Second, avoid complacency. "Writing at school, boasting at dusk" is a taboo for scholars and Europeans. There is no end to learning, and the sea of books is boundless. Calligraphy is like climbing to the top of the mountain and the Wang Yang sea behind it. Most of us European learners are like climbers who are still at the foot of the mountain. We are still 108 thousand miles from the top of the mountain, and we haven't even seen the shadow of the sea yet. You need to devote your life to rock climbing and racing. There is no room for complacency. Open-minded, struggling to climb, is talk.an excellent, it is possible to reach the peak of success, it is possible to approach the other side of the ideal. Tian teacher's level has reached the so-called first level in China, and it is still open-minded and eager to learn, not to mention us beginners! ?
Don't stay at the shallow end. Doing everything well requires persistence and persistence. If you retreat from the disaster and don't work hard, it will be difficult to succeed, and so will learning from Ou Kai. Some Ou Kai fans, although they persist well, don't like it again and again. When they came to it for the third time, they thought they had learned the word well and immediately changed the parting word. As a result, there is such a situation: it is clear that these words were well written when they were posted, but once they were written completely, they would not be written immediately, and the shortcomings of shallow kung fu immediately appeared. Therefore, friends studying in Europe must establish the spirit of sharpening the iron inkstone, and write every word hundreds of times until they reach the proficiency of knowing and forgetting their hands in the book, so that writing many times can be very similar to copybooks. This is to concentrate on the war of annihilation, which seems to be slow, but in fact it has a quick effect. ?
Four taboos, one exposure and ten cold. Many friends who study with tian teacher have this feeling. Once they like Ou Kai, they will be addicted to smoking and can't stop, making writing a hobby they devote themselves to and an indispensable part of their lives. If they don't write with a pen for a while every day, their hands will itch and they will feel uncomfortable. This state is the most basic prerequisite for learning Ou Kai well. Some people just regard writing as a kind of "work". If they think of it, they will write a few strokes. They can't remember how many days, so they let the brush sleep there, fishing for three days and drying the net for two days. Just after making progress, it was abandoned. Take a step further, take a step back and stand still. When can we reach the peak of success? ?
Don't be jealous of talents. To learn from Ou Kai, we should not only learn from copybooks, but also learn from high-level people, learn from other people's good experiences and methods, and use them for my own use, so as to constantly improve my understanding and writing ability. Jealousy virtue will not have any influence on others, but will only disturb your own mentality, so that you are always in a state of resentment and jealousy, and you can't calm down and practice your handwriting well. Therefore, people who study Europe should have the consciousness and character of seeing Si Qi, being open-minded, eager to learn, respecting teachers and teaching, respecting talents and abilities, learning from high-level people and other colleagues with an open mind, constantly absorbing nutrition and improving the level of calligraphy. ?
Six taboos are different. Learning books is not single-minded, learning what is popular, learning what you think is good. If you learn this style today and that style tomorrow, you will eventually know a little about everything, know everything and be sloppy, and eventually accomplish nothing. Many of our friends who love calligraphy have studied calligraphy for several years, ten years or even decades, but there is nothing outstanding. It is because they are not single-minded in studying books that they distract their energy and time. That kind of calligraphy is changed halfway before you learn it thoroughly, and it will always be half a bottle of vinegar. Those who study Europe must stick to one goal, have the perseverance to insist on the castle peak, concentrate on it, study the European model and learn the essence. ?
Seven avoid carelessness. Ou Kai, as a typical "I-type", has strict requirements on the structure of strokes. Two tian teacher studied it to a meticulous degree, and studied it properly, where they connected it in a real and virtual way, which was thick, which was thin, which was wide and which was narrow. For example, a large number of European learners think that the horizontal spacing of the word "book" is equal. In Ou Kai Analysis, Zhang Yun suggested that the first and second horizontal spacing of the word "book" should be wider than other horizontal spacing, and ancient inscriptions were written in this way, so it looks comfortable to write. In the fifth special training class, Mr. Zhang Ying elaborated on the different writing methods of "folding" pen in three situations, and the meticulous degree of its exploration was really amazing. If the teacher hadn't reminded me, many people wouldn't have noticed these subtle places. Usually casual, always follow the gourd when posting, thinking that almost enough, it is impossible to learn Ou Kai well. Details determine success or failure. When writing, Cedar, Xia Liang and other masters pay special attention to nuances. Sometimes, in order to write sharp brushstrokes, they use the fine strength of "fine money pierces the eye of a needle" Only in this way can their writing be unique and particularly dynamic. ?
Eight taboos are eager for success. Calligraphy is an excellent traditional culture in China. As for its skills, it is also a time-consuming and laborious skill, especially Ou Kai. People who need Xi Zhi should not only have solid basic skills, but also have profound knowledge and education. Without more than ten years or decades of hard work, they could not have succeeded. As the so-called "three-year painting for ten years", the essential characteristics of calligraphy determine that learners cannot succeed in a short time. Those who become calligraphers after studying for two or three years are just cheating the world and stealing their reputation. European learners must endure loneliness, resist all kinds of temptations and be prepared for a protracted war. They must not want to run before learning to walk, and want to innovate before mastering the most basic things in Ou Kai. We should take writing Ou Kai well as our lifelong pursuit, and through more than ten years and decades of hard study and tempering, we should accumulate enough Ou Kai knowledge and writing skills to achieve a qualitative leap. ?
Nine avoid self-defeating. Some friends who learn from Europe have not made any progress for a while, or they think that they are old and have less kung fu and cannot be effective; Either you think you are clumsy and have poor understanding, so you are not suitable for learning calligraphy. Driven by these consciousnesses, you gradually lose interest in calligraphy and give up studying Ou Kai. In fact, this is completely wrong. First of all, learn calligraphy regardless of age, although we also advocate that calligraphy should start with dolls, in order to better popularize calligraphy knowledge and improve the calligraphy level of the whole society. It doesn't mean that you can't learn calligraphy when you are old and you can't learn Ou Kai well, so you won't succeed. Lin Sanzhi began to learn cursive script at the age of forty, and became a generation of "Cao Sheng" in his seventies. Every European learner should learn from the most basic strokes and experience depression and hesitation for a long time. Calligraphy depends on hard study and hard practice. Although learners have different levels of understanding, there is no difference between a genius and a fool. There is no genius in calligraphy, everyone has equal opportunities and the same starting point. Every European learner should establish self-confidence and believe that he has the ability to learn Ou Kai well. Only in this way can he achieve satisfactory results. ?
Ten taboos are closed inward. Calligraphy needs communication, others need to point out the maze and correct your mistakes. If you just bury yourself in practice, you will often be limited by your own level of understanding and appreciation, unaware of your own bias, and will continue to consolidate your mistakes because you have been writing mistakes. If you don't communicate with others, you won't learn from others' good experiences and methods, but you will only increase your time, consume a lot of energy and make rapid progress. Therefore, we European learners should take part in more pen meetings and calligraphy seminars. "Three people must have a teacher." Through communication, learn from each other's strengths and promote the continuous progress of calligraphy. ?