Antique brushwork consciousness in calligraphy creation

The brushwork is to divide the writing methods of stippling into pen-starting, pen-walking and pen-receiving, and to use the pen to take into account both the shape changes of Fiona Fang's thickness and the rhythm changes of light and heavy speed. Form a combination and the overall aesthetic value is relatively independent.

There was no brushwork theory in pre-Qin seal script, Oracle Bone Inscriptions, bronze inscription and silk script, but the brushwork theory after the rise of epigraphy revived the art of seal script.

Inject this kind of thinking concept into every font to show the process of writing and collecting pens and the change of writing rhythm. Go straight to nothing and become "no pen in the word"

Folk calligraphy is unconstrained and unconstrained, with strange shapes, arbitrary description and daubing, and no sense of brushwork. Because of its super creativity and imagination, the consciousness of drawing lessons from brushwork has been refined and sublimated.

Question:

The rise of stele study? Representative figures and representative works?

On Modern Calligraphers Wu Changshuo, Ceng Xiang and Cai Li's consciousness of imitating ancient times and using pen.

Internalization: the reproduction of painting consciousness

Review (the best effect is to prevent forgetting after one week, 10 minutes is enough)