Why do you call yourself a "Hakka out of the cage"? He is brilliant, chivalrous and arrogant, and he advocates the supremacy of art and enjoys it. He often loiters with a pen and makes friends with books. 1985, in Beijing, he heard that the Beijing Municipal Committee had a huge Chinese painting that needed huge calligraphy, but no one accepted the book, so he recommended himself. After arriving at the scene, he grabbed a brush weighing several kilograms, as if he were dancing wildly. In just over ten minutes, it became a huge calligraphy work of "Spring Snow in Qinyuan" with a height of 1.5 meters and a length of 8 meters. Many calligraphers present were all amazed, and their reputation as "book heroes" spread like wildfire.
He's calligraphy is born out of predecessors and is more innovative. The structure is calm and free and easy, the lines are long snakes, and the wind and thunder are born with the heart, as if from the heart. The layout is abrupt and strange, ups and downs, strange and changeable, with a strong sense of rhythm. Suddenly, it is dangerous and rejuvenated in a short time. Fang commented on his book: "No fetters, no rules, like a picture scroll." At the end of 1986, eight Beijing-Guangzhou units jointly held the "He Calligraphy Art Exhibition" in Beijing. Xu Deheng personally wrote the name of the plaque, and Chen Shuliang, a senior calligrapher, watched the exhibition in a wheelchair and praised: "Shining on you, the afterlife is great." The central government, Beijing, Hong Kong and many other media have reported the news of his fame. From 65438 to 0998, At the invitation of China Revolutionary Military Museum, He once again held a personal calligraphy exhibition in Beijing, which caused a sensation in the calligraphy field. In recent years, He has held many book fairs and lectures in Japan, the United States, Canada, China, Hong Kong, Macao and Taiwan, and achieved fruitful results. The unique art of holding a pen and waving a brush amazed the central leaders and celebrities from all walks of life present. His works have been collected by many museums and art galleries and given to foreign friends as gifts many times. Guangxi is proud of him and uses his works to expand foreign influence and exchanges. Guangdong provincial leaders personally invited him to return to his hometown to promote the development of culture and art in his hometown. He has become a "business card" in Guangxi and Guangdong provinces.