Liu Mingli, Mo Tong, was born in Tongliao City, Inner Mongolia. He studied painting since childhood and was admitted to Inner Mongolia Normal University in 198. At present, he is the Executive Dean of China Institute of Contemporary Fine Arts and the President of Chinese Painting Academy of China Xu Beihong Painting Academy. Director of the Painting and Calligraphy Committee of China Cultural Management Association, Ministry of Culture. His works have participated in many national exhibitions, published in major newspapers and magazines and collected by many institutions and individuals. By the relevant departments of the Ministry of Culture as "the most potential national painter in China".
Chinese name: Liu Mingli
Nationality: China
Birthplace: Tongliao, Inner Mongolia
Date of birth: 1961
Occupation: painter
Graduation institution: Inner Mongolia Normal University
Major achievement: Prairie Man was collected by China Art Museum
Representative works: Xiaoyao Tu. He has successively created works such as Soul of Laoshan, Memories of Alishan, oil painting (group painting), Grassland Man, film comic book thelma and louise, Confession of Blood, Introduction and Biography of Ulanhu.
In p>1997, he was transferred to Tianjin Tanggu TV Station to do literature and art editing in news topic.
In p>23, he planned the TV program "Exhibition China" and cooperated with travel channel as the program planner and chief producer.
In p>24, I was the director of the column "Lu Yu You Yue" on Phoenix TV.
In p>25, he was the director of three sets of Variety Express in the Central Committee.
In p>26, he was employed by China Radio and Television Association, responsible for foreign exchange and cooperation, and served as project director.
in p>21, I returned to the fine arts major. Most of them are created with stories of historical figures such as Buddhism, Taoism and Zen.
in p>211, he was hired as a professional painter of China Xu Beihong Painting Academy. In 211, we began to prepare for the creation of "One Hundred Classic Stories of Peking Opera in China" (each volume embodies a story), which reflects the artistic charm of the quintessence of Peking Opera by means of freehand brushwork characters in Chinese painting. Deduct the quintessence of China with the quintessence of China.
Achievements
In p>21, "Kangzi Cup. Qingdao Exhibition of Liu Mingli's Works" showed the world a talented humanistic painter Liu Mingli. More than 6 works in the exhibition are mostly masterpieces of traditional Chinese painting created by Liu Mingli, such as the humorous picture of Xiaoyao, the humorous picture of the teacher, and the Zen-like picture of the meditation, all of which reflect the extraordinary creative strength of this powerful painter. Appreciating Liu Mingli's paintings, people often have a shock that touches their hearts, as if they were talking to history through colors. This kind of color is smart, expressive, illusory and real, just like an elf broke the list of fixed pen and ink symbols and replaced it with an ever-changing TINT, which merged into deep thought and imagination. Liu Mingli's paintings always give people a feeling of watching the soul, coming and going one by one, so that the humanistic spirit of history can be passed down in pen and ink. Time and space are intertwined, and the morning sun shines with its ease, and the spring, summer, autumn and winter follow its course. That is the artistic conception of the world, in which things are mixed with each other, and people forget right and wrong, life and death; It is a cosmic symphony of nature, earth and people.
As early as 1986, his series of paintings "Prairie Man" was collected by China Art Museum. In the following years, he successively created a series of artistic works such as comic books "Introduction", "Confession of Blood", "Tiger Poison Gall", "thelma and louise" and "Biography of Ulanhu", but there were not more than a thousand illustrations in major newspapers and miscellaneous calligraphy and painting. It is precisely because he has a large number of comic book creation skills that he has laid a solid foundation for today's figure painting art creation.
This foundation is due to his understanding of life and the depth of touching the soul. His painting language vividly describes the feelings of life and the noisy world. His style situation, pen and ink interest and mechanism structure are all reflections of the inner world of the characters. From Liu Mingli's "Beijing Opera" series of paintings, I can see that he condensed the long-standing national quintessence of Beijing Opera artistic figures into paintings, which originated from Beijing Opera and was higher than Beijing Opera's ideological content. Through the outline of lines, the facial expressions of the figures were highlighted, and then with the calligraphy on the screen, withdrawals were made, making it "full of charm, appropriate shades, broken and combined, and the strength came out of the dust, like painting but not painting, and followed the painting." From this kind of systematic painting, we can see that he not only inherits the creative methods of traditional Chinese painting, but also boldly absorbs the western sketch modeling techniques, and expresses the well-known Peking Opera figures in the form of art.
Liu Mingli's artistic creation follows the principle of "painting is precious and quiet" (Huang Binhong's language), and his paintings are full of charm with the brushwork of the intersection of reality and reality. For example, the meditation on a pine stone shows the piety of an old man vividly on the paper, and the exquisite composition of calligraphy lines on the incense lines shows that "if you are determined, you will listen to it with your heart without listening to it, and you will listen to it with your heart without listening to it." Listening stops at the ear, and the heart stops at the symbol. If you are angry, you will treat things in vain. Only the Tao is empty. Deficiency, heart Zhai also "("Zhuangzi human world). Liu Mingli often combines the composition and creativity of his works organically, and walks in the art kingdom with a quiet and broad mind. He grafted, continued, germinated and updated his life in the ancient life, so the picture was fuller, the color was richer and the image was more vivid, which not only contained the implication and freeze of Chinese painting, but also absorbed the image and exquisiteness of western painting.
personal works