Guo is a famous calligraphy artist, calligraphy theorist and humanistic historian. With the calligraphy of120,000 words, the China calligraphy theory of Guo system was founded.
A native of Longxi County, Gansu Province, settled in Chongqing and later moved to xi 'an, the ancient capital. Art member of China Calligraphy Research Institute, member of National Celebrity Calligraphy and Painting Working Committee, national super calligrapher, and national intangible cultural and artistic inheritor.
Chinese name: Guo
Nationality: China.
Place of birth: Gansu
Occupation: Calligraphy artist
Representative works: writing and displaying text with pen and ink.
Gender: male
Personal profile
Mr. Naff has taught in Gansu universities for many years. He has studied literature, history and philosophy and read widely. Influenced by the world wind of Chinese dragon-watching civilization, when he was practicing Buddhism in Kunlun Mountain in his early years, he visited Weng Xueshu, the "founder of the pen god" in Sanwei Mountain, Dunhuang, Cao Sheng's hometown, and was enlightened by the founder of the pen god. I studied Liu Kai's suicide note and Dunhuang's suicide note at the same time, until I was forty years old. In the 1970s, it was famous in Gansu. 1993 After being transferred to work in Chongqing, based on the rich humanities in Gansu, he absorbed the landscapes of Yu Xiu and Bashu in Zhong Ling, and entered the cursive writing practice for ten years, with a solid foundation in calligraphy. Seriously study Wang Xizhi's brushwork, and integrate the brushwork of Cao Sheng Zhangzhi's No.1 Scholar Post. The pen is rigid inside and soft outside, vigorous and vigorous, spinning in the air, smooth and free and easy, especially good at cursive writing and unrestrained cursive writing. Interested in inheritance and innovation
, self-reliance.
90 years since the founding of the Party-Six Man of the Time in Contemporary Art: Merging Art Documents; He has published The Master's Road-Five Legends of Contemporary Painting and Calligraphy and Ouyang Zhongshi's Book Giant, and published more than 50 kinds of books at home and abroad.
Adhere to the calligraphy concept of clear pronunciation and mellow voice, correct mind and clear pronunciation and mellow voice, and achieve nature; Adhere to the view of natural humanity with correct history and fair time; Indifferent to the disadvantages of scholar-officials, firmly believe in the universal view of literature and history of "learning to be excellent is to be an official", and truly learning to be excellent is to be an official; Based on the cultural rationality, academic level and social morality that China scholars should have, they should pay attention to writing books and cultivating their aspirations.
Famous comments
Wonderful and interesting
-Interpretation of Guo's Calligraphy Art
Like many friends who love calligraphy art, I know Mr. Guo from his calligraphy works. It was his works that attracted me. Over time, I got to know him better.
Guo has a profound knowledge of calligraphy theory, a good knowledge of writing Chinese characters, a comprehensive cultural quality of extensive knowledge, self-study perseverance and innovative spirit, and an excellent artistic moral realm and artistic character, which makes his calligraphy art have aura and vitality.
Looking at his calligraphy works in an all-round way, people feel that they are new but not thin, flashy, elegant, eloquent and magnificent, both rigid and flexible, both male and female, full of flesh and blood and natural structure. Learn from the past, not from the past, and be innovative and not favored. This is "many ancient people cast it in their hearts, wrote it out, and integrated the strengths of a hundred schools of thought into themselves."
His calligraphy is fat and bony, with complementary flesh and blood, lively and smart. The pen is changeable, the composition is familiar, the video is up and down, and the ups and downs are all on the paper. In that flowing line, Fiona Fang, density, size, length, thickness, thickness, light and shade, dryness and wetness are all variable and flexible. Majestic as running water, really unconventional, unique, with its own unique brushwork and unique artistic expression.
His artistic charm not only gives people artistic appreciation, but also gives people spiritual enjoyment. His works are "firm in softness, strange in beauty, refreshing and beneficial." I "appreciate Guo's calligraphy, and then understand the contents of the book." It really feels like taking a shower, changing clothes, burning incense and reading thread-bound books. The fragrance of lines, ink, characters and texts is overflowing, and the nose is comfortable, the eyes are pleasing, the heart is relaxed and the spirit is pleasant. " Write the reader's true feelings.
He is not proud. He believes that the highest realm of calligraphy is to write heart, thoughts and feelings. Mr. Guo's calligraphy has reached this level. He organically combined traditional calligraphy skills with modern calligraphy, and boldly innovated with abstract and wonderful calligraphy skills. His rich ink color changes wonderfully, and the words written one by one swim in the air in Long Zaitian, and the brushwork of freehand brushwork blends between the lines. There are pictures in the words, and the strokes are scattered and undulating, which makes the viewer amazed. He wrote down his feelings about pen and ink life.
For Mr. Guo, calligraphy is his lifelong love and pursuit, and it is precisely because of this persistence that his life is a little more bumpy and wonderful than usual.
Everything is inferior, except Guo, a highly educated calligrapher, who is elegant and free and easy, like a tough guy inside, and writes down a lasting personality charm. He is willing to be lonely, and with his natural quality, his love for calligraphy is like a dream, which makes him step by step into the palace of calligraphy art.
-Ouyang Zhongshi.
(Note: This article was published in the book Giant by Ouyang and Guo. Zhong Shi has a signature.
Tongyu viewpoint
Guo calligraphy theory Guo's "Pen and Ink Writing".
The book "Pen and Ink Showing Text"120,000 words, three volumes.
The first volume, brushwork and techniques;
Volume II, Force Method and Mind Method;
The third volume, Taoism and divine law.
It was written by Mr. Guo, a famous contemporary calligraphy artist, calligraphy theorist and humanistic historian, after ten years of inheritance and three years of revision.
The book Pen, Ink, Paper and Inkstone created a systematic and complete system of China and calligraphy theory, which filled the gap of China and calligraphy theory system for thousands of years.
order
"Zhao Wen" is the essence of the masters of sages in past dynasties, and it is a book of lifelong practice and appreciation of God's reward. In order to show the writing of writing with brush and inkstone after learning, it is called writing with brush and inkstone. Pen and ink is the core theory of Guo calligraphy theory's system. Ten years of pen and ink, several drafts, 100,000 words, calligraphy theory handed down from ancient times to modern times.
This book will decipher the brushwork and power of calligraphy. Reveal the brushwork of Wang Xizhi, a calligrapher, Zhang Xu, a grass sage, and Huai Su, a wild grass. Reveal the secrets of Chinese character structure, calligraphy layout and its cosmic principle. The principle of anthropocentrism is embodied in calligraphy. While discussing the brushwork, technique and strength of calligraphy, we also discuss the heart and Tao of calligraphy. Calligraphy of Confucianism, Buddhism and Taoism
Legal, social and humanistic principles. Focusing on calligraphy, this paper discusses the philosophy, culture and ideological spirit in China culture, as well as the relationship between astronomy, geography, Yin and Yang Taiji and calligraphy, and probes into the humanistic principles of calligraphy inheritance. Make calligraphy from metaphysics to law, trying to end the state that national calligraphy has been taught by teachers and students or hidden in pillows for thousands of years.
People who rewrite the academic field often start from scratch, pushing China calligraphy culture to a new world. The book is divided into three volumes: the first volume is brushwork and techniques; The second volume of force method and mind method; Volume III: Daoism and Divinity.
The structure of Chinese characters, Wang Xizhi's brushwork and the inherent mystery of composition are the only methods of calligraphy, such as the "Nine Yin True Classics" in Wulin and the "Inner alchemy" in Taoism, all of which are the secrets of China's calligraphy.
Human life needs science and technology, but the development of modern science and technology has reached the level of replacing human philosophy, culture and spiritual soul, and computer characters are replacing the spirit of calligraphy. Nowadays, China's calligraphy has reached the boundary of how to continue to exist. Therefore, some secrets in calligraphy spread, so that calligraphy can be carried forward in the new process of mankind.
When he was young and handsome, he studied in Kunlun Mountain along the ancient Silk Road. In Sanxian Mountain, Dunhuang, the hometown of Zhang Zhi, a grass sage, I met a monk named "the founder of the pen god" and was enlightened by the founder of the pen god. Now, I choose to record the true story in the book "Writing on Pen and Ink" for dissemination. Therefore, according to the wishes of the sages, I should "inherit the spirit of HTC's ancestors"
Context, re-open human culture. "
Rolling books has the virtue of heaven and earth, the outline of human nature and the ability of six arts; Learning has extensive knowledge, engineering has specialization, books without quality cannot be highlighted, and pens without strength cannot be established.
Volume 2 Mind learning should understand heaven and earth, Confucianism, Buddhism and Taoism, and communicate with the spirit of heaven and earth. Take part in learning the meridians connecting the learning veins, learn a lot of chest-opening veins, see the world more, discard the false and keep the true, and reach the heart of the world.
Volume III The reason why God teaches heaven and earth lies in virtue, the reason of art lies in the heart, the reason of Taoism and metaphysics lies in purity, the reason of heart lies in God's truth, God's law cannot be cured, and God's evil cannot be cured. Virtue matches heaven and earth, and Taoism runs through ancient and modern times.
works appreciation