2. The so-called "Xianxiang" dispute of the reviewer 1992 No.4
3. A textual research on Xu's tampering with Historical Records: China Historical Research 1996No. 1.
4. Looking at the students who wrote scriptures in the Tang Dynasty and their calligraphy from Dunhuang Buddhist scriptures: Dunhuang Studies 1995 No.65438 +0.
5. The cultural significance of the eccentric behavior of the hermits in the Middle Ages. China Research Monthly 1997 No.2.
6. Knowledge of literature and history of Wang Maozhong and Tang Xuanzong regime 1993 No.5.
7. Knowledge of literature and history of Jiucheng Palace in Sui and Tang Summer Resort, No.2,1992,8. Calligraphy Criticism and Innovation, Calligraphy Guidance, No.5, 1993
9. On the history of Li Yong's death 199 16.
10. Zhuang Zhou's philosophy and Su Shi's knowledge of calligraphy aesthetics, literature and history 1992No. 12
1 1. Historical concept, criticism of historical materials and calligraphy theory's study of calligraphy 1993 No.3.
12. Xuanhe 1997 Study on Calligraphy in Volume VI.
13. A preliminary study on the calligraphy of mad scholars in Tang Dynasty. Calligraphy research 1994No. 1
14. the misunderstanding of calligraphy discipline construction 1995 no.5.
15. Re-understanding of Mr. Shen calligraphy theory's calligraphy research 1995No. 1.
16. "Gold Picking from Manna and Calligraphy in Tang Dynasty" Journal of Shaanxi Normal University 1994 No.3.
17. Some Questions about Xuanhe's Book Score: Bibliography Quarterly 1995 No.2.
18. An analysis of the psychology of painting and calligraphy collection in the Tang Dynasty: Historical Monthly 1994No. 12
19. Women and Calligraphy in Tang Dynasty: History Monthly 1997 No.4.
20. Calligraphy Performance and Good Book Style in Tang Dynasty: Historical Monthly 1993 No.6.
2 1. Huai Su's calligraphy from the cultural perspective: China Culture Monthly 1994 No.65438 +0
22. Confucian cultural connotation and calligraphy art: China Culture Monthly 1994 No.5.
23. Classics and Scripture Calligraphy in Tang Dynasty: Mainland Magazine 1993 No.9.
24. Zen and Huai Su's Calligraphy: Philosophy and Culture 1993 No.3.
25. Choice and Transcendence —— Su Mi's acceptance of Yan Shu and its enlightenment to today's book circles: Book Club 1993No. 1.
26. Folk Calligraphy and Yan Zhenqing Calligraphy Newspaper 1993 No.29.
27. Literature Research on Simple Ink Painting and Passion 1998, Phase III.
28. Look at the mistakes in Lanting's argument from the inscriptions despised by scholars in the Six Dynasties. Guangming Daily199865438+February 4th.
29. Taoism, Calligraphy and Life in the Six Dynasties (Taiwan Province), No.9 and No.99.
30. Mr. Wei Junxiu's 2000 Calligraphy EssayNo. 1
3 1. Network Resources and Calligraphy Research Calligraphy No.2, 2000
32. Is the seal script in the Northern Dynasties related to Taoism? China CalligraphyNo. 1, 2000.
33. Taiwan, an excellent book of the Northern and Southern Dynasties, the Palace Museum Cultural Relics Monthly 187.
34. Who is Qian Jun in Wang Xizhi's post about snow? The Palace Museum Cultural Relics Monthly 19 1.
35. Looking at Wang Xizhi's calligraphy collection from the Letters from Xu Seng: Cultural Relics Monthly of the Palace Museum 192.
36. The official calligraphy "Taiwan" reflected in the newly unearthed bamboo slips of Wu Jinian in the Three Kingdoms, the Palace Museum Cultural Relics Monthly 197.
37. Talk about the figures in the Forbidden City and other "Taiwan Province" cultural relics, 202.
38. The Wind of Calligraphy in the Six Dynasties and Taiwan Province Chinese World, No.9, 2000.
39. The significance of the discovery of Wu Jinian's bamboo slips in the Three Kingdoms in the study of calligraphy history. Calligraphy Guide 200065438+1October 26.
40. China CalligraphyNo. 12, 2002. Wei Dongyang and Wang wrote classics in the Northern Dynasties and copied them in Dunhuang.
4 1. Textual research on Hanlin's book preparation and its activities in the Tang Dynasty, No.3, 2003.
42. The Song Dynasty engraved Wang Xizhi's "Lue Wang Post" was the second issue of Mi Fei's pseudo-test collector in 2004.
43. On the relationship between official promotion and calligraphy in Han Dynasty. China Calligraphy, No.4, 2004
44. Han Yu and Calligraphy Three Topics "China Calligraphy" No.4, 2004
45. The implementation and significance of the "four talents" official selection system in the Tang Dynasty. Historical Monthly, No.3, 2004
46. Wu Tong, a calligrapher of the Tang Dynasty, quizzed literatureNo. 1 No.2004.
47. China Calligraphy, No.2, 2005, discusses the deeds of cursive writing in the imperial palace of the Tang Dynasty.
48. The "business card" of the Han Dynasty and its calligraphy "China Calligraphy" No.5, 2005
49. Query the third Huai Su of Tang Dynasty, China Calligraphy, No.9, 2007.
50. Three Things about Wu Zetian's Calligraphy China Calligraphy No.7, 2008
5 1. Liu Zongzhi's Notes on Cao E's Inscriptions: A Study of China's Calligraphy, No.4, 2009
(The above are representative papers collected only by personal strength, some of which are found in collections of essays, newspapers, etc. )