The Ming Dynasty Wanli engraving "Pipa Ji" is beautifully illustrated. When he was young, he was full of enthusiasm for the world. In the fifth year of Zheng Zheng (1345), Yuan Shundi was admitted as a scholar with Chunqiu, and successively served as the secretariat of Chuzhou, Jiangsu and Zhejiang, and Fujian. Clever as an official, clear and honest, careful and clear about unjust imprisonment, is called God in the county. He can care about the sufferings and unyielding strength of the people and is loved by the people under his rule. When he left office at the end of his term, a monument was erected for him. Due to several powerful people, he retired to the Shen Shi Building of Mingzhou (Ningbo) Oak Club in his later years to "amuse himself with words" (daily necessities in Liu Qing, etc. According to legend, Zhu Yuanzhang, the founding emperor of the Ming Dynasty, admired his name and sent messengers to recruit him. He "can't pretend to be crazy" (Narration of Southern Ci) and soon died of illness.
The dross is self-loathing, which is selected from Gao Mingshan calligrapher's poems illustrated in Pipa Xing, a block-printed edition in the 25th year of Wanli in Ming Dynasty. His poems are dissatisfied with the dark politics and sympathize with the people's sufferings. For example, Painting a Tiger denounces "tyranny on earth" and "Biography of Five Treasures" criticizes the treasure policy of the Yuan Dynasty. Some thoughts show that in his later years, he is tired of running around the world and yearns for seclusion, such as "Enjoying Gao Yingwen with Two Rhymes". He also expressed his regret by reciting history and criticizing the fatuity of Song Dynasty and the fatuity of Yue Fei's father and son. As for Xiao Yi Jing Ji, Xiao Huazi's former site Ji and Wang Jie Fu Shi, they are articles praising filial piety and chastity.
The southern opera Pipa is a masterpiece of Gao Ming. It was re-created on the basis of Cai Bojie's popular stories in the Song and Yuan Dynasties, especially on the basis of the first play, Zhao Zhennv Cai Erlang. In the folk singing in Song Dynasty, Cai was a villain who abandoned his parents and cheated his wife, but Gao Ming shaped him into a positive image of filial piety and benevolence. There have always been different opinions about the causes of Gao Ming's Pipa Story and whether the characters in the play are insinuated, but most of them are groundless. Hua Yao's □ Yi Shi Quhua said: "What Rouk is mocking is the common things in the world. You don't have to think that there are real people in it, that is, you can satirize the world." The story of pipa is called the "swan song" in traditional Chinese opera (He's Four Friends). It describes human feelings, is true and delicate, twists and turns, and can deeply impress readers. In the play, these two lines are intertwined, with the rich lining the poor and happiness lining the sadness. In sharp contrast, the two strongly highlighted the social contradictions in the feudal era and strengthened the tragic atmosphere. Ci is characterized by its true colors and brilliant literary talent. Wang Shizhen in Ming Dynasty said, "If you are sincere, you will be the best performer, not only because of your skills in writing sentences, but also because of your consideration of human feelings. Describe the state of matter as if it were life; When I answered, I didn't see a turning point: so Jia Er. " Legend has it that Gao Ming "grinds his feet on the board" when writing a script, which shows that his creative attitude is very serious. Gao Mingmo's Pipa Story is a successful work that combines folk opera with literati's creation. It has raised the creation of Southern Opera to a new stage. At this stage, Southern Opera is mature in art and can be enjoyed by both refined and popular tastes. It was appreciated by Zhu Yuanzhang, the Ming emperor, and was widely loved by people from all walks of life. Since then, scholars and famous officials have begun to make operas, which has become a common practice. The Story of Pipa has become a model of southern opera creation, winning the reputation of "Qu Zu" (Qu Lv) and "Southern Opera Sect" (Wang Shan Ting), which has a far-reaching impact on later drama creation. It has also been translated into French and Japanese and spread abroad. The Chinese Dramatists Association held a seminar on evaluation and arrangement of pipa in Beijing on 1956. There are many Pipa Tales, and The First Series of Ancient Opera Series contains Cai Boyi's Pipa Tales, which is a good book to keep the original appearance of ancient books. Ming Jiajing Suzhou square carved towel box is similar to this. 1958 Jiajing manuscripts unearthed in Jieyang, Guangdong Province also belong to the category of "primitive" and are the earliest existing books for artists to perform. The rest were deleted by later generations, which is quite different from the original. According to the narrative of Nanci, Gao Ming also has a play, Min Zikai's Single Clothes, which is no longer there. An excellent collection of poems, including 20 volumes of Jouke Zhai Ji, has been lost. Mao Guangsheng, a close friend, compiled 49 poems with the word 1, which were published in the Congke of Yongjia Poets' Ancestral Temple. In addition, there are many other books, such as Postscript of Green Bamboo Hall, Notes on Xiaoyi Well, Notes on the Former Site of Hua Xiaozi, Biography of Five Treasures, etc. , scattered in Yushan Scenic Spots Collection, Huang, Changzhou Fuzhi, Nancun Dropping out of Farming Record and other books. [Edit this paragraph] 4. In the middle of the Ming Dynasty, officials were brilliant, and they were from Guixi and officials in the middle of the Ming Dynasty. When he was young, he was famous for his filial piety.
In the second year of Emperor Taizong's reign in Jingtai of Ming Dynasty (145 1), he was admitted to the imperial examination and was awarded the imperial history. When he was governor of Henan, he had 60 officials under him. During the Tianshun period, he became the founder of Dali Temple. After Ming Xianzong acceded to the throne, Bai Gaoming was the advisor of the right capital Nanjing. In the third year of Chenghua (1467), he was ordered to crusade against Yangzhou Yankou, and in the fourteenth year (1478), he served as the governor of Fujian to suppress Shanghang rebellion.