The reference for how to write the character Zhao in regular script is as follows:
How to write regular script well
1. Regular script should be based on calmness, that is, the pen should be used carefully and delicately. The strokes are complete, the pen shape is in place, the words are tied and pressed, and there is a graceful and comfortable attitude. The traces are like what the predecessors called pointillism, like carving into the silk, and the structure is like a natural casting. You cannot add to it or subtract from it. Therefore, when you first learn regular script, you should Use slow strokes to determine the situation. Don't use small characters and rush the strokes, and don't use large characters and slowly unfold the hair. Instead, use a calm rhythm - acting in a hurry can easily lead to superficiality.
2. When writing regular script, the speed of writing backwards should be fast, like a snake entering the grass; when writing backwards, it is better to adjust the front more slowly. As the saying goes, "If you return late and do not advance, you will end up hiding." The power of protecting the tail".
3. The transition between pens and pens should be fast. The so-called "too expensive is too fast"; the hook method should be fast, and the crouching front can be used to gain momentum. tip.
4. The method of restraining should be ups and downs, with twists and turns, as the saying goes: "If there is no slowness, no speed, the desire to roll back will come out, and the success will come out."
5. The short stroke should be fast, sharp and fast, just like a bird pecking at an object, the so-called "hasty and quick to cover".
6. The picking method should be late, lift the tip of the pen, and advance lightly. The so-called "it is more valuable to stay later".
7. The long strokes should be melodious, bold and vigorous, intended to be graceful and smooth, and the writing power should be delivered with a lingering aftertaste.
8. Suspending the needle should be done slowly. If it is done slowly, you will be satisfied and your posture will be radiant.
9. If the dew is hanging down, you should be sick. If you are sick, you will be strong and the pen can be reversed.
10. A little bit is more valuable than a heavy one, and its potential is like a falling stone from the peak.
11. As for the strokes in the middle of a long painting, it depends on the situation. It may go against the trend and be a little thinner in the middle. When the ink in the millimeter is full, the pen can be used slightly faster; when the ink in the millimeter is low, the pen can be used slightly slower.
12. In terms of virtuality and reality, everything is real everywhere, everything is virtual, and stipples are real. In terms of curvature and straightness, the beauty of regular script lies in seeking straightness in curves, seeking flatness in unevenness, or seeking straightness in unevenness. It may be on the back, or there may be a back toward the middle, or there may be a direction toward the middle of the back, or it may be flat at the top and high arched at the bottom, like the shape of an overturned boat. There may be mild or severe disease, some may be sparse or dense, some may be empty or solid, and some may be curved or straight toward the back. Over time, with skillful use, the brush will become more flexible, and the ink color will also change in shades and dryness in the flexible brushwork.
13. When writing regular script, the most taboo thing is to dip every word in ink once, so that you will never have a dry pen, a white fly, or a thirsty pen. The most ideal brush for regular script is one that is medium-thick, dry on both sides, not only smooth and hairy, but astringent with infinite charm; the most ideal use of ink is dry but moist, that is, when the pen is full of ink, rely on speed and The dry pen drawn out by the center, stroke force and gesture has the appearance of "dry and cracked by the autumn wind, moistened by the spring rain". Changes in the ink color of a regular script will greatly enhance its agility.
14. In short, there is no absolute speed for writing regular script. In terms of style, there is a fast-paced regular script. The so-called "writing is as true as grass", so when writing regular script, the wind blows under the elbow, and it looks calm and happy. . Regardless of speed, fatness or thinness, it is important to control it within the range of "degree". If it is too fast, the writing will be straight and the meaning will be shallow; if it is too late, the bones and flesh will be stagnant and the writing power will be weak; if it is too heavy, it will be fat and the flesh is exposed; if it is too light, the writing will be weak. Thin and revealing.