Picture of Regular Script 1 Appreciation of Fan Calligraphy Works
Fig. 2 appreciation of fan-shaped calligraphy works in regular script
Figure 3 Appreciation of fan-shaped calligraphy works in regular script
Figure 4 Appreciation of fan-shaped calligraphy works in regular script
Appreciation of fan-shaped calligraphy works in regular script Figure 5 Expressiveness of regular script
The stippling lines of calligraphy have infinite expressive force, which is abstract in itself. The calligraphy image they form has no definite meaning, but it should contain all the characteristics of beauty. This puts forward special requirements for the stippling lines of calligraphy. Require a strong sense of quantity, rhythm and three-dimensional sense.
Sense of strength
The power of stippling lines is one of the elements of line beauty. It is a metaphor, pointing out the sense of power aroused by drawing lines in people's hearts. As early as the Han Dynasty, Cai Yong made a special study on stippling lines in Nine Potential, pointing out? Hiding the head and protecting the tail, power is between the lines? ,? Do a pen heart and often do some painting? ,? After the stippling is finished, you still have to collect it forcibly? . It is required that the stippling should be hidden deep in the laurel corner, and what is done will be collected and its power will be obvious. It should be noted that our emphasis on hiding the head and protecting the tail does not mean that we can ignore the midline. The center line pen must take the convergence center, so as to make the stippling lines round and smooth, warm but not soft, and contain strength. But the starting point and ending point of the dotted line are not all hidden in the corner (both large print and small print must hide the front). Calligraphy is often combined with hiding and revealing as needed, especially cursive script. When appreciating it, we should pay attention to the acceptance and echo of the beginning and the end, and whether the middle part is flashy and frivolous.
Sense of rhythm
Rhythm originally refers to the regular changes in the height, strength and length of notes in music. Because of the different strength and speed of calligraphy in the process of creation, different forms such as thickness, length and size change regularly alternately, which makes the stippling lines of calligraphy have a sense of rhythm. The strokes of Chinese characters are different in length and size, which further strengthens the rhythm of stippling lines in calligraphy. Generally speaking, regular script (such as seal script, official script and regular script) has a weak sense of rhythm, while running script (running script and cursive script) has a strong sense of rhythm and rich changes.
third dimension
The stereoscopic impression is the result of using the pen in the center. The strokes written in the center, looking at the sun, have a wisp of thick ink in the center of the painting, which is in it. As for the folds, there is no bias in it. ? In this way, the dotted lines can be full, round and round. Therefore, sewing pens have always been attached great importance. However, we can't find the profile that can be seen everywhere in calligraphy creation. Except for Xiao Zhuan, all other calligraphy styles are inseparable from the side edge. Especially cursive script, as a supplement and foil to the center, wingers can be seen everywhere.
Evolution of regular script
Regular script is evolved from official script. In order to master the basic skills of calligraphy art by practicing regular script, we must understand how regular script evolved to deepen our understanding of regular script. After the writing came into being, calligraphy gradually came into being in the period of stippling symbols. By the Shang, Zhou, Qin and Han dynasties, ancient Chinese characters had evolved from big seal script and small seal script to official script. At that time, calligraphy as an art was not fully realized, but it had formed a set of writing techniques, and calligraphy theory also appeared. Scholars who are good at calligraphy have already evaluated the merits and demerits of calligraphy. For example, Li Si, the prime minister of Qin State, sighed for seven days after seeing Zhou Muwang's calligraphy, worrying that his calligraphy was too spineless. It can be seen that from now on, the quality of calligraphy and whether it is written with bone strength are a standard for evaluating calligraphy. But at that time, the quality of calligraphy did not affect its practicality, because it did not appear as a work of art, and its main function was not to watch.
The change of characters is always inseparable from practicality. Simplifying strokes and facilitating writing is a law of the evolution of characters. Therefore, the evolution of characters often starts from the folk and is established by convention. After official processing and confirmation, he became an official figure and a recognized normative figure. With the emergence of cursive script at the end of Han Dynasty, calligraphy has become an artistic ornamental and a treasure that people collect and appreciate. From then on, on the one hand, practical calligraphy; On the other hand, masterpieces have also become works of art and cultural relics of historical treasures.
Compared with seal script, the strokes of official script in Han dynasty are simplified and writing is much easier. However, the brushwork of writing waves is still very troublesome, so a simple writing method will naturally appear in practice, that is, regular script.