By visiting Lushun Museum and China Museum of History and Art, I have enriched my theoretical knowledge, broadened my horizons, learned about the local culture to a certain extent, and cultivated my own aesthetic experience of artistic relics.
The first time I visited Lushun Museum was when I was a freshman. As a staff member, I am very impressed by the modern European eclectic style door. The building has both modern European style and oriental art decoration characteristics.
As a student majoring in environmental art, I have always been interested in architecture, and we all lament the gap between Chinese and foreign architecture.
Only after I came back did I know that Lushun Museum was rebuilt on the basis of the unfinished Russian officers' club after Japanese imperialism occupied Dalian in 19 16.
The collection reached 60,000 pieces.
The basic exhibition of the museum is divided into two parts: the first part is a special exhibition of historical relics, including bronze crafts, sculptures, lacquerware, enamel inkstones, ceramics, calligraphy and painting, Buddhist art, etc. The second part is "Dalian Local Historical and Cultural Relics Exhibition", which shows Dalian's historical and cultural relics from the Neolithic Age to the Qing Dynasty.
There are also special exhibitions such as "cultural relics unearthed in Xinjiang" and "Chinese and foreign currencies".
During the visit, the exhibition started with ancient Chinese bronzes, and showed eight topics, including lacquerware technology, enamel technology, bamboo tooth carving technology, ancient ceramics in China, ancient Buddha statues in China, ancient bronze mirrors in China and ancient currency in China, and a special exhibition of unearthed cultural relics in Xinjiang.
Bronze ware occupies an important position at home and abroad, spanning from Shang Dynasty to Liao and Jin Dynasties. There are weapons, ritual vessels, musical instruments, water vessels and miscellaneous vessels. Many objects are engraved with inscriptions, such as Luoyang armory clock, Ju Ran, father Yi Wei, father Xin Yan and Lu Ding. Located in the center of the hall.
It really deserves to be an internationally renowned museum of history and art with a history of nearly 100 years.
I am deeply impressed by the cultural relics I am interested in.
Bronze ware: hook and lacquerware crafts popular in the Warring States period: especially the red picking process it contains.
Hook, a hook used to tie a belt in ancient times, prevailed from Warring States to Han Dynasty.
Most of them are made of bronze and iron, and a few are made of gold and jade.
There are various forms, such as rod shape, bamboo shape, piano face and animal shape, some inlaid with jade gold, turquoise or gold and silver, and some with figures.
The history of lacquerware in China is about 7000 years ago. Lacquerware appeared in Shang and Zhou Dynasties-lacquerware and inlaid decoration. Lacquerware that won by patterns and colors in the Warring States period. In the Han Dynasty, various techniques such as painting, gold, silver and copper buttons were applied to lacquerware technology. After the Tang and Song Dynasties, lacquerware production tended to be technical. By the Ming and Qing Dynasties, there were as many as 14 decorative techniques, showing unprecedented prosperity.
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