A detailed account of Moyer's life.

Mo Ye was smart and studious since he was a child. At the age of ten, when he and his eldest brother were in a poetry competition, they immediately sang: "Spring is new, the pavilion in the mountains is really clear, and the wind blows wild flowers." Be praised as a talented woman by fellow villagers.

In 2 1 year, Mo Ye lived in Gulangyu, Xiamen with his father and studied in Ciqin Girls' Middle School. At school, his essay My Hometown was recommended by the Chinese teacher and published in Xiamen Daily. This aroused her writing enthusiasm and began to contribute to Shanghai Women's Monthly, and her works were mostly adopted. Seeing all kinds of social injustice at that time, she was very angry and wrote a poem "Silent Expectation", which indicated that "the gray universe" would undergo some baptism and rectification ". Haitian Chen, her Chinese teacher, discovered her writing talent and radical thoughts, so that after the "Fujian-Border Revolution", she and several classmates were organized to start the magazine Mars, and the first issue of Moyer's novel The rickshaw puller was published. This publication is hidden in Moyer's home. After Amak Chan saw it, he had a conflict with Moyer, and the relationship was tense. In the autumn of 23 years, with the help of her mother and eldest brother, Moyer left home to work as a proofreader and editor of Shanghai Women's Monthly, and later as an editor-in-chief.

In 25 years, the women's library of Shanghai Women's Bookstore published Moyer's first book "Before Meal" (one-act drama collection), signed by Chen. Women's Monthly also takes Moyer's photo as the cover, calling her "a woman writer who is good at writing poems and plays". During his stay in Shanghai, Moyer often contacted the left-wing writer Cai Chusheng and others, went deep into the factory to understand the life of female workers, and wrote a number of poems, novels and plays to promote women's liberation, which were published in Women's Monthly. In June of the same year 165438+ 10, she went back to her hometown to visit relatives, organized a women's literacy class in her hometown, mobilized her eldest sister-in-law and second sister-in-law to give lectures, and publicized women's liberation, gender equality and opposition to feudal customs.

In 26 years, after the outbreak of War of Resistance against Japanese Aggression, Moyer worked as an editor in the "Fifth Team of the National Salvation Drama" led by the Shanghai Underground Party, and devoted himself to anti-Japanese propaganda and refugee relief. During this period, she created an anti-Japanese drama "The Scholars", which was published in Xijing Daily. In June 65438+in the same year 10, she arrived in Yan 'an and changed her name to Moye.

The Fifth Team of the Anti-Japanese National Salvation Drama was the first literary and art group to go to Yan 'an from the occupied area or the rear area, and was received by Mao Zedong and other central leaders. Subsequently, the regiment entered the third phase of the Anti-Japanese Military and Political University. Moyer is the cultural and entertainment Committee member of the emergency room.

In the spring of 27 years, Moyer entered the first drama department of Lu Xun Art College. In summer, I transferred to the literature department. While studying in Lu Yi, the lyrics of Ode to Yan 'an written by her were renamed Ode to Yan 'an with the consent of Publicity Department of the Communist Party of China Moyer, and were composed by Zheng Lvcheng of the Music Department, and performed for Mao Zedong and other central leaders in Yan 'an Auditorium, which was affirmed and praised by the central leaders. So the song "Ode to Yan 'an" resounded through Yan 'an City, spread all over the anti-Japanese base areas, and even spread to the "Kuomintang-controlled areas" and behind enemy lines, as well as overseas Chinese, and became a battle song to stimulate patriotic anti-Japanese enthusiasm. A large number of revolutionary youths sang this song and went to Yan 'an to join the ranks of resisting Japan and saving the nation, and it is still sung today. Become a revolutionary traditional song.

In the winter of 27 years, Moyer joined the internship team organized by Lu Yi. Writers Sha Ting and He Qifang followed He Long, the division commander of the Eighth Route Army 120, and went to the anti-Japanese front in North China, and were assigned to the War Drama Club of the Political Department as screenwriters. In the spring of 29 years, he served as the head of the creative group of the drama club. She is not only engaged in writing, but also involved in editing and publishing the frontline publication "Fighting Literature and Art". In the same year, she joined the Federation of Literary and Art Circles in the Jinsui Border Region on behalf of literary and art workers in the army and was elected as the executive director. At the inaugural meeting of the Federation of Literary and Art Circles, He Long said: "Mo Ye is an outstanding female writer in our 120 Division." From the winter of 27 years to the summer of 29 years, Moyer not only collaborated with Zhang Ke and Liu Xiaowu to create the large-scale drama Harvest, but also created the large-scale drama blood out, the Battle of Qi Hui, the Flood and the Hundred Regiments War. One-act drama Before the mutiny and Going to the Eighth Route Army; The opera "Decadence Night" and some lyrics and dances. Most of the costumes performed by the drama club are cut and sewn by her, and sometimes she will perform on stage. In the war environment, she always carries a notebook in her pocket, so she can interview, record and keep a diary anytime and anywhere. In the difficult period of the anti-Japanese base area, she often used a teapot to boil water and stir-fry beans to satisfy her hunger. Sometimes after collective discussion, I write a short play overnight and rehearse the performance the next day. Twenty-nine years later, in addition to writing plays, she often wrote novels and battle stories, which were published in newspapers and periodicals such as Northwest Literature and Art, Anti-Japanese War Daily and Liberation Daily.

In recent thirty years, Yan 'an has a tendency to write exposed literary works. Moyer selected typical materials from his own life experience, wrote the novel The Trouble of Liping, criticized the unhealthy trend among cadres at that time, and published it in Northwest Literature and Art, which caused controversy. In September of the same year, Moyer's troops held a forum to criticize the creative tendency of Liping Rebellion and became anti-Party. 32 years of rectification, because of Moyer's family background and that novel, he was criticized again. Thanks to the care and protection of He Long, Guan Xiangying and Gan Siqi, we survived the storm. In the spring of the following year, Moyer was transferred to the War Report of the Political Department of the Jinsui Military Region as an editor and reporter, and volunteered to undertake the editing task of two pages. He often went deep into the frontline troops and wrote a lot of battlefield communication and battle stories. In the earthen cave where she lives, the lights are always on all night, and she works or labors as usual during the day. The thread she spun was rated as first class. In the 36-year "three inspections" movement to consolidate the party and the army, Moyer once again encountered a critical struggle and was confined for several days. None of this affected her revolutionary will.

In the autumn of 37, Moyer returned to Yan 'an with the battle report and marched into the northwest with the First Field Army. From 65438 to 0950, he served as editor-in-chief of the People's Army newspaper of the Northwest Military Region, and later as editor-in-chief. In the same year, he joined China Producers' Party. After joining the party, she made meritorious service every year and won awards every year.

1950, Moyer married Fang, president of People's Army Daily (later director of Political Department of Lanzhou Military Region). The following year, a reporter accidentally shot at Moyer's office, hitting Moyer's abdomen and killing her fetus. When she was rescued, her superiors asked her for advice on how to deal with journalists. She said that the comrade is a new cadre who just joined the army. His lack of training led to an accident. It is enough to take this as a warning. Let him work outside the prison.

1955, Moyer was transferred to Gansu Daily as deputy editor-in-chief (editor-in-chief or member of the Standing Committee of the Provincial Party Committee). During the period of 1956, in the movement of "opposing bureaucracy and improving work style", with the consent of the leaders in charge of the provincial party Committee, Moyer published the incident of railway worker Zhang being driven crazy by bureaucracy in Gansu Daily and published an editorial, which caused great repercussions in the society and was well received by readers. When 1957 "anti-rightist" expanded, all people related to this report were wrongly classified as Rightists. Moyer became the main figure in this unjust case and was criticized and demoted.

From 65438 to 0962, Moyer temporarily presided over the work of Gansu Daily. In the socialist education movement of 1965 "cleaning politics, cleaning economy, cleaning thoughts and cleaning organizations", Moyer suffered a very unfair critical struggle because of the historical old scores of "Zhang incident report" and "Li Ping's trouble". From 1966 Cultural Revolution, she was labeled as a capitalist establishment and counter-revolutionary, severely criticized, put in a bullpen and sent to a farm for labor reform. It was not until 1970 that he was temporarily assigned a job.

1979, under the care of the Central Organization Department, Moyer's unjust case was completely rehabilitated. At the age of 60, she became the vice chairman of Gansu Federation of Literary and Art Circles, picked up a pen that had been shelved for many years, and devoted herself to literary creation, successively creating a screenplay, a novella "Spring Return", "Sunset on the Castle Peak" and a short story "Capitalist and Shepherd". Edited and published the anthology "Waves of Life" and articles recalling the revolutionaries of the older generation.

After 1984, he was hospitalized for heart disease many times, but he also wrote Struggle of Life and Jinchaji Fighting Drama Club. Sort out a 40,000-word diary of survival behind enemy lines, a collection of essays, a collection of novellas, a collection of battle stories, and a collection of heroes under bullets. And write the first draft of the autobiographical novel Faith Father and Daughter.

She wrote in the preface: "As a party member, the less time we have in our twilight years, the more precious we feel. I have always hoped that as long as there is a breath, there will be a hot air and a light. " Although her life was bumpy, her indomitable and tenacious style and creative practice showed party member's firm belief in fighting for truth and left a monument in people's hearts.

1980 At 5: 56 on May 7th, Moyer died in Lanzhou People's Liberation Army Hospital. The famous writer Du Pengcheng said: "Moyer's life is a novel." Writer Wang Hongjia wrote in Moyer's elegy: "In the early days of Yan 'an, I paid tribute to Ban Zhao Zhi who had not finished his work. Wen Yuan has been in turmoil for several times, and even though he is mentally healthy and wronged, it is difficult to show his talents. "