Appreciation of Cai Lili's Calligraphy Works
Cai Lili's calligraphy picture 1
Picture 2 of Cai Lili's calligraphy works
Picture 3 of Cai Lili's calligraphy works
Cai Lili's calligraphy works Figure 4
Famous Female Calligraphers in Qing Dynasty
Most of the female literati and calligraphers in the past dynasties came from musicians and ladies, and the Qing Dynasty was no exception. Musician is just another name for geisha. Because of the need to make a living, they have to receive special talent training since childhood, and their basic efforts to make a living are to be good at piano, chess, painting, wine and color. Then I will be lucky enough to make friends with literati and officialdom, and then I will be famous in by going up one flight of stairs. This class is distributed in major cities, especially Kyoto, Jianghuai and wuyue. Female historians such as Liu and Dong Xiaowan stand out from the land of Qinhuai, and their masterpieces will remain immortal. The school of ladies relies on the shadow of the official Jia family and the influence of scholarly family. Because you have your own interests, you can often enjoy good training, so you can develop and improve. Ladies, such as Jiang Shuzhai, Wang Duanshu, Sun Yunfeng, Zhang Lunying, Wu Zao, Qiu Jin, etc. , you can enjoy their artistic life. Jiang Shuzhai (date of birth and death unknown) was born in Jiaozhou in the early Qing Dynasty, whose real name was Zhang Ru, and his nickname was Guangping Neishi. She was a famous female calligrapher and poet in the Kangxi period of Qing Dynasty, and the calligraphy of female history was the first in Qing Dynasty.
Liu (16 18 ~ 1664), whose real name was Yin, was later renamed Yes, and was called a laity, also known as Hedong Jun. After the change of dynasties in Ming and Qing Dynasties, 10 was sold as a prostitute because of his poor family. She was rated as a talented woman, a beautiful country and an outstanding poem. Qinhuai Bayan? Crown. Its Shen Feng talent has been circulated in the world for more than 300 years, and it has not been bubbled up until today.
Liu Qinqi is proficient in painting, calligraphy and poetry. Wang Guowei, Chen Yinque, masters of modern Chinese studies, and Yu Dafu, a famous writer, all praised him. Liu's vigorous calligraphy is the externalization and expression of his temperament, vision and mind. Weng Tonghe praised his calligraphy: The iron fist stretched out the silver hook, and the strange gas was full of paper. ? However, her calligraphy art has never been given due attention. Mr. Chen Yinque, Liu's calligraphy teacher, said in Liu Biezhuan:? Among the celebrities he interacted with, Li Cun and I are particularly famous for their calligraphy, and the calligraphy of He Dongjun (Liu's name) is undoubtedly influenced by my existence. ? Liu Chuanshi's calligraphy works mainly include grass in the middle of the lake and couplets in Wanghailou, as well as a small amount of couplets calligraphy.
Qing? Liu's regular script couplets of Tiwanghailou
The title "Wanghailou" is a regular script couplet of Liu. The sun hub goes to the left, and the ground machine excites the water to roll eastward. , deep? Early Tang four? The testimonies of Yu Shinan and Chu Suiliang turned the past into my own style. Wang Duanshu is versatile and good at poetry and painting. Draw pictures of Ni and Mi, and make flowers. Paintings, books and poems have a particularly long history. According to the textual research on Miyake's literary records in the Qing Dynasty, Wang Duanshu loved reading and read many classics, such as Yin Fu, Lao Zi, Neidian and unofficial history, which can be described as well-read and knowledgeable. I am conceited of my talent and knowledge, and I want to be elected with various strengths. Therefore, all kinds of poems and essays are not involved in writing. ? Wang Duanshu's versatility was especially praised by Lin Wenzhen, a female painter and poet in Putian, Fujian Province in the Qing Dynasty, in her poem "I want to draw a picture for Qiu Lan". Yun Zhu's Biography of Beggars in Qing Dynasty said that she was brilliant, especially good at writing small books and opening two kings. Jia Zhu listed her as a female calligrapher in Qing Dynasty in the history of calligraphy.
Wang Duanshu (about 1620? 1700), the word Yu Ying,No. Ran Yingzi, the owner of Yin Hong,No. Wu Qinzi, the daughter of Wang Si, a famous civil servant in the late Ming Dynasty, and a talented woman in Yin Shan (now Shaoxing, Zhejiang Province) in the late Ming and early Qing Dynasties. Wang Duanshu was deeply influenced by family studies since childhood and worked as a painter. Zhang Geng's Painting Collection in Qing Dynasty called his works poetry and painting.
Wang Duanshu is versatile and good at poetry and painting. Draw pictures of Ni and Mi, and make flowers. Paintings, books and poems have a particularly long history. According to the textual research on Miyake's literary records in the Qing Dynasty, Wang Duanshu loved reading and read many classics, such as Yin Fu, Lao Zi, Neidian and unofficial history, which can be described as well-read and knowledgeable. I am conceited of my talent and knowledge, and I want to be elected with various strengths. Therefore, all kinds of poems and essays are not involved in writing. ? Wang Duanshu's versatility was especially praised by Lin Wenzhen, a female painter and poet in Putian, Fujian Province in the Qing Dynasty, in her poem "I want to draw a picture for Qiu Lan". Yun Zhu's Biography of Beggars in Qing Dynasty said that she was brilliant, especially good at writing small books and opening two kings. Jia Zhu listed her as a female calligrapher in Qing Dynasty in the history of calligraphy.
Qing? Wang Duan wrote "Postscript of Zhang Xian's demeanor in Xiyuan"
Wang Duan wrote a poem, entitled "Zhang Xi 'an West Garden Style Handscroll", which was signed at:? Good news (1674) In May, female singer Shi played Wang Duanshu. ? Seal:? Good wind hall, Wang Duan's book seal, jade reflection. ? Weng Fanggang commented on the topic? There are several generations of well-known scholars at the end of the volume, but Wang Yuying, a female history, is of no value in the art forest. ? The explanation is good.
Dong Xiaowan (1624? 165 1), whose real name is Bai, also known as Zi Zi, and alias Zi Nvshi. Her name and words were taken because she worshipped Li Bai, a poet in the Tang Dynasty. Nanjing people, because their parents divorced, lived in poverty and were reduced to brothels. She is smart, witty and beautiful, and she is a famous prostitute in Qinhuai Nanqu. Liu,,, Chen Yuanyuan, Koubaimen, Bian Yujing and other eight people were called? Jinling eight bright? . Dong Xiaowan was clever from an early age. At the age of eight, he studied poetry, painting and calligraphy, opera and piano with a group of literati. Thirteen or fourteen years old, he is proficient in piano, chess, calligraphy and painting, poetry and prose.
Dong Xiaowan left behind not only strange feelings, but also elegant taste. She is keen on the study of recipes, proficient in poetry, good at painting and calligraphy, and especially good at painting peach blossoms. Xiaowan drew a small clump of cold trees, and the pen and ink were touching. /kloc-The 0/5-year-old work Butterfly Picture is now in the Wuxi Museum. Calligraphy is good at small letters. I learned from Zhong You at first, but then I transferred from to North. The fine print on the fly is neat and handsome, and the pen is exquisite and Mo Miao. Ink marks are quite rare today, except for "Eleven Poems with Seven Words in Autumn Boudoir" written in gold paper.
Qing? Eleven autumn boudoir poems by Dong Xiaowan.
Eleven seven-character poems, composed of autumn boudoir poems, are written in gold paper sector letters, with a length of18.5cm and a width of 51.4cm.. Collection of Jilin Provincial Museum. Dong Xiaowan's regular script Poem of Autumn Boudoir is a rare masterpiece of calligraphy art, and it is also of great reference value to textual research on Dong Shi and Mao Xiang's emotional experience. Appreciating this poetic realm, we can feel a weak-crowned woman's desire to pursue freedom under the heavy bondage of feudal ethics. Its fine print is neat and delicate, and the essence of ancient calligraphers comes out.
Sun Yunfeng (1764 ~ 18 14), the eldest daughter of Chun Yan, was a disciple of Yuan Mei. Can write poems and flowers. His sisters, Yunhe, Yunluan, Yun Hong, Yunque and Yunjuan, are all good at poetry and painting. They are very clever since childhood, and they have all become outstanding roles in learning poetry under Yuan Mei. Jin Lei's "Beautiful Family Poems" recorded that Sun Yunfeng was very clever when he was young. At the age of eight, my father made a correct statement in the Book of Songs:? Guan Yu? She immediately replied:? Meow, meow, croak. ?
Qing? Sun Yunfeng's On Bai Xi's Zuo Zi
On Bai Xi Zuozi written by Sun Yunfeng. Yuan Mei's Poems with the Garden says:? Sun Yunfeng's poems are very good, and his calligraphy is charming. ? His calligraphy is smart and elegant, simple and natural, just like his teacher Yuan Mei? Sexual spirit? This idea. Appropriate regulations and excellent talents are regarded as good structures.
Zhang Lunying (1798 ~? ), the word graceful, room name Lu Huaiyin Pavilion. The third daughter, Zhang Qi, is suitable for Sun Shu. Jiangsu Wujin people. Gongshu was praised by Bao. Gentle, gentle, but resolute and powerful when writing. Tributes from Japan and Korea need to buy their books to return. Zhang Lun's books are just like Li Yong, a calligrapher in the Tang Dynasty, taking Zheng Daozhao as the method. Its official script is calm and slightly clumsy and unpretentious. The brushwork of seal script, original script and official script are mutually used. Her Weibei is magnificent, and she doesn't care about the little gains and losses of painting. But it is not blindly overbearing, but gentle, which embodies the feminine beauty of female calligraphy. Zhao especially praised Zhang Lunying, thinking? There was no calligrapher in that dynasty in China, such as Ms. yang hu, Zhang Wancheng and Zheng Xibo. . Zhang Lunying's calligraphy has a great influence on Zhao. His ink handed down from ancient times includes the regular script "Song Wife Standing Axis" and the official script "Sipingtu".
Qing? Zhang Lunying's Four Screen Official History
Four screens of official script, paper official script, single stroke length116cm, horizontal length 30cm. This book focuses on the pen heart, using the flank. The strokes are round and square, combined with Fiona Fang. The knot is square, tight outside and loose inside, wide and natural. In the process of leveling, the trend of slightly leaning to the right is odd and positive. Yue Mao Tang Diary praised it? Be good at learning the North Monument and have superb brushwork to prepare the method of official seal? .
Qing? Zhang Lunying's regular script song Yu Ting's wife
The vertical axis of the song dynasty regular script "Wife", with regular script in gold characters, is 122438+0 cm long and 29.0 cm wide. This is written on gold checkered paper. The pen is beautiful. This regular script work may be one of the pictures, so there is only one chapter without a paragraph. The content written is also a much-told story in the previous generation of women's articles. The author's mind and hands are fluent and imposing. Because her books are not handed down from generation to generation, calligraphy historians often ignore her when discussing the study of steles in the Qing Dynasty, which is worthy of reflection.
Wu Zao (1799- 1862) was born in yi county, Anhui. His father is Zhen Bao, and his word is Wu Mi. He studied science in Hangzhou, Zhejiang, and later lived in Renhe, Zhejiang (now Hangzhou). She hated the shackles of feudal ethics and created the zaju "Drinking and Reading Sao". What is the protagonist in the play? Growing up in a noble family, addicted to book history, sighing that women don't like to lead China? Xie, who painted himself as a man, cried while watching the movie "Reading Li Sao". Natural thanks are Wu Zao's self-portrayal.
Died at the age of 64. He is the author of Records of Xuebei in Southern Hunan, Poems of Hualian Bookstore, Hualian Ci, Reading Sao Tuqu and so on. Yilin, Hang Fuzhi, Ling's Ode to the Boudoir, two essays of Qiuyu Temple, an overview of boudoir poets in Qing Dynasty, and a catalogue of parts.
Letters from Wu Zao to Sha Fu in Qing Dynasty
Wu Zao is not only a poet, but also a calligrapher and painter. More than 90 people, including Jiaqing (1796- 1820) and Zhu Lunan (Yi), formed the Jinling Painting Society, and there is another painting society in Cocoon Village (Shitu) called Danqing. His book did not enter the trend of stele study, but learned from Erwang all the way. His "Letter to Shafu", vigorous and free, has no feminine quality, and is a rare masterpiece.
Qiu Jin (1875- 1907), formerly known as Qiuguijin, formerly known as Ruiqing, Zuo Xuanqing, and originally known as Yugu. After dongdu, she changed her name to Jin, calling herself. Jianhu girl? , pen name, once pen name Bai Ping, ancestral home in Yin Shan, Zhejiang (now Shaoxing). 1877 Guangxu was born in Xiamen, Fujian for three years. Modern democratic revolutionist.
Qiu Jin's poetry works publicize the democratic revolution and women's liberation, with vigorous and powerful style, heroic and tragic, and deep feelings. And Qiu Jin. Qiu Jin's calligraphy originated in Ou Yangxun with a slightly flat shape. The beauty of female calligraphy is integrated with the firmness of essence, but the calligraphy style is dignified.
Calligraphy and poetry albums are clear and firm, elegant and straight, and seem to have the bones of European figures. He is also a hero of Beihai, and his poetic style is heroic and vigorous. Appreciating its words is like seeing that person, and the passionate and angry feelings are beyond words, which makes me feel that there is an aboveboard spirit!
Qing? Partridges in Qiu Jin? The sinking feeling of the motherland is involuntary.
"Partridge day? The sinking feeling of the motherland was written in 1904, shortly after Qiu Jin went to Japan. Qiu Jin's determination to establish a country and courage to be the first have been fully demonstrated. The heroism of the whole poem supports the heroism of the poet. Does Shaoxing Prefecture in Qing Dynasty regard this manuscript as? Guilt? Publication shows that this word is revolutionary. Between pen and ink, the heroic spirit shines, and the breath is like the manuscript of Lu Gongji, which is praised as a product.