Judging from the rubbings, Cao Quanbei's handwriting is well preserved. Although there is little wind damage, the outline of the font and the beginning and end of the strokes are still clear, which undoubtedly provides great convenience for future generations to learn.
This tablet is an important masterpiece of official script in Han Dynasty, and it is a tablet that preserves a large number of official script characters in Han Dynasty. Its handwriting is clear and beautiful, its structure is flat and symmetrical, it is stretched and elegant, and its charm is graceful. It belongs to the same elegant category as "Yi Ying" and "Li Qi", but its expression is gorgeous and beautiful, which is really the essence of Han Li.
Cao Quanbei's Calligraphy Appreciation:
Judging from the calligraphy of this tablet, the characteristics of using a pen are obvious. It turns into a flat pen, mainly a round pen, and the strokes seem to push the boat with the trend. There are few big squats and big jumps, and there is no stimulation. The pen is steady, elegant and colorful. Waves are often written very long, with various postures, such as a stream, or gently pressed, and then picked out, relaxed and smooth, graceful and endless.
The structure is precise, peaceful and round. Although it is used back to back, the directional method is the most used and the best. There are also many changes in the turning method, such as turning the circle downward, gently pressing it to the right and then folding it downward, or returning the pen to the middle at the folding point and then folding it downward, or starting another pen, pressing the circle potential to the right and then reversing the center of gravity, or holding the pen at the folding point and then folding it downward. However, different emphases have different feelings.