffiti: Xinbi: write casually.
Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.
Graffiti: letter: let it happen, casually; pen: write casually; graffiti: metaphor of poorly written words and scribbling casually. Later, "graffiti" or "graffiti" were used to describe poor calligraphy or random writing.
This is an idiom describing calligraphy. Just sift through it.