Can you tell me more about Mr. Qi Gong's calligraphy Huang Jinlv?

In the form of rhyming poems, Mr. Qi Gong explained the meaning of the ending of the word Huang Jinlv in concise language: "How difficult is it to write with a pen? Vertical and horizontal convergence and divergence are the most relevant. Once you get Huang Jinlv from the evidence, you will suddenly feel that there is a big gap between the bones. " He also said, "Jiugongge and Mi Zige, which are popular in the secular world, can only hold three characters when their feet invade the next grid. Attention must be focused on the center of the grid. Occasionally put the coordinate glass with small squares on it, and measure the aggregation and dispersion of each stroke in detail, and you will know the secret of the knot. The focus of the cover word is not the center.

In this method, each big square is vertically and horizontally drawn with 13 small squares, and the middle three small squares vertically and horizontally form a cross road, with 535 small squares in each row. Seen from the intersection of the upper left, the upper left is five and the lower right is eight. The four intersections at this intersection are five to eight, which is in line with the golden section. "

Mr. Qi Gong said in the article "On Books and Words" ... if this ratio of five to eight is divided into small parts, it is 0.382: 0.6 18, no matter what Huang Jinlv, golden section method and optimization method are called, this is it. "

According to Mr. Qi Gong's golden section law, the central point of traditional Mi Zige is not the gathering place of the center of gravity of Chinese characters. A square is drawn vertically and horizontally with thirteen squares, that is, each side of the square is divided into thirteen equal parts, and the center of gravity of Chinese characters is in the middle of five to eight, that is, the intersection of Chinese characters is "left five and right eight". These four intersections are important places in the structure of Chinese characters, and they are also the center of gravity and gathering place of Chinese characters. Second, don't really be horizontal and vertical. Anyone who pays attention to the concept of the middle palace and must be horizontal and vertical can't write well all his life. "

According to the requirements of the golden section law of Chinese characters, the center of gravity of Chinese characters should be arranged in a small range on the upper left of Zhonggong point. The characters written according to this rule are not only dignified and steady, but also can obtain a suitable perspective, which is convenient for arranging the density of characters, increasing the three-dimensional sense of the body and avoiding the rigidity and rigidity of the body. The golden section law of Chinese characters has integrated the aesthetic taste of the times and pushed the beautification of Chinese characters to the extreme. Mr. Qi Gong insisted on practicing the golden section method in his creation, and left many classic calligraphy works for later generations all his life. This theory and method have great guiding significance for learning calligraphy.

According to Mr. Zhao's comment: "golden section: divide a line segment into two parts, so that the ratio of one part to the total length is equal to the ratio of the other part to this part." The ratio is 0.6 18. This ratio is pleasing to the eye and easy to cause aesthetic feeling, so it is called golden section. One of the great inventions of the author is to find that the best combination of words is also in line with the golden ratio. "

Please adopt it. Thank you. . . . . . . . . .