Characteristics of writing skills, structure and composition of running script
Generally speaking, the writing skills of running script have the following characteristics: first, it originated from regular script, but it has its own characteristics. Regular script strokes use straight lines, and running script strokes use arcs. Regular script has many edges and corners at the turning point, while running script is mostly transferred to the next generation at the turning point and rarely folded, but its implication is deep, smart and round. Most of the stippling in regular script is relatively complete and independent, while most of the stippling in running script is relatively free and easy, independent, free to change and unconstrained. Second, a large number of cursive brushstrokes, especially cursive brushstrokes, are often round, continuous, easy to draw, quick to write, and flowing. Third, most pens are exposed on paper, and the center and the side are used together. The center is full of energy and has beautiful flanks. Fourth, between stippling and stippling, between words and between lines, most of them have the characteristics of pen gesture exchange and pen meaning introduction, and they often use thread binding as the contact medium to show their smooth and lively personality. Fifth, regular script stippling mostly seeks shape according to law, while running script stippling mostly seeks shape. Although the running script flies like a pen, it should not be sloppy, but should have a calm and thoughtful spirit in dripping wet. You can't just be happy, scribble and lose your statutes.
Generally speaking, the structural skills of running script have the following characteristics: First, the center of gravity is stable and right and wrong are clear. Because the running script is a dynamic script, its center of gravity must be stable in the state of motion. The structure of the running script, no matter how dangerous the body is, how ups and downs the pen is, and how criss-crossing the lines, must be safe and secure. Second, there are opening and closing, and the density is appropriate. The structure of running script is free, and in a line of words, which word is bigger and which word is smaller can be arranged at will. So-called? Open? , you can open it left and right or up and down. Open horizontally and vertically. So-called? Close? , can be left and right, can also be up and down. Left and right are horizontal, and up and down are vertical. What is the result of opening up? Sparse? What is the result? Secret? . Opening and closing is about clever collocation, not dull or crazy. Third, it changes with the shape, and the same word is heterogeneous. It is important to change the structure of running scripts. Whenever you encounter the same word and font, you must change the shape according to the situation and cannot repeat it.
Generally speaking, the composition skills of running script have the following characteristics: first, there is great freedom in dealing with layout. Judging from the relationship between black and white, the requirement of regular script white emphasizes that the blank space between stippling and stippling, between words and between lines must be balanced. Running script is not like this. Its black-and-white relationship is generally chaotic, and the blank relationship between stippling and stippling, word-to-word, and line-to-line is to seek unity in chaos, even but not chaotic. Second, in dealing with structural relations, regular script generally requires symmetry and regularity in size. Running script is different. It can be shaped by the environment, whether it is big or small, long or short, odd or positive, sparse or dense, virtual or real, open or closed, closed or open. Thirdly, regular script is generally the best word in dealing with the relationship between strokes. However, in dealing with the relationship between strokes, the running script is often inexhaustible between the lines. The momentum of running script requires connecting the preceding with the following, ups and downs, full of spirit and endless business. Generally speaking, a good running script, in terms of composition, must be very eye-catching, full of charm, interest and business atmosphere.
Appreciation of Fushou Kangning s calligraphy and running script;
Fushou Kangning Calligraphy Shu Hang 1
Fu ning calligraphy running script 2
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Fu ning calligraphy running script 3