Tongguan Qing Tan Sitong. Tongguan is a seven-character quatrain written by Tan Sitong, a politician and poet in the late Qing Dynasty. The first sentence of this poem says that Tongguan stands on the mountainside, facing the Yellow River. The situation is very dangerous. The author of the second sentence passed by here, and the sound of hooves was blown away by the autumn wind, indicating the time and distance.
Tongguan Qing Tan Stone is a famous politician, thinker and cultural celebrity in the modern history of China. Born in 1865, a scholar and official in the late Qing Dynasty. His life has experienced many important events in the history of China.
Tongguan Qing Tan Sitong Tongguan refers to an ancient pass in Shaanxi Province, and Qing Tan refers to two words in his name. As an outstanding thinker, Tongguan Qing Tan Stone put forward many important ideas. He also advocated scientific spirit and positivism, and believed that only through scientific methods and empirical research can real knowledge and truth be obtained.
In the field of culture, Tongguan Qing Tan Sitong has also made great achievements. He was a famous poet and calligrapher in Qing Dynasty, and his works were deeply loved and respected by people. He is also an outstanding educator and social activist who is committed to promoting social progress and reform.
Appreciation of Tongguan
The first sentence of this poem says that Tongguan stands on the mountainside, facing the Yellow River. The situation is very dangerous. The author of the second sentence passed by here, and the sound of hooves was blown away by the autumn wind, indicating the time and distance. Three or four sentences are about the mighty Yellow River, and the mountains in Tongguan are rolling. The whole poem is bold and unrestrained, and the combination of scenery writing and romance is exquisite and vivid.
The first sentence of the poem shows the vast and vigorous weather in Tongguan area from a long-term perspective. Then, the second sentence introduces the sound of autumn wind and horses into the poem with a brisk and powerful style, which not only supplements the visual image caused by the previous sentence with auditory images, but also further renders the unique atmosphere in Tongguan area, breaking the static state of the original picture and adding a sense of movement to the whole poem.
For a weak scholar who has lived in his study for a long time, the bleak autumn wind may be a sad and desolate thing, but for an ambitious, literate and martial-minded poet, the vigorous pounding of hooves in the autumn wind is even more inspiring. He rode his horse between the magnificent world, in a happy mood, in a happy mood and in high spirits.
In the former state, the poet looked around with rapt attention, and the natural scenery in front of him also showed a novel attitude: the Yellow River, which came out of generate in the mountains, rushed into the vast plain, but still hit the river bank like bundles, while the mountains to the west, although in the opposite direction to the Yellow River, seemed to be trying to keep it flat and higher than other peaks.
The ingenious combination of scenery description and romance melts into the poet's unrestrained feelings of breaking through the shackles, which is a subtle and vivid description of his own personality. Here the poet is a landscape, and the landscape is a poet.