Su Sixth Painting is a common horizontal painting in ancient Chinese calligraphy. This horizontal stroke does not mean that there must be horizontal strokes in its strokes, but refers to its position in the entire glyph. The sixth stroke of Su is generally located at the upper part of the font, which can stabilize the entire font structure.
Su's sixth stroke is also a very special stroke in Chinese characters. It can control the momentum and style of an entire glyph. The sixth painting of Su generally needs to echo the upper and lower parts to form a perfect structure. Without the support of Su Liuhua, the entire font would appear sparse, weak, or even shapeless.
In calligraphy creation, the application of Su Sixth Painting is also very important. The author needs to appropriately use Su Sixth Painting according to the rules and needs of the entire glyph, so that the glyph is dignified without losing weight, and the structure is stable without being heavy. The application of Su Sixth Painting requires not only skills, but also the grasp and understanding of the entire glyph.